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This won’t be the first time that I have a Nikon camera that is Nikon in name only. Remember the Nikkorex? While not the same idea, while the Nikkorex line was contracted out to another manufacturer, the Nikon FM10 is a straight-up rebrand (with some modifications) of an existing camera. The Nikon FM10 is one of many cameras built on the Cosina CT-1 Super/CT-1G chassis and dressed up to look like a Nikon. And I’ll give Nikon and Cosina one thing, the FM10 seems a lot like a Nikon right down to the red stripe. Camera Specifications Make: Cosina Model: Nikon FM10 Type: Single LensRead More →

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I admit that I haven’t used many of them for Canon cameras because I’m primarily a Nikon shooter. But there’s something special about a unique camera within the overall history of a camera manufacturer, and when it comes to Canon, that camera is the EF. Not to be confused because these days, when you match Canon and EF, you’re talking about their line of Autofocus lenses for the EOS system in the EF-Mount. But before the name was applied to lenses, it was a model of Canon cameras. Often passed over in general history, the EF is unique for two reasons: it was the firstRead More →

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And now for something completely different. I know I’m better known for my reviews of film-based cameras, but I have reviewed a digital camera here before, back when I got the camera that this one replaced. In fact, the Nikon D750 marks two, not three things. First, it marks a return to an SLR as my digital camera; second, it marks the return to the Nikon Digital system. And finally, a digital camera that I like using a lot. It’s not to say the a6000 was an unenjoyable camera to operate; the only complaint was that the system continued to be limited. Yes, I couldRead More →

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When it comes to medium format cameras, there are two formats that I’ve always been drawn to, the iconic 6×6 square and the slightly smaller 6×4.5 or 645. I’ve run with a Pentax 645 and more recently the Mamiya m645. I have shot with other medium format cameras, 6×9, 6×7, and 6×8 and even larger exposure sizes. But I keep on coming back to 645; it’s great for everyday shooting and gives you that larger image size than 35mm. But the cameras are often bulky unless you go with a folder. But what about the best of both worlds? Enter the Fujifilm GA645Zi, the thirdRead More →

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I’ll admit, I have a soft spot for manual focus Minolta cameras. And the Minolta lineup is a unique cross-section of camera technology through the post-war 20th Century. All my early experience with photography came in various Minolta cameras, from my family’s Riva Zoom to my first personal camera, the Hi-Matic 7s and the first SLRs in the SR-T 102 X-7a. More recently, the XE-7 has been my Minolta SR-Mount of choice. But the XE-7 lead me down the rabbit hole of the 1970s of Minolta’s technology-sharing agreement with Ernst Leitz because, of course, there was something better. And that something better is the MinoltaRead More →

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I always seem to want to come back for more. One of my first experiences with a Soviet camera was a Smena 8m, this was a gift from my good friend Michael Raso, and the camera was interesting, to say the least. There wasn’t anything bad with it; it was pretty unique and produced excellent images. It was hard to work with, too much to do, too fickle, and I wasn’t getting to know the camera well enough. So I passed it onto another photographer who went on to use the camera to produce awesome results. There wasn’t anything wrong with the 8m; I thinkRead More →

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The Hasselblad V-System, one that has achieved legendary status within the photographic community. I’m surprised that I actually own the original 500c, and while I don’t use it as much as I used to, it remains a popular tool in my kit. But what about going with something a little newer? The original 500c saw its initial release in 1957 and certainly has flaws, but as a system camera, it started something. While the 503cx isn’t the newest horse in the stable, it adds a pile of features that makes up a greatly improved camera system but allows the use of the older accessories. AndRead More →

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You’re probably wondering why I’m reviewing a Nikkormat EL when I’ve reviewed a Nikon FE. The reason is simple; the Nikkormat EL is the FE’s foundation, the original Nikon electronic semi-automatic camera. This means that to understand where the FE comes from, I needed to try out an EL. That was my first mistake; the second mistake was shooting a second roll through the Nikkormat EL. I don’t think this mistake is a bad thing. The camera worked perfectly in both rolls; the mistake was that now I want a Nikkormat EL. It’s an easy-to-use camera, especially if you’ve used an FE or FE2, andRead More →

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Am I crazy for reviewing a camera that you can have for a song? Maybe? But I’m out here to talk about a camera that many will pass over due to age and the slow autofocus speeds. But when it comes to cameras in the history of photography, the F-401 fits in a strange little niche often forgotten next to the more advanced cameras of the day and, of course, the almighty F90/N90(x/s). And while I have given away the F90, and it gets far more use with its new owner, when I saw the F-401 offered up for free, I jumped on the camera.Read More →

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Much of my early years of photography were taken up with the Minolta system. From my initial gateway camera, the Hi-Matic 7s to my first SLR the SR-T 102. The next step in my journey would be some level of automation, and for that, in stepped the X-7a. A gift from a church member who was no longer using the camera gifted me the camera and a single lens. But having a set of Minolta SR lenses already, I had an excellent selection of optics. And the camera would be my first experience with a motor drive, go through some of my earliest explorations andRead More →