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It’s not every day that a new film jumps into the market without some pre-release hype, but leave it to CatLABS to slip under the radar with new film stock. In their description of the film, they state that it is in the spirit of Panatomic-X so who am I to skip over the film, I wanted to shoot it now! The film is rated at ASA-80 so a couple stops faster than the classic Kodak emulsion but something I could work with and even pull if needed. I think the film comes from the New55 Atomic-X which is also has a little bit ofRead More →

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As you well know, I’m a huge fan of Kodak Panatomic-X and by far it is the one film I would like to see come back in some modern form. And while I can give TMax 100 a similar look, what if I could find that look I’m fond of in a modern new film? Well, I feel I can find that in CatLABS X Film 80 and sure it’s not an ASA-32 film, but what if I pulled it? I mean I got stable images out of TMax 100 at nearly a two-stop full, in this case, it’s only about a stop and aRead More →

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John Lambton is the single man who shaped our view of the rebellions of 1837-8 for better or worse and can take the blame for the general mistrust between English and French Canada, born on the 12th of April 1792 in the City of Westminster, where the centre of the British Parliament sits even to this day. He knew little of his father who passed away in 1797 when John was only five. His mother quickly remarried but his step-father had little desire in raising John and his brother. Instead, the boys were raised by a family friend. Nevertheless, John was well off, being theRead More →

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According to the Kodak Datasheets on Eastman Fine Grain Duplicating Positive Film, which I will refer to from now on as Eastman 2366, is a low-speed duplicating film intended for making master positives from black-and-white camera negatives. Eastman 2366 is a blue-sensitive black-and-white film has very high resolution and provides very high acutance. In other words, this is not a film for regular photographic use. But what’s the fun in that? I first came across Eastman 2366 among other specialised Motion Picture Film from the Film Photography Project but to develop these as negatives using standard chemistry, while possible it’s hard to find times toRead More →

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There was much more to the Upper Canada Rebellion than just the armed engagements that I discussed in the past three entries. Underlying the entire year of 1838 the government continued to operate and the biggest issue facing them would be prosecuting the rebels and their American allies after their capture. The whole matter would have been a lot cleaner if an actual war was declared. The treatment of Prisoners of War was an internationally understood law, but to the British, there was no war, they were dealing with a rebellion. And in the case of the Upper Canada Rebellion, the Provincial Government and theRead More →

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It’s the rumble in the professional jungle! Yes, I’m pitting the two mid-1990s pro bodies I have in my toolbox against each other in a friendly competition! This contest isn’t to see which is better than the other, I use and work with both cameras often side-by-side. And honestly I consider them both equally amazing cameras in my mind, I mean look at the glowing reviews I’ve given both cameras. For this little contest, I’ve set a few rules. First, this contest saw completion on the same day, shot-for-shot. Also, I set both to matrix/average metering and full Auto Exposure. In both cases, I mountedRead More →

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It was the 6th of November 1837, and Lower Canada had erupted in open armed revolt against the Colonial Government. The Patriotes under Louis-Joseph Papineau and many others fuelled by the ideals of the American Revolution, French Liberty, and Republicanism. They decided that they would only rid themselves of the influence of the British Ruling Class, a group of Tory elites organised into a group known as the Chateau Clique was to begin a revolution when their demands for reform were ignored. There had been some communication between Lower Canada Patriotes and the radicals in Upper Canada under William Lyon MacKenzie. And while a coordinatedRead More →

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William Lyon MacKenzie, not to be confused with William Lyon MacKenzie King (remember that for later), is more myth and legend that man. Cloaked in a persona often of his own making, MacKenzie was at the heart of the Upper Canada Rebellion, his push towards radical reform and public speaking skills caused many to flock to his cause. His use of twisting the facts, overblowing situations and the ability to turn men against each other and himself forced the issue in 1837. But much of what we know of MacKenzie is often more myth than fact, which has like much of Canadian history of theRead More →

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Back when I was starting to work on my 1867 project a friend and fellow reenactor pointed me towards a facebook group called Friends of the Welland Canal. The facebook group is a joint effort between local residents and a group known as the Welland Canal Advocate (WCA). Over the Victoria Day long weekend, Heather and I took the opportunity to attend one of the monthly WCA hikes that took us through a section of the first and second canals that run through St. Catherine’s Centennial Gardens. That said when the canals were in operation, the area was actually in a separate community known asRead More →

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When it comes to 160-Speed film, to mee it seems like a bit of an odd duck, 100, 125, are pretty standard, but 160 I’ve only seen colour films rated that way. But enter Silberra Pan160, a touch faster than it’s 100-Speed Cousin, but not as fast as the 200-Speed. It must be a Russian thing moving from the GOST scale. Either way, I like Pan160, probably a little more than Pan100. It’s sharp, but grainy, fantastic contrast, and responds well to contrast filters, especially a pale yellow. And while there’s still plenty of supply issues to us here in North American, and the 120Read More →