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I’m coming back for more, especially after being pleased with the results I got from the Formulary version of Kodak D-19. Like Formulary, Flic Film’s MQ-19 is a perfect clone of the classic high-contrast, fast-acting developer D-19, and while I am limited by what film stocks can be developed I did manage to find a few more options to run through the developer this time around include a few classic films that I did not include in the first time around. Like any good review, having a second chance with a developer gives a better chance to explore other options and get a better pictureRead More →

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While writing camera reviews remain a favourite of mine, second favourite is developers. Despite the challenges, it does allow me a bit more latitude in choices of films and gear. And while there are only a limited number of developers out there and some that are highly specialised or have limited film stocks that are available. But despite the limited numbers, there are in many cases a tonne of clones out there that allow me to fully explore these developers. I’ll be walking through how I write and work through reviewing film developers as I write my review of Flic Film MQ-19. The main reasonRead More →

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I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

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I first discovered a package of Kodak Microdol-X in the back of an old camera shop in Pittsburg, PA. Microdol-X was Kodak’s original fine-grain developer before being supplanted by Kodak Xtol. Although both But Microdol-X was much loved by those who used it and I’ll admit, it’s an excellent developer. Thankfully as a powder developer even those old pouches have a long shelf life, but the supply is limited. Thankfully the fine folks at LegacyPro have an answer, Mic-X, a complete clone of the original Microdol-X that uses all the original times and dilutions. Technical Details Manufacturer: LegacyPro Name: Mic-X Primary Developer: Metol Type: Reusable/One-ShotRead More →

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It has been some time since I wrote a verse post, so it’s time I tried this again. But rather than pitting cameras against each other, I will be pitting developers against each other. The idea behind this came from my good friend James Lee, who loves to show off the power of the Fuji Acros 100 when it is slightly overexposed and developed in Ilford Perceptol. I’ve worked with this combination, and it is impressive. Recently, James has also been working with 510-Pyro. I asked myself which is better, namely when put head-to-head, Perceptol and 510-Pyro? The setup is a simple one, I haveRead More →

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While my tastes in developers do lean towards the more exotic, something is refreshing about a standard baseline developer. In my books, that developer has always been Kodak D-76; these days, you can get the stuff in many different forms from different manufacturers. The first developer review that I wrote was on D-76 and I have since done Ilford’s version, ID-11, and Flic Film’s Classic MQ. It’s no secret that D-76 is one of the team’s favourites at the Film Photograph Project. The idea that you can get results from almost any film stock by using D-76 Stock for six minutes has been promoted byRead More →

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If there is the closest thing to a universal developer in the film photography world, that developer is Diafine. If you’re thinking, “Wait, aren’t all developers universal?” You are right; a B&W developer will develop many different film stocks. But it doesn’t often happen that two other film stocks, shot at different speeds, can be developed simultaneously. There are some examples of cross-over, but only a few. Diafine uses three main development times and a couple of unique combinations. These are shared across many different film stocks that allow you to develop multiple rolls shot multiple ways in the same tank. You can also shootRead More →

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What Was I Thinking… In the world of film developers, there are many options for almost any film type and situation, and then there are the weird ones associated with closed imaging systems. And then there are developers like Formulary FX-2. I enjoy working with the strange, trying to use them to crack a tough film stock or figure out where a developer will fit within my film-developing kit. And through these reviews, I have found several that will be useful going forward. Developers like FX-39 II, Atomal 49, and R09 Spezial have now found spots in my kit as excellent film development tools. AndRead More →

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I had a lot of fun looking at the dedicated line of Foma developers this year. Yes, they produce a couple of clones but have three developers unique only to their company. LQN crossed my desk after someone suggested that it is the dedicated developer for Fomapan 200. And having struggled with Fomapan 200, I wanted to give this one a shot. I initially thought I would have to get it shipped by the slow European route. I soon discovered that my local source of rare developers had some in stock, so I got a bottle. LQN is the sibling to Fomadon LQR. But unlikeRead More →

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I caught a glimpse of a modern production of this developer from the folks at Silvergrain Classics and immediately started to hunt down the developer. Most sources pointed to having to order from a European supplier and waiting a month for it to arrive when I ran across the developer at a local source, Downtown Camera. Well, I jumped at the chance. I first learned about Neofin Blau in my review of Adox FX-39 II, which is based upon Neofin Rouge; both developers are based on the works of noted German photographer Willi Beutler. Blau, unlike Rouge, is designed for films rated at ASA-200 orRead More →