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The 1990s were weird. I know; I grew up in the 90s. But then some cameras were quirky, strange options with different looks and styles. And there is the Photura. At first glance, you will think that the Camera is a camcorder, but not a camcorder from the 1990s, but rather one of those solid-state deals from the 2010s before smartphones caught on as a means of recording your life. But the Photura was not alone; think about the Ricoh Miri and the Yashica Samurai. Yet, there’s a unique thing about the Photura; you can operate it with a single hand, drop in 35mm loading,Read More →

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While the Mark 1 Intrepid is long obsolete, it was a fantastic camera for the era in which it was produced. It became the foundation of a resurgence in modern large-format camera creation, not only from the folks at Intrepid. And while this camera is long gone, it certainly left an impression on me and my photography. This camera was designed to make large format affordable and modern construction. And it certainly made that dream a reality. Was the camera perfect? Far from it, I had many problems with this camera, but for what it was and what it cost, it made a large format,Read More →

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I’m not a rangefinder person, or shall I say I’m not a 35mm rangefinder person. But I will make an exception for a well-designed and made medium format kit. Meet the New Mamiya 6. While it was built during the age of premium medium format cameras and premium 35mm compacts, the New 6 is a camera that takes a lot from the historic camera that launched Mamiya as a company back in the 1940s. But takes things into the modern age with a light meter, electronics, interchangeable lenses and modern materials. This is a medium-format camera that I could see myself using if it didn’tRead More →

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I did not think I would enjoy working with these sorts of cameras. Sort of like how I felt about the RETO Ultra Wide & Slim, the LOMO APPARAT is a simple-use camera centred around an ultra-wide angle lens. But the APPARAT has some other tricks that the RUWS does not have; first, there’s a built-in flash, and second, this camera is far bigger than RUWS. Like all Lomography cameras, it’s centred around making photography fun, abandoning the traditional ideas of sharpness and accuracy. Shoot from the hip and see what happens. But you can quickly determine the different quirks. The APPARAT gives the photographer.Read More →

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This is not the first time I’ve worked with an Elan camera, and it certainly stuck in my head as an amazing camera. These are semi-pro cameras that continue the lineage of the original Canon EOS 650. And of late, I’ve found that the EOS system is an excellent addition to my tool kit. So after being offered up an Elan IIe, I couldn’t say no. And while this is an older model than the 7ne, it still fits nicely as a camera to add to the mix of helping out with reviews of film, lens, and developers. Camera Specifications Make: Canon Model: EOS ElanRead More →

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As someone who loves history and weird cameras, the Graflex Century 35 is a camera that fits both of those items. The Century 35 is a straight-up rebadge of the Japanese-produced Kowa Kallo 35. I first had a chance to try this camera out last year in an episode of Classic Camera Revival, where it was chosen for me to use by my good friend John Meadows, who gifted the camera by the end of the episode to me. Despite being primarily an SLR shooter, I do like some rangefinders. This camera fits the bill with my rangefinders, is compact and straightforward, and produces excellentRead More →

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Of late, I’ve had a soft spot for consumer-level SLRs. These are excellent options as knock-about cameras that often have the same internals as their professional cousins but in a smaller form factor and can be had for a low cost. The F65 is one of Nikon’s final entry-level SLRs and one of the best options for the era, as it combines form and functions and offers the greatest compatibility. While the F65 only saw production for a short period, its replacements split things into two sub-varients, a lower-spec F55 and a high-spec F75, the features on both are found in the F65. If you’reRead More →

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The return of the 1990s classic trashcam that, despite being what it was, the Vivitar Ultra Wide & Slim became a cult classic in the rise of the toy camera movement. And while the original Vivitar run ended, and the Sproketheadz version had some serious troubles, in 2022, a new version came to the market. Produced by Hong Kong firm RETO, the RETO Ultra Wide & Slim rebirthed the classic and is probably one of the closest versions of the original. It’s all plastic, light, and has a particular flare for the strange. But if you missed the boat on the original, this camera mightRead More →

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If you want a simple answer to the question, why the heck am I reviewing a camera that isn’t precisely designed for use above the water, that answer is, I’m crazy. And by crazy, I mean some lenses work both underwater and on dry land with the Nikonos III, and the lens that only lens I have available isn’t designed for dry land. But the Nikonos line holds a unique spot in photography’s history, specifically Nikon. There are two reasons for this. First, the Nikonos line was the camera that made underwater photography accessible, and two, it was the last camera to have a foundationRead More →

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I seem to be developing a soft spot for cheap and cheerful SLRs from the 1990s and early 2000s. These may not be the best or most robust cameras out there, but they aren’t hard on the pocketbook, make use of existing lens systems and deliver decent images without too much fuss. Plus, they make great loaner kits for those who want to try film photography but don’t want to invest in something or worry about all the details, such as manual focus or exposure. Well, meet the EOS 3000; you could almost say that this was the entry-level SLR that perfected Canon’s entry-level SLRsRead More →