From 2012 to 2016, I worked on my most extensive photography and history project, covering almost all aspects of the Anglo-American War of 1812. It remains one of my favourite projects I ever worked on and became virtually a template for a few other projects. Both ones that were finished and published and others that remain in the background as possible for future endeavours. But this year marks the 210th anniversary of the end of the War of 1812, so I have decided to revisit the conflict and present it in a new way. Instead of going deep into details, I’ll show the war throughRead More →

Well, here we are at the end of another year, and you know in the rearview, 2024 was a good year. I felt that I was putting out posts and content at a more sustainable rate. I also felt that I was not always pressed for time each month in producing reviews. I got to check out some new film stocks, add some new favourite cameras, and explore some familiar and new places. The Best of 2024 This year, I consciously chose to reduce the number of reviews I did over the year. It was starting to get challenging to keep everything moving and outputRead More →

Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

While every type of review I write comes with unique problems, nothing is more challenging than writing a film review. Film reviews have been done for years, mostly in dusty photographic journals and magazines and reviewed under exact conditions and in large quantities. If I tried to follow these methods, it would take me years to complete and require a large volume of films, cameras, lenses, and equipment I need more room for. Like all my reviews, I set out my method to work within the realms of what I wanted these reviews to cover: the basics. I’ve aimed these at beginner and intermediate photographersRead More →

It should only be fair that my fiftieth lens review be of a 50mm lens, these are often the first lens that a budding photographer will pick up when getting into the wild world of film photography. And often it is the only lens that they continue to use long after. With my first two SLRs (SR-T 102 and X-7a) the 50mm lens was my go-to choice for most of the time shooting with them. I have since moved on and now am more likely to reach for a 35mm lens, the 50mms still hold a place for my work and I still grab oneRead More →

What was I thinking…. If there is one negative size format that I have been actively ignoring since I started to review cameras is half-frame. And there is a good reason for this, I struggle to finish off a roll of 36-exposures. And when it comes to half-frame in the realm of 35mm, 36 exposures turns into 72-exposures on a roll, even if I got a 24-exposure roll I’m still staring down the barrel of 48-frames. But it seems that half-frame has gotten a bit of a revival with more people wanting to increase the number of shots on a roll especially with the costRead More →

Ha Ha, this is a pry from my dead hands camera…😀 There’s one fun part about being connected to so many amazing photographers and bloggers over the world because of the Internet. Often you come up with ideas like this, a whole series of posts on the same subject with a coordinated release. This idea comes from Jim Grey (Down the Road), from a conversation where Theo (PhotoThinking) was looking for links for his review of the Voigtlander Superb. Peggy (Camera Go Camera) suggested he give her the camera, and Theo replyed “this is a pry this from my dead hands camera.” Jim jumped onRead More →

Writing reviews on cameras is easy; I’ve been working on those since 2015, and while the style and depth of those reviews have changed since I first started, I have also begun to include other pieces of camera kit into the cycle. One of the two newest reviews I have written is on lenses. These days, many lens reviews are out there, with most focusing on modern digital glass. Some vintage glass is starting to be reviewed online thanks to the ability to adapt these lenses to modern mirrorless cameras used in the cinematography industry. These are also the hardest reviews to write for twoRead More →

I’m still fond of lenses with a 28mm focal length, despite having other lenses (in different systems) that are wider, but sometimes all you need to get the job done is a 28mm. The Canon FD 28/2.8 fits that bill; it is essential and no-nonsense, with nothing overly interesting about the lens or optics. The FD 28/2.8 gets the job done without any fanfare. There are two versions of this lens available in Canon’s FD-Mount: the original collar-lock version (FD) and the button-lock version (FDn), which allows for easier mounting and dismounting of the lens from the camera body. After picking up the AE-1, whichRead More →