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The whole team is together again and in person with a special darkroom episode. We generally talk about gear, films, paper and other technical things. In this episode, we’re talking about our photography, what makes a good photo and the images we brought into print using a traditional darkroom! While we are all gearheads, we all have passions for different types and styles of photography. We apologise for the audio quality of this one. We were recording in the darkroom, and there were some pops and interference where the mic cables crossed with electrical ones. Community Darkrooms Mentioned: Gallery 44 Toronto Camera Club Obscura DarkroomRead More →

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I enjoy working with interesting and odd films, and while we’re blessed with a tonne of modern options that are sharp and fine-grained, that wasn’t always the case. You often traded sharpness for increased grain to allow for faster films. And there are still some older stocks that represent that trade-off. I hadn’t even heard of Kodak Recording Film 2475 until a follower on Instagram messaged me about the film stock, wondering if I had ever shot the stock. I had not, and they graciously offered to send me some rolls. I expected to receive some bulk-loaded film but received factory-loaded cassettes instead. After findingRead More →

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On the eastern side of the Iron Curtin, one of the biggest producers of photographic materials was ORWO, or Original Wolfen. ORWO was born out of the split between the Germanys and the companies that existed. Famously, there is Carl Zeiss, but there is also Agfa. While Agfa reformed in the west, its factories in Wolfen were formed under the new name ORWO. While ORWO did produce a series of photographic films for still photography, they also produced specialised motion picture films. The two standard negative films are N74+ and UN54+. UN54+ is the film that I’ll be reviewing today. Now, this isn’t the firstRead More →