There’s something to be said about being able to hammer out an entire roll of thirty-six exposures in a single location in a short period of time. Sure, it’s easy to do when you have a medium format roll with 15, 12 or 10 exposures. But thirty-six can be a bit trying. Thankfully, the introduction of multiple lenses helps, especially when you set limits on how many frames you can shoot with one focal length. This week we’re still in Milton (ish) [Esquesing actually] exploring one of the oldest churches in the region, Boston Presbyterian Church. And to add to this week’s excitement, these wereRead More →

Over the previous year, I worked hard to expand my knowledge of black & white film developers and find myself down a deep rabbit hole. Some good, some meh. Some I didn’t care for or I found them to be too specialised for average use. And while I have several up for review later this year and you can check those out later, here are seven that have stood out in my head as worthy of using again and of getting you out of the rut of using the more vanilla developers like D-76/ID-11, HC-110/Ilfotec HC, and Rodinal. 1 – Adox FX-39 II Based onRead More →

It’s funny how some developers just drop right into your lap. One of my readers, Jon Porter, wanted to know my thoughts on FX-39. And at the time I had never even heard of Adox FX-39, so I hopped onto my source for the rarer chemicals, Argentix.ca, and found that yes they did carry Adox FX-39 II. Is this new version any different from OG FX-39, not on the surface, it just has been adjusted to last longer. But that wouldn’t be a problem. I went through my first 500mL bottle quickly and in a couple of months. FX-39 is based on Neofin Red (createdRead More →

I’ll have to admit, ever since I went to Europe in 2015, I’ve wanted to add some sort of folding medium format camera to my collection. Something compact, shooting at least 6×4.5 or 6×6. And for a little while earlier this year, I had my eye on a Mamiya Six (the original one, not the modern rangefinder). After reading and searching, I realised that there were too many questions about the Mamiya Six and stopped looking. And then this beauty fell into my lap, and I’m glad it did. The Ikonta 521 might not be the best folding camera out there, but it is exactlyRead More →

Like the Canal, the industries that formed along the corridor needed to adapt and change as technology, power, and market demand changed throughout history. During the early day of the Canal, industries could get by working in a relatively small area. Local grain, timber, and materials were brought to the mills, and then the products were used within the local market. The Canadian Industry during the first part of the 19th Century remained local, colonial, provincial. They were dedicated mainly to the extraction and processing of raw materials. But the 1850s brought two significant changes, the first being an effective railway network that provided furtherRead More →

If you’re a long time listener to the Film Photography Project, you might recognise the name of the camera I’m reviewing today, but that is not the camera I’m referencing. There’s a certain soundbite used in some earlier episodes the Agfa Clack as said by one Dan Domme. The Click-II is the younger cousin to the Clack, unlike the Clack, the Click and Click-II shoots 6×6 and is a bit of a strange duck given that the Click-II saw production starting in 1959 long after the days of the simple box camera. Yet, even today cameras like the Click-II see a level of popularity amongRead More →

One of the biggest mistakes I made was giving away my Nikon FM2n as a gift, thinking that I would be OK with the Nikon FA. And while these days to replace an FM2n is a costly endeavour, they have shot up in price since I bought mine. I have since come to terms that the only way to get an FM2n again is to have one returned as a gift. But what about an earlier model, the camera that you could say started it all? Released as a result of the OM-System, the Nikon FM ushered in a new age of Nikon built aroundRead More →

When it comes to 200-Speed films, I don’t have the best view, and usually end up with decent results (Rollei Superpan 200), other times I dislike them entirely. When it comes to Ilford’s offering, SFX 200, it goes in a slightly different direction. See, I have shot SFX a lot more than I initially thought, but it never stuck too much into my film supply mostly because if I need to shoot a 200-Speed film, I’m more likely to pull a 400-Speed film (Tri-X or Fomapan 400) or push a 100-Speed film (TMax 100). See, SFX is fun in the sense that it has anRead More →

Okay, so things are weird right now, nothing seems right, days, time, rules all have no meaning anymore. But there is one thing that has kept me going, and that is my photography. When I learned that there would be an FP4Party is June, I felt pleased. Sadly the party never came into being, but that didn’t stop me from having a party for one. I had to come up with some sort of idea of what I would do for the party. Thankfully I had a couple of rolls of Ilford FP4+ in medium format hanging around from a project that never got offRead More →

The idea of a small light meter is nothing new, ever since the concept of an exposure meter that clip onto the camera through an accessory shoe (or hot shoe). When I was shooting a Barnack Leica, I used one such meter, the Voigtlander VCII. A fantastic meter, easy to use, a little restrictive at times, but never missed a beat. I don’t recall what happened to mine. It either stopped working or got lost on an adventure on in my one move. When my good friend and regular of the Toronto Film Shooters Meetup, Matt Bechberger, let me know he aimed to release hisRead More →