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Well, here we are at the start of a new year and looking back at last year’s outstanding Frugal Film Project! I had a lot more fun with this project, and it helped nurture my soft spot for consumer 1990s/2000s SLRs. It’s funny; I never saw these as viable cameras before, yet they have a beautiful charm. You don’t have to worry too much because they can be a dime a dozen. Plus, they work with many lenses that most people use with their other autofocus systems. Canon, Nikon, Pentax, and Minolta (Sony) all have lenses that work on both digital (full-frame) and 35mm bodies.Read More →

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The province of Ontario is more than big urban centres. Plenty of small towns retain their rich heritage of the 19th Century. One of my personal favourites is the former village of Elora. Unlike some small towns that are mere shadows of their former selves, Elora has maintained their architectural and industrial heritage with a twist on modern-day tourism. Add to this the natural beauty of the Elora Gorge, a fantastic craft brewery and distillery, and you have the perfect day trip on the Canada Day long weekend. A deep gorge marks the junction of the Grand and Irvine Rivers, a territory once the traditionalRead More →

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Of late, I’ve had a soft spot for consumer-level SLRs. These are excellent options as knock-about cameras that often have the same internals as their professional cousins but in a smaller form factor and can be had for a low cost. The F65 is one of Nikon’s final entry-level SLRs and one of the best options for the era, as it combines form and functions and offers the greatest compatibility. While the F65 only saw production for a short period, its replacements split things into two sub-varients, a lower-spec F55 and a high-spec F75, the features on both are found in the F65. If you’reRead More →

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I like a camera with history, something unique, a variant or a failed move forward. While I’m a Nikon shooter, Nikon cameras are fairly dull in the broader picture of photographic history. Sure, Nikon cameras often set the standard for photography and technology, but they often played it safe. On the flip side, Canon tried different things, they experimented, and sometimes it worked. Other times it was too early. The Canon Pellix is a fine example of the engineers at the company in the 1960s who wanted to try everything to improve photography. Sadly they were several decades ahead of the game. Thanks to OriRead More →

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It’s been a while since I got to do a film of the month challenge put on by the team at the Embrace the Grain Podcast, mainly because some of the more recent ones have focused on colour films. And I’m not often one to jump on colour films. For a couple of reasons, first being I don’t like scanning colour film, and second, it’s difficult to get processed on time as I don’t keep colour chemicals at home. So when January’s film was announced as being Japan Camera Hunter Streetpan 400, I jumped, and I had a roll stashed away. I took the filmRead More →

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When I was starting to shoot film seriously, I stuck mainly to negative colour stock but started experimenting with black & white, but slide film was something that I avoided. Slide film was for professional photographers or travel photographers who wanted to share their trips on a slide projector. My first experience with slide film was Fuji Sensia and I was hooked. So I decided to jump right into the iconic Fuji slide film, Velvia. The original Kodachrome killer, and yet I only started shooting the stock after it got discontinued, the first roll running through my camera in 2009. Film Specs Type: Colour ReversalRead More →

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When it comes to metering for precision, there is nothing better than a spot meter, but most spot meters these days are expensive, both new and on the used market. The first and only spot meter I’ve used is the Pentax Spotmeter V. This analogue 1° spot meter has become the accessory that always gets thrown in my bag when I’m out with my Crown Graphic Hasselblad or Mamiya for precision tripod-based work. The meter served me through almost my entire War of 1812 project, Canadian Confederation and most recently, the Railway project. A simple easy to use device that allowed me to execute aRead More →

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And now for something completely different. I know I’m better known for my reviews of film-based cameras, but I have reviewed a digital camera here before, back when I got the camera that this one replaced. In fact, the Nikon D750 marks two, not three things. First, it marks a return to an SLR as my digital camera; second, it marks the return to the Nikon Digital system. And finally, a digital camera that I like using a lot. It’s not to say the a6000 was an unenjoyable camera to operate; the only complaint was that the system continued to be limited. Yes, I couldRead More →

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I always seem to want to come back for more. One of my first experiences with a Soviet camera was a Smena 8m, this was a gift from my good friend Michael Raso, and the camera was interesting, to say the least. There wasn’t anything bad with it; it was pretty unique and produced excellent images. It was hard to work with, too much to do, too fickle, and I wasn’t getting to know the camera well enough. So I passed it onto another photographer who went on to use the camera to produce awesome results. There wasn’t anything wrong with the 8m; I thinkRead More →

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I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →