I’m not a rangefinder person, or shall I say I’m not a 35mm rangefinder person. But I will make an exception for a well-designed and made medium format kit. Meet the New Mamiya 6. While it was built during the age of premium medium format cameras and premium 35mm compacts, the New 6 is a camera that takes a lot from the historic camera that launched Mamiya as a company back in the 1940s. But takes things into the modern age with a light meter, electronics, interchangeable lenses and modern materials. This is a medium-format camera that I could see myself using if it didn’tRead More →

When it comes to lenses, I enjoy working with wide-angle offerings, and they can genuinely tell you how dedicated a company is to manufacturing and designing quality optics. And even with my limited experience with Canon EOS lenses, the 28mm f/2.8 surprised me. It’s a tremendous carry-around lens that, despite being a first-generation model, still stands up today as delivering quality results in an affordable lens. And this was the second EOS lens I picked up, as I knew I wanted something fast and wide that wasn’t a zoom lens. Lens Specifications Make: Canon Model: EF 28mm 1:2.8 Focal Length: 28mm Focal Range: ∞ –Read More →

I did not think I would enjoy working with these sorts of cameras. Sort of like how I felt about the RETO Ultra Wide & Slim, the LOMO APPARAT is a simple-use camera centred around an ultra-wide angle lens. But the APPARAT has some other tricks that the RUWS does not have; first, there’s a built-in flash, and second, this camera is far bigger than RUWS. Like all Lomography cameras, it’s centred around making photography fun, abandoning the traditional ideas of sharpness and accuracy. Shoot from the hip and see what happens. But you can quickly determine the different quirks. The APPARAT gives the photographer.Read More →

The gift of a Nikon F80 kickstarted my deep dive into photography and a return of film as a medium in my toolkit. With the F80 came a selection of lenses; some were good, and others were cheap. And only one of the lenses (AF Nikkor 35mm f/2D) I got with that F80 remains intact in my kit today. But there was one lens from that kit that I missed the most, the AF Nikkor 24mm f/2.8D. As I mentioned in last month’s lens review, the D-Type lenses can carry a high price on the used market, but the Non-D lenses can be had forRead More →

This is not the first time I’ve worked with an Elan camera, and it certainly stuck in my head as an amazing camera. These are semi-pro cameras that continue the lineage of the original Canon EOS 650. And of late, I’ve found that the EOS system is an excellent addition to my tool kit. So after being offered up an Elan IIe, I couldn’t say no. And while this is an older model than the 7ne, it still fits nicely as a camera to add to the mix of helping out with reviews of film, lens, and developers. Camera Specifications Make: Canon Model: EOS ElanRead More →

I’m a big fan of prime lenses; they have always been a go-to for working with SLRs. And I have many options for my auto and manual focus Nikon kits. And while I have all my preferred focal lengths in my manual kit, I have been lacking a couple of options in my autofocus kit. Sure I have two fantastic zoom lenses with missing focal lengths, but they are both heavy and awkward to bring along when size matters. The problem is that even today, AF-D lenses can fetch a high price on the used market. So when someone offered up a couple of second-generationRead More →

If you’ve been following along with my photography for a while, one of my favourite places to visit and take photos is the historic downtown of Milton, Ontario. I’ve called Milton home for forty years and have never tired of photographing the downtown. While I need to drive these days to get here promptly, where I grew up, I could walk here without difficulty. So as an introduction to a group of potential new blog viewers, I look into my hometown for the first month of 2023’s Frugal Film Project. The modern town of Milton, Ontario, sits upon the traditional territories of the Neutral, Huron-Wendat,Read More →

At the end of last year, Harman/Ilford made a fantastic announcement, their popular budget film, Kentmere, was now available in 120 formats. And it was going to be the least expensive option for medium-format shooters. Kentmere and I go back, and when I first reviewed Kentmere 400, I was not happy with my results. I was downright rude towards the film stock, but looking back at it now, I can see it was not as bad as I thought it was when I first came to review it. Kentmere 100, however, did make an excellent first impression. And since then, I hadn’t thought much aboutRead More →

When it comes to Minolta and Konica, both had terrific optical quality throughout their run as separate companies, but at some point in the merger is where they started to lose a little steam. And while there were still some winners, there were also some troublesome lenses. No company can be 100% perfect all the time when it comes to optics. Sure, the Nikon Series E had some winning glass, but that line also had some bad lenses. This is the second Konica-Minolta lens I’ve reviewed, and it is not what I was expecting, and that’s not a good thing. I got this lens asRead More →

This past year has been a lot of fun looking at different cameras. While some of these cameras I will have already released a review, others will be coming out next year. But that’s the thing about writing these reviews is that I’m often working 2-3 months ahead of the actual release. I put a lot of work into these reviews, between looking up specs, shooting multiple rolls of film through the cameras and trying to get the best results so I can give a fair and balanced review. But a group in the film photography blogging community decided to put out a series ofRead More →