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By far my favourite of all the Delta films (which isn’t hard, there are only three) and my favourite of the mid-speed Modern Films (Delta, TMax etc.). Delta 100 is what I expect from a modern film, sharp, fine-grained, and can do anything you want it to without any major issues. Unlike the faster films, this one can work with pretty much any developer I throw it in and loves any lighting situations. And while as an indoor film it can suffer from rather harsh reciprocity failure, if done right, you don’t have to worry. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed:Read More →

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The iconic Leica camera, often cloned and duplicated by many, the Russians with their Fed line, and the Japanese by Canon, Nikon, and Yashica. Wait, Yashica? Meet the Yashica YF, a camera that I didn’t even know existed until fellow photographer and friend James Lee showed it off. The YF, based on the Nicca 3L, which Yashica bought up the whole company, is a wonderful combination of the Barnack Leicas and the M-Series. Combined in such a way to produced a spectacular camera that shows off exactly how a rangefinder of the era should look and behave. Big thanks to James Lee for loaning outRead More →

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In the early days of Photography, most photographic stocks were Orthochromatic, which means they didn’t see a certain colour on the spectrum, mostly this meant the film stock could not see red light, other times it meant the film didn’t see blue light. And while today Panchromatic stocks are the norm, there is still a need for technical films. While shooting Ortho 25, I worked under the assumption that it didn’t see red light. However, I’m not sure of which colour the film is not sensitive to. But it doesn’t matter now; Ortho 25 is an amazing slow black & white film that is deadlyRead More →

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The GSW690II is not a camera you need, but they sure are fun to have. Initially designed for taking group photos of Japanese tourist groups, the camera has become a bit of a cult classic among film photographers. An all-mechanical wide-angle medium format rangefinder with the appropriate nickname of Texas Leica. This camera offers a big 6×9 negative and a wide-angle lens perfect for landscape and architecture in a portable package that will work flawlessly in any weather condition and excellent optics on the front. Thanks to James Lee for loaning this beauty out for a review. Camera Specifications Make: Fuji Model: GSW690II Type: RangefinderRead More →

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The name Bergger has been until recently been relatively unknown here in North America (at least to me) until recently when I learned that they were planning on introducing a new film stock, Pancro 400. While, Pancro 400 is the only offering from the company, and while you might still find their older BRF400+ film stock, Pancro 400 is a beautiful classic film emulsion. When I heard about the film through the Film Photography Project when they were just releasing the stock, I made a point to pick it up. I found a surprisingly beautiful film, despite the increased amount of grain. I would wagerRead More →

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I first came across Retro 400s at Downtown Camera, I had just been on a Toronto Film Shooters meetup and had some time to kill before meeting up with a friend to catch a show at the Dakota Tavern and had the hankering for some street photography. So I picked up a roll and went out and I found a wonderfully sharp, contrasty film that just sings in the low hazy light. Retro 400s is a film that is designed for the hybrid era, with a polyester base that lays flat on a scanner, strong contrast and fine grain it will sign viewed on aRead More →

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A wizard is never late, nor is he early. He arrives precisely when he means to. Not to say I’m a wizard or anything, but in the midst of work, paint preparation, and general pandemonium right now I genuinely forgot that there is an FP4Party still going on. Serves me right but a single roll of the stuff sitting on my film to be shot shelf taunted me on the third-to-the-end day of shoot week. Thankfully my original plans for the weekend fell through and I found myself with a free Saturday morning to get out and shoot! Not to mention I had access toRead More →

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When I first discovered Kodak Plus-X I was hooked, instantly. But sadly Plus-X went away and while I still scramble to find old stock whenever I can, I can always go to Ilford FP4. Now that’s not to say FP4+ plays second fiddle to Plus-X in my book. In FP4+ I found probably the most versatile film that maintains a level of consistency across the board and formats within in the mid-speed range. Fine grain, sharp, and a contrast to die for. Not to mention a legacy that goes back to when Ilford first started producing flexible films. Film Specs Type: Panchromatic B&W Film Base:Read More →

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As happy accidents go, when you’re trying to come up with a new slide film, and you reinvent a classic film from the past, there’s nothing wrong with that now is there? P30 is, at its heart a motion picture film and probably make a great reversal film. While I would have loved to try a roll through Dr.5, the expense of the process and a possibility of it not working makes it hard to decide to send it to them. P30 is Rollei Retro 80s on steroids with a touch of Eastman 5363 thrown in for good measure. The images have a deep chromeRead More →

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A modern re-imaging of an Agfa surveillance stock, StreetPan has been a favourite of mine for some time, and it is incredible in 35mm, but it sings in 120. Back when news of Streetpan first dropped, there were plenty of rumours floating around about the source of the film. Many naysayers said that the supply would be limited as it was just repackaged dead-stock. And while many still rail against the film, I for one enjoy shooting the film, and it’s great for street photography, architecture and landscape. Just don’t shoot it for long exposure, it loves the light and doesn’t handle long exposures. TheRead More →