Classic Camera Revival (Page 11)

Before there was film, there were plates. But the wet plate was not exactly the easiest method of taking pictures, so the dry plate was introduced. It was the first method of photography where the medium could be shot and then processed later. In fact, the dry plate was what propelled George Eastman into the public eye. And while dry plates haven’t been seen in decades, several folks have taken it upon themselves to produce a new form of dry plate and today we have one of those people, Jason Lane. On today’s episode, we have none other than Jason Lane and enter a territoryRead More →

Sometimes a camera breaks and we can’t get it fixed, but we don’t want to get rid of it either, so they just sit on our shelves looking pretty or in pieces. The gang also talks about getting your camera repaired. Rest In Pieces Those cameras that just sit on the shelf because we either can’t get them repaired, they’re too far gone, and we just can’t get rid of them. David White Co. Stereo Realist For John, now in glorious 3D, the Stereo Realist represented a unique piece of photographic history. The idea of 3D photography wasn’t new when the Stereo Realist saw initialRead More →

There are some terrible cameras out there, but sometimes a camera that has a huge following and produces some amazing images. And several of these cameras are owned or rather were owned by members of the team, but they just didn’t fit our style. These cameras often sit on our shelves just not used anymore, they’re part of the lonely camera band. Pentax 6×7 Now the Pentax 6×7 isn’t a bad camera, especially if you get one of the newer models, like the 67 or 67II. But these are newer models. But for John, his 6×7 began to give him problems. Mostly due to theRead More →

Here at the Classic Camera Revival, we are big fans of getting things done ourselves! We love to process our own film, but today we’re talking about two different things the first is creating your own photo ‘zine or book and we have our special guest Matt who takes things a lot further and builds his own cameras. When it comes to creating your own photographic ‘zine or any publication is to make it your own, don’t try to do something you’re not comfortable with. Pick a topic and run with it, and do it the best you can. You don’t need to tell aRead More →

We’re here to take that leap from the lion’s mouth and seek out that camera that we’ve been wanting. So today the gang discusses the cameras that they had been lusting after and either got, still looking for, or accidentally sold off. Voitlander Vitessa L For Trevor the Vitessa was the camera he wanted for many years, he lusted after this camera. And then one day he got an excellent deal on the camera he wanted. And he shot it for many many years. The camera itself is a unique rangefinder owing to its barndoor lens protector and even took the German word Scheunentor asRead More →

While we could do an entire episode on one of the world’s most under-rated, hidden gem cameras out there, the Nikon F90(x). It’s a camera we’ve talked about so much before we just had to take out several other cameras that need a little more limelight. Zenit E When it comes to iconic Soviet SLRs, the Zenit E comes to the top of most people’s list. And it’s one of the ‘good’ cameras that came out of the Zenit line of SLR, a heavy metal camera that is built like a Russian hammer. And honestly, most people buy the Zenit E and its un-metered cousinRead More →

We all need that little bit extra, that extra stop, that extra degree. For that, we pick up the heavy hitters, the big glass in our camera kits. If you’re someone who is an ultra-wide junky (Lens 24mm or wider) or wants only a sliver of your frame in focus (Lenses with apertures at f/1.4 or faster), this episode is for you! Konica-Minolta Maxxum AF 17-35mm 1:2.8-4 D When it comes to wide-angle lenses, Alex is a bit of a junkie, so when he found this beautiful lens for his Maxxum system he didn’t think twice. Now there are two versions of this lens, there’sRead More →

When you’re in a situation and your reputation is on the line you need something that works. But if the customer, client, or even your own personal project is on the line and you have to use film, then you want something that will work. Like work always, in any situation! Ilford FP4+ If you miss the ASA-125 rating of Kodak Plus-X, then look no further than Ilford FP4+. A film that dates back to the 1930s and has changed and grown as technology improved. FP4+ is Alex’s choice for outdoor shooting when the light is nice, even if cloudly. It responds well to beingRead More →