By:
On:
In: Developer Review Blogs
With: 0 Comments

I’m coming back for more, especially after being pleased with the results I got from the Formulary version of Kodak D-19. Like Formulary, Flic Film’s MQ-19 is a perfect clone of the classic high-contrast, fast-acting developer D-19, and while I am limited by what film stocks can be developed I did manage to find a few more options to run through the developer this time around include a few classic films that I did not include in the first time around. Like any good review, having a second chance with a developer gives a better chance to explore other options and get a better pictureRead More →

By:
On:
In: Classic Camera Revival
With: 0 Comments

It has been a while since we last visited the topic of film developers. So in today’s episode Alex sits down to talk about some of the more exoctic developers that have poured their way through his chemistry kit recently. These include a lovely elevated general purpose developer in Fotospeed FD10, a couple of high-contrast developers with Kodak D-19 and Fomadon LQR. Then Rodinal’s cousin, R09 Spezial, and even a colour developing kit, the FPP Super Colour Negative ECN-2 kit. Alex also digs into how he tests and reviews film developers, and it isn’t that scientific, and you know that’s okay! FPP Super Color NegativeRead More →

By:
On:
In: Reviews
With: 2 Comments

When it comes to assistance with long processing times or the need for constant agitation, there aren’t that many options out there today. Sure there is the original Jobo system, but these are completely closed systems that often carry a high startup cost. And on the opposite end of the spectrum are the Besler and Unicolor Cibachrome bases and tanks. But what about something new, using modern solutions. Last year I had the chance to try out one such system, the AuRA film processor, and it certainly made an impression on me and my processing. Sadly these aren’t yet for sale, and given the technologyRead More →

By:
On:
In: How To
With: 2 Comments

If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →

By:
On:
In: Reviews
With: 7 Comments

I honestly can’t remember when I got this sealed box of 4×5 film. I remember getting it from my good friend and partner in photographic crime Bill Smith. Now, this was all before the great interest in Ultra-Low films and it took a lot of digging to find out anything about the film. Then I realised I was looking for the wrong number. I should have been checking out Eastman 5302. After expanding my search I found some developing formula on Flickr and decided it would be finally time to get out and check this mystery box out. It took a while to figure outRead More →

By:
On:
In: Reviews
With: 1 Comment

Earlier this year Ilford teased us with a simple way to get into home black & white developing. Now as a long-time home developer I knew right off the mark that the pack is not aimed at photographers like me. I had no intention of trying it out because of that fact, but when I saw that my local dealer, I mean camera store, Burlington Camera & Digital had them for sale, I knew I had to give it a go. Even if it was just for writing about it here and discussing it on a future Classic Camera Revival episode. The box is attractiveRead More →

By:
On:
In: How To
With: 0 Comments

If you’ve ever listened to me talk about film, you’ll know there are some films I have a strong view. I love my Kodak Tri-X and JCH Streetpan 400; then there are the ones I’m not too happy with, that is Ilford HP5+ in 35mm and Delta 400 in general. But what if I could change my mind on just one? Would it give me another tool in the kit to use to get a specific look? Could I shoot four rolls of a film stock and come to like it, even go as far as recommending it? Challenge Accepted. That film isn’t Delta 400,Read More →

By:
On:
In: Photography
With: 0 Comments

Anyone who has been in photography for a long time will remember the legendary Kodak film, no, not Kodachrome, the other one…Panatomic-X. Panatomic-X was first released in 1933 and continued until 1987 this fine grain ASA-32 panchromatic black & white film produced a huge tonal range and allowed for even 35mm negatives to be printed extremely large without noticeable grain…and when there was grain is was very pleasing. These days you cannot find fresh film, or even another film on the market like it. Most of the film I’ve shot expired back in the 1970s but can still be shot at box speed (ASA-32). TheRead More →