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If there’s something I’ve learned over the past six months is that the quote “The best camera you have is the one you have with you” is true, and the camera that almost everyone has is their mobile phone. The challenge for July from my friends over at Embrace the Grain podcast was 127 film, but I don’t shoot 127 film. Well, I have, but these days I don’t have any 127 cameras, and the film can be prohibitively expensive. They did cook up a plan B, using your mobile phone. But not just your phone’s stock camera, but one of the many film simulatorRead More →

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Once you have it down, one of the most satisfying parts of home development is taking it to the next level is building your B&W developer. And the first developer for many photographers that they brewed up themselves, including me, is Caffenol. As the name implies, it’s a developer with a coffee base. Specifically, the caffeic acid that is found in instant coffee. While it’s easy to buy all the raw material in your average grocery store to build your caffenol, there is something nice about having a ready-made pack. And it should come as no surprise that the fine folks at the Film PhotographyRead More →

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It has been long since I smelt the acrid odour of black powder and smoke drifting over the battlefield. But a couple of weekends back I got to attend my first Napoleonic reenactment since the Grand Tactical in 2019. And while the event hosted at Fort George in Niagara-On-The-Lake wasn’t a dedicated 1812 event, there were plenty of units that normally attend 1812 events. But the, Fort George was standing in for a frontier fort on the Spanish peninsula built by the French. While the lines were certainly smaller than what I’m used to at such events, with broad support not only from the pocketRead More →

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If there is one type of lens that many photographers look for in a good street photography camera or any compact camera body is a good pancake lens. And while Nikon is not known for producing many ‘pancake’ style lenses, they did have a couple of winners. One of these lenses is the Nikkor 50mm f/1.8, a real winner. In contrast, there have been many versions of this lens, including a long-nose version, the 50mm f/1.8 is a solid performer for the smaller form-factor camera bodies (think FM, FE) and while it may look like a Series E, it is all Nikkor. Lens Specifications Make:Read More →

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I love black & white in all forms, film, digital, and even instant. And up until only recently, the only way to get B&W instant film was through Polaroid (formerly Impossible & Polaroid Originals). From the start, the B&W stocks from this new generation of the instant integral film have been the strongest performers. But it only got better as the formulation was improved. Today the new BW600 is perhaps the instant film I reach for the most, although not too much due to the cost of the stock. It gives pleasing images and is always a fun go-around and works in almost all generationsRead More →

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There is a legendary film that many professional photographers whisper about in hushed tones of reverence. Part of a lineup of professional films held near and dear to many photographers’ hearts. Especially regarding its sharpness and fine grain, that film is APX 25. I have shot this film many times; it’s one that I always will seek out when hunting through boxes of expired films or in the fridges at camera stores or when offered up by former professional photographers. Despite being a slow film, it is fun to use in almost any situation, and though it has been gone for twenty-two years now, itRead More →

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If you’re a long time listener of the Film Photography Podcast, this camera would be one of the more familiar ones, especially the iconic sound bite by Dan Domme, “Agfa Clack.” The camera earns its name by the clack sound the shutter makes, compared to the Agfa Click, also named for its shutter sound. Despite having many amazing cameras that perform perfectly, I have a soft spot for box cameras, so I started looking for an Agfa Clack after getting the Click-II. I should also note that the Clack is known as the Agfa Weekender in US Markets. Camera Specifications Make: Agfa Model: Clack Alternatively:Read More →

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If you’ve followed my photography journey, one of the first developers that became a favourite is Kodak HC-110, which switched to Ilfotec HC last year when I finished off my final bottle of the OG HC-110. But sometimes, you have to send in the clones. I’ve been aware of LegacyPro, and other clones HC-110 developers for some time but have never thought to give them a try. But after learning that Ilfotec LC29 is a variant of Ilfotec HC, I made a point to try L110. L110 is HC-110 but in an easier to pour format. To make the point that it will perform exactlyRead More →

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When it comes to fast Nikon Zooms, the modern trinity is the 14-24/2.8G, 24-70/2.8G and 70-200/2.8G (although I’m sure these have all been updated to the new E-Type lenses by this posting). However, a pair of these lenses have older versions; while the focal lengths are different, the constant f/2.8 aperture is the same. Now in my own lens catalogue I have only a pair of the G-Type in the trinity, the 14-24 and 70-200, but the cost of the 24-70 plus the word being it doesn’t work too well with film (I’ll have to test that) kept me from purchasing the lens. But theRead More →

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When it comes to assistance with long processing times or the need for constant agitation, there aren’t that many options out there today. Sure there is the original Jobo system, but these are completely closed systems that often carry a high startup cost. And on the opposite end of the spectrum are the Besler and Unicolor Cibachrome bases and tanks. But what about something new, using modern solutions. Last year I had the chance to try out one such system, the AuRA film processor, and it certainly made an impression on me and my processing. Sadly these aren’t yet for sale, and given the technologyRead More →