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When it comes to rangefinders, if you know me, I’m not a fan; they just don’t fit, I struggle to use them, and generally, I am more likely to reach for an SLR. But then there’s my Contax IIIa; for some reason, this is the rangefinder I just won’t let go of; it’s far from perfect, needs a bit of work, and often is a bit frustrating to use. It suffers from frame spacing issues, and I’m sure it will give up the ghost one day. Yet, since I picked it up off John Meadows the first time, I am often drawn back to itRead More →

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The Minolta X-700 was a game changer for Minolta it introduced to their shooters a camera that had a full program auto-exposure mode as well as semi-auto (aperture priority) mode and manual all in a lightweight body backed by some great optics. It also introduced a whole host of cousins in the X line of Minolta cameras. Actually my second Minolta SLR was an X-7a basically the same as the X700 but lacked the program mode. This is a great camera for a beginner photographer as it gives them a chance to experience every mode that is generally used and these cameras can be prettyRead More →

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I don’t remember what drew me to purchase the Horizon Kompakt; I had worked with the panoramic format before, but in the digital sphere, I stitched images together by shooting multiple frames to capture a unique take on an environment. But in 2011, I walked along Queen Street to a Toronto UER meetup, stopped in the Lomography Store (sadly closed), and picked up the Horizon Kompakt. In hindsight, I spent the extra money on the Perfekt. I immediately loaded up a roll of film (with the help of the store staff), went out, and shot through the roll. Well, I was hooked and hit theRead More →

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The bakelite beast, the snap shot camera of the 1950s and a staple camera in most every antique camera store I’ve visited. The Brownie Hawkeye flash was one of many cheap Kodak snapshot cameras that was a staple of plenty of families and still stands up today as a solid starter 620 camera because you can actually use a 120 spool in the camera providing you have a 620 spool in the take up! But although it works, I really don’t recommend it, as you’ll often damage the film itself. Disclaimer: This is an old review, and is scheduled for an update and may lookRead More →

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Even though it looks like the iconic Kodak Brownie, we’re going to clear the record; this camera is not a Brownie. And although this model came after the Brownie, it is a camera that has its origins before the Brownie and flexible films. The Hawk-Eye is a camera that I don’t take out that often the reason being that it stands at over 100 years old. I did get it before it joined the century club and at that point, I still thought it was part of the Brownie family. I took it out for review shortly after its 100th birthday. A basic, no-nonsense cheap,Read More →

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It’s yet another winner from the wonderful folks at Olympus! This is probably my favourite modern point & shoot camera, no fuss, no muss. If I want to just go out and shoot and not have to worry about carrying bags of additional gear, or at a wedding when you don’t want to pull out the SLR and don’t want to fiddle with an XA. Small, compact, with amazing results. Disclaimer: This is an old review, and is scheduled for an update and may look funny during that update. However, due to a large number of reviews that require this update it may take someRead More →

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Playing along the same lines of the fixed lens camera rangefinders of the 1960s and 70s the Olympus 35 SP is one of the top models that you can get from that era, I’d actually rank it equal with the Minolta Hi-Matic 7s. And the best part as many people go for the Cannonet line of cameras, the 35 SP again like the 7s is more of an underdog camera and like many Olympus cameras has gained somewhat of a cult following. But what made the camera stand out among it’s peers that a dual metering system that had both a center weighted and anRead More →

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The Nikon F is the great-grandfather of all the professional level Nikon SLRs, yes even modern digital professional digital SLRs can trace their ancestry back to the Nikon F. The Nikon F introduced the idea of a system SLR where everything could be swapped out to make the camera fit the task you wanted it to do and your own personal style as a photographer and saw production for just under two decades before being replaced by the Nikon F2. For this review, I’ll be running with a Nikon F Photomic FTn however the meter is no longer working. The Dirt Make: Nikon Model: FRead More →

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When it comes to bare-bones Mechanical SLRs, the Zenit 122K is as bare-bones as they come. This mostly plastic camera comes from the rather odd times right near the end of the Cold War and Soviet rule in Russia. I mean it’s pretty basic even for someone who just wants to learn how to use an all manual camera. But oddly enough the camera still looks cool, in fact at forty yards you might think it a Contax RTS III or similar camera with a squat prism and all black with white lettering, but don’t be fooled this camera is no Contax…not by a longRead More →

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Probably the most powerful pocket camera I’ve ever used, the Olympus XA brings the power of the rangefinder, aperture priority and stunning optics into something that can fit in almost every pocket. I’ve used a couple cameras from the XA line in the past, the terribly restrictive XA1 (don’t let the 1 fool you, the 1 came later than the XA and was pretty darn limited), along with the wide angle XA4, but the XA is truly where Olympus made something that was nothing short of magic. Disclaimer: This is an old review, and is scheduled for an update and may look funny during thatRead More →