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We love our advanced, top-of-the-line, high-quality cameras here on CCR. The Nikon F5 and F6, Rolleiflex, Hasselblad, and large-format cameras with multi-element lenses. But recently Alex has been digging into cameras that often are not what he typically uses and is loving the experience of keeping things simple and a bit of a juxtaposition from his usual kit. In today’s episode Alex sits down to talk about all the cameras that he’s been using of late and how maybe if you’re getting started in film photography that maybe these cameras might be a better bang for your buck than the ones that everyone else isRead More →

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The VCXPEX events were a great way to check out locations I usually would not see. Old industries in Ontario were few and far between and often had been restored with some adaptive reuse or so run down that it was unsafe to enter. Enter the former Hooven & Allison Rope Factory or Cordage company, depending on where you looked and who you asked. This massive 19th-century rope work factory in Xenia, Ohio, was a local attraction even though it had been burned three times. Tracking a complete and chronologically accurate history of the Hooven & Allison Cordage Company proved difficult. Mainly because the peopleRead More →

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Miranda produced a lot of excellent lenses, from wide-angle to telephoto and everything in between. The 135mm f/3.5 is an interesting addition. It might not be the best choice for portrait-length lenses, but it still works great for what it is. Don’t get me wrong, there are better and faster lenses in this category, but the 135mm f/3.5 has one thing: affordability with a lot more bang for your buck than you would expect. And while it might not be the fastest or a focal length I like (yes, I still struggle with 135mm), it works for the limited number of times I’ve used it.Read More →

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I was starting to worry that I wouldn’t be able to complete this trinity of the original Efke films. Still, a fellow film photographer came through and sent me not one, not four, but a brick of ten rolls of Efke 25, and not just in 35mm, but in 120, that’s right, we’re doing the final review in the Efke trilogy with Efke R25. Efke 25 is the slowest and hardest to handle of all the Efke films, rated nominally at ASA-25. It is based on the original line of films first released by Adox in the 1950s. This is a single-pass emulsion with highRead More →

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Jess Beaudin first came to our attention when CBC posted an article about her use of natural materials to develop and print her photographs. So, of course, we wanted to get her on the show to talk about her work! Jess agreed and sat down with Alex to talk about anything and everything! You can find more of Jess’ work online: Web: https://jessbeaudin.ca/ Facebook: https://www.facebook.com/profile.php?id=61570628757496 Instagram: https://www.instagram.com/jessbeaudinmedia/ Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), and All Things Film (London, ON). In Quebec, PhotoRead More →

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The 1990s and 2000s were a weird time for film photography and film cameras. Digital was starting to arrive as a medium, and often the first digital cameras were adapted from film cameras. But there was also a push to chase nostalgia, and several companies put out what can only be described as premium options. Sure, you have the standard names like Canon, Nikon, Olympus, and Minolta. However, the biggest player in this push for premium is Kyocera. Kyocera had come in, purchased a couple of historic brands, Yashica and Contax, and began producing cameras and slapping these names on them. Kyocera produced cameras fromRead More →

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For many films in this series of reviews, it’s the first time I’ve tested them to this extreme. But for Ilford Ortho+, I have already done extensive stress testing on the film stock. I first shot this film in sheet film format and found that there is already a listed D-76 time with no listed speed. That resulted in one of my favourite waterfall photos, where I shot the film at ASA-6 and got some lovely results with a large-format camera on a bright day. I even repeated this process, exposing it between ASA-25 and ASA-6, and got some excellent results. So, going into thisRead More →

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It’s been a bit of time since I had the chance to do a solo photo walk through Toronto. I had a week off from work and decided to make the most of it. I had to come into the city to do a run at Downtown Camera to get film and chemistry for later in the summer, and decided to make the most of it by doing a bit of a walk through some of my favourite parts of the old town. But it wasn’t my usual route, so I decided to do something a little different in getting around. Despite the heat thisRead More →

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And we’ve made it to the end of the tetralogy, and we’re going beyond the portrait length to talk about telephotos, which, for our purposes, are lenses that are 200mm and longer. These might not always be the first lens you reach for in your regular photography, but they are still powerful tools for events, nature, and even getting close when you can’t do so safely. The lenses featured in today’s show include the AI Nikkor 300mm f/4.5, AI-S Nikkor 200mm f/4, Leitz 180mm f/3.4 APO, Canon FD 300mm f/5.6, AI-S Nikkor 80-200mm f/4, Olympus 75-150mm f/4, AF Micro-Nikkor 200mm f/4, Vivtar 135mm f/2.8. LookingRead More →

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Secrets run naturally among the urban exploration community. In Hamilton, Ontario, secret locations were common, and hiding the actual name of the location was common practice. But the Chicago community took things to a whole new level with good reason. By the time I started to explore the area briefly, there was already a great deal of tension between different groups. In the long run, I got into a better group. It netted me a chance to visit one of the prime locations in the local catalogue, and even now, more than ten years later, I still feel weird exposing the name and history ofRead More →