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The often overlooked Nikkormat line of cameras is an excellent addition to anyone with a large selection of manual focus Nikon glass, both original Auto-Nikkor or the modern AI and AI-S glass. Sold as a consumer camera built to the same quality and specification as the professional Nikon cameras of the era, today, they have more of a cult following. While most people will gravitate towards the improved original Nikkormat FTn or the short-lived FT3, the FT2 is the forgotten middle child and is the ultimate Nikkormat. With backward and forward compatibility, a modern battery cell, over its life, never changed. Thanks to Bill SmithRead More →

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This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

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It has been awhile since we got a new product from the folks at FilmFerrania in Italy. While they are not anywhere close to releasing a slide film (it was a pipe dream from the start in my opinion) they have recently released a slightly slower film from their original P30 release. It has also taken some time for this film to reach me here in North America. But it was well worth the wait, because it takes a lot to make a film, so any new film in 2023 is a good thing for the eco-system. Of course, Orto is not without challenges, itRead More →

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I never thought I would have to write a piece like this one. Still, with the rise of generative AI software, sorry, plagiarism software, there has been some interesting talk online about how many bloggers within the film photography realm have started turning over the hard work of writing reviews to things like ChatGPT. And while I know that some people are, the people I closely interact with all ‘do their own stunts.’ But people love having proof, so today, I will walk you through how I create a full camera review from start to finish, using a review I wrote on the Nikkormat FT2,Read More →

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I love trying out new film developers or new-to-me developers. So a while back I wrote an article on seven film developers that are worth trying. Since then, I’ve tried several more unique developers and have another five options to try something different in your home development experience. And this time, I’ve also included a colour developer. 1 – Kodak D-19 Originally designed for X-Ray Film, Technical Film, and IR Films, Kodak D-19 is a high-contrast developer. But that should not stop you from giving it a try. Because while it is a specialised developer, it works surprisingly well with regular panchromatic films. It alsoRead More →

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CatLABS is an interesting company, their X Film lineup hit the markets several years back, and I reviewed X Film 80 and loved the stock. But they also included an X Film 320 in their initial lineup. I didn’t review that one because it was only available in 35mm and turned out to be Eastman Double-X 5222, with tweaked developing times. But last year, they announced new versions of both X Film 80 and X Film 320. I will be reviewing X Film 80 later this year, but in the colder, darker months, X Film 320 Pro is the film that will suit the dullerRead More →

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Of late, I’ve had a soft spot for consumer-level SLRs. These are excellent options as knock-about cameras that often have the same internals as their professional cousins but in a smaller form factor and can be had for a low cost. The F65 is one of Nikon’s final entry-level SLRs and one of the best options for the era, as it combines form and functions and offers the greatest compatibility. While the F65 only saw production for a short period, its replacements split things into two sub-varients, a lower-spec F55 and a high-spec F75, the features on both are found in the F65. If you’reRead More →

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The return of the 1990s classic trashcam that, despite being what it was, the Vivitar Ultra Wide & Slim became a cult classic in the rise of the toy camera movement. And while the original Vivitar run ended, and the Sproketheadz version had some serious troubles, in 2022, a new version came to the market. Produced by Hong Kong firm RETO, the RETO Ultra Wide & Slim rebirthed the classic and is probably one of the closest versions of the original. It’s all plastic, light, and has a particular flare for the strange. But if you missed the boat on the original, this camera mightRead More →

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This past year has been a lot of fun looking at different cameras. While some of these cameras I will have already released a review, others will be coming out next year. But that’s the thing about writing these reviews is that I’m often working 2-3 months ahead of the actual release. I put a lot of work into these reviews, between looking up specs, shooting multiple rolls of film through the cameras and trying to get the best results so I can give a fair and balanced review. But a group in the film photography blogging community decided to put out a series ofRead More →

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It was raining in the city by the lake, a hard rain. A hard rain would wash the silver halides off any type of film. I was looking for something or someone for that matter. Someone contacted me about something new hitting the streets. A film stock would deliver the look of those old detective movies from the mid-century. I spent hours in the old one-screen cinema watching these films when I was a kid, growing up on the wrong side of the tracks. He called himself Shadow, Agent Shadow, although, given his love of cloak and dagger, I think the “agent” part was made-up,Read More →