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Over the previous year, I worked hard to expand my knowledge of black & white film developers and find myself down a deep rabbit hole. Some good, some meh. Some I didn’t care for or I found them to be too specialised for average use. And while I have several up for review later this year and you can check those out later, here are seven that have stood out in my head as worthy of using again and of getting you out of the rut of using the more vanilla developers like D-76/ID-11, HC-110/Ilfotec HC, and Rodinal. 1 – Adox FX-39 II Based onRead More →

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It’s funny how some developers just drop right into your lap. One of my readers, Jon Porter, wanted to know my thoughts on FX-39. And at the time I had never even heard of Adox FX-39, so I hopped onto my source for the rarer chemicals, Argentix.ca, and found that yes they did carry Adox FX-39 II. Is this new version any different from OG FX-39, not on the surface, it just has been adjusted to last longer. But that wouldn’t be a problem. I went through my first 500mL bottle quickly and in a couple of months. FX-39 is based on Neofin Red (createdRead More →

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Back in the Summer of 2013 when APUG was the place to get your online fix of the analogue photography community, I noticed a post in the Toronto local board that there weren’t enough meetups for the film photography community. Which was at the time partly true, sure there had been a couple of FPP/APUG meetups in the area in the past, I had even helped coordinate one in 2011. But there had not been anything since. So I took it upon myself to plan these events, at least four, in a year. The first one dropped in July 2013, had a decent turnout andRead More →

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When it comes to TLRs, there are plenty of choices out there and in many cases will cost you a fair amount of money. I’m talking Yashica, Minolta, Mamiya, and Rolleiflex plus several other upper-crust cameras. But for me, these were a second step (Yashica-12) and third step (Rolleiflex 2.8F) in my journey of Twin-Lens cameras. My first TLR is a true Soviet-era classic and a gateway drug into the wonders of both 120 film but also TLRs in general, and that is the Lubitel 2. Built by ЛOMO (LOMO) or Ленинградское Oптико-Mеханическое Oбъединение translated Leningrad Optical Mechanical Association one of the pillars of theRead More →

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In: Film Review Blogs
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It feels wrong posting a review for Acros 100 in light of the recent news about the film’s demise at the hands of Fujifilm. But I would also feel this series of reviews incomplete without it included. One of my favourite black and white films from Fuji (which isn’t saying much there was only a handful). Bright, sharp, and with next to no reciprocity failure (you can expose the film up to 22 minutes before needing to adjust your exposure time to compensate). While I didn’t use the stock much, I did get to use it abandoned buildings where the long-exposure capacity can help outRead More →

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Ever since I sold off my Pentax 645, I honestly thought I would not want another 645 camera; I mean, I had my Hasselblad. But there is some draw to the 645 formats; you don’t want a square, but that nice rectangle. And with my Hasselblad acting up, I wanted something similar but in 645. In other words, I wanted a system camera that could be customisable. One day I was sitting in the Higher Grounds coffee shop in Belfountain, having shot some 4×5, and an older man came over. We started talking as he recognised the Crown Graphic. He promptly offered his Mamiya m645Read More →

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When it comes to iconic cameras, Nikon does not have a shortage in their catalogue. From the highly valued rangefinders to the game-changing Nikon F. Plus all the professional camera bodies that followed in the footsteps of the original system camera. But among the cameras that are highly sought after by many photographers still, today are the compact SLRs of the 1970s and 1980s. Among those is the Nikon FM and the electronic cousin, the Nikon FE. For me, the FE fits into that little niche between my all-mechanical Nikon F2 Photomic and the fair more automatic Nikon FA. The FE fills the gap whenRead More →

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September 2017 marked a milestone for Sheridan College. As a College Sheridan began its life as a collection of Satellite campuses, those campuses closed, the college moved to centralised campuses. One remained the Skills Training Centre. This September that campus would close its doors as the last satellite campus for Sheridan. STC, as it was better known, holds a special spot for me. I worked at the campus for several years, establishing a permanent IT presence at the small campus. So when I learned that the campus was doomed to closure I made a point to return one last time and document it. And documentRead More →

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In: Project:1812
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Brigadier General William H Winder, like many officers in the American Army, made a name for himself in the War of 1812, and I don’t mean that in a good way. Winder has been grouped by many in the same category as William Hull and is considered one of the worst generals of the war. The ill-starred general was born in 1775 near Baltimore, Maryland, Winder wound attend the University of Pennsylvania and study law and return to Baltimore and began to practice law in 1798 and earned a reputation for being one of the best lawyers in the entire state. The battle field fromRead More →

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To say the Mamiya Universal is clunky and hard to use is an understatement. But it is not wholly un-useable, you just need to find the flow of the camera. The Universal isn’t a bad camera, underrated, hard to use yes, but a good camera. And while the whole Press series is a strange departure and little more than a footnote in the history of Mamiya, it almost seems like they were trying to build a system camera to see that they could before hitting the big time with their medium format SLRs. But there is a strange draw to a camera system that youRead More →