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In: Frugal Film Project
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This month is a weird entry into the project. for this year. I have focused on a single place to photograph, usually a town, location or event—something with a defined history and story, and yes, even a maple syrup festival counts. And no, before you ask, I’m not a closet K-Pop fan, and this has nothing to do with the band by the same name. Instead, B.T.S. is a term used within film/T.V./theatre to indicate behind-the-scenes. The idea came from a challenge that I gave to a person over on Twitter who wanted an idea for photography. I suggested that he photograph the backsides’ ofRead More →

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In: Sixteen
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What we know today about crossing the border is a standardised process that is relatively modern. Of course, we all experience what could only be described as a nerve-racking experience when faced by border agents in a post-9/11 world, some more than others for reasons other than their nationality and skin colour. But the 19th Century had far fewer controls over the border, and people crossed it unharassed (mostly) or requiring documentation. But the one thing that got a lot of investigation was trade, specifically the collection of tariffs and duties, which often fell to a leading citizen in a town named a port-of-entry byRead More →

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In: Camera Review Blogs
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I’m not always one to follow trends, especially regarding the cameras I use. But there is some wisdom in reviewing cameras that are still reasonably trendy within the film photography community. And doubly so when that camera is significant within the overall history of photography within the consumer sphere. That camera is the Canon AE-1. While the AE-1 Program and F-1 get much fanfare, the AE-1 remains a stalwart consumer camera that has maintained much of its following within the modern film photography community. It is often found on big-name Instagram and YouTube Accounts, loaded with Portra 400, and sold well above their actual value.Read More →