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I’m coming back for more, especially after being pleased with the results I got from the Formulary version of Kodak D-19. Like Formulary, Flic Film’s MQ-19 is a perfect clone of the classic high-contrast, fast-acting developer D-19, and while I am limited by what film stocks can be developed I did manage to find a few more options to run through the developer this time around include a few classic films that I did not include in the first time around. Like any good review, having a second chance with a developer gives a better chance to explore other options and get a better pictureRead More →

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In: Between Darkness & Light
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The local explorer scene called it George’s Funhouse; I’m not sure why or who George is or was, but one thing is for sure, the American Enka company in Lowland, TN, was a lot of fun. While INAAP was a much larger space to explore, it had nothing on the Lowland plant in terms of the amount left and the variety of items left. Lowland offered up everything in a smaller but much more densely packed location, as someone who loved the ample empty space, along with some exciting things to see and read. The American Enka Company traces itself back to the Netherlands andRead More →

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While writing camera reviews remain a favourite of mine, second favourite is developers. Despite the challenges, it does allow me a bit more latitude in choices of films and gear. And while there are only a limited number of developers out there and some that are highly specialised or have limited film stocks that are available. But despite the limited numbers, there are in many cases a tonne of clones out there that allow me to fully explore these developers. I’ll be walking through how I write and work through reviewing film developers as I write my review of Flic Film MQ-19. The main reasonRead More →

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I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

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If you had to pick the epicentre of abandoned buildings in the American Rust Belt, many cities can claim that title. The 1970s were not kind to North American industry, and cities like Buffalo, Cleveland, Detroit and many more still feel the sting of that troubled decade. Then there is Gary, Indiana; you can throw a rock in many parts of Gary and break the window of an abandoned building. And despite the stories I had heard about the city being a murder capital with rampant crime and watching not only your car but your wallet. I never once felt uncomfortable in Gary, unlike Detroit,Read More →

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The third in the Elan series of semi-professional cameras released by Canon and the direct successors to the original EOS 650, but why not call it the Elan III? Well, that’s because Canon makes weird choices with their camera names. In the case of the Elan 7, the number seven has nothing to do with the number of models but rather the seven focus points in the new AF module installed in the camera. Unlike my previous Elan camera, the IIe, the Elan 7 I’ll feature in the review is the model without eye control. But the difference between the IIe and the 7 isRead More →

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I first discovered a package of Kodak Microdol-X in the back of an old camera shop in Pittsburg, PA. Microdol-X was Kodak’s original fine-grain developer before being supplanted by Kodak Xtol. Although both But Microdol-X was much loved by those who used it and I’ll admit, it’s an excellent developer. Thankfully as a powder developer even those old pouches have a long shelf life, but the supply is limited. Thankfully the fine folks at LegacyPro have an answer, Mic-X, a complete clone of the original Microdol-X that uses all the original times and dilutions. Technical Details Manufacturer: LegacyPro Name: Mic-X Primary Developer: Metol Type: Reusable/One-ShotRead More →

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What was I thinking…. If there is one negative size format that I have been actively ignoring since I started to review cameras is half-frame. And there is a good reason for this, I struggle to finish off a roll of 36-exposures. And when it comes to half-frame in the realm of 35mm, 36 exposures turns into 72-exposures on a roll, even if I got a 24-exposure roll I’m still staring down the barrel of 48-frames. But it seems that half-frame has gotten a bit of a revival with more people wanting to increase the number of shots on a roll especially with the costRead More →

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Ha Ha, this is a pry from my dead hands camera…😀 There’s one fun part about being connected to so many amazing photographers and bloggers over the world because of the Internet. Often you come up with ideas like this, a whole series of posts on the same subject with a coordinated release. This idea comes from Jim Grey (Down the Road), from a conversation where Theo (PhotoThinking) was looking for links for his review of the Voigtlander Superb. Peggy (Camera Go Camera) suggested he give her the camera, and Theo replyed “this is a pry this from my dead hands camera.” Jim jumped onRead More →

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While my tastes in developers do lean towards the more exotic, something is refreshing about a standard baseline developer. In my books, that developer has always been Kodak D-76; these days, you can get the stuff in many different forms from different manufacturers. The first developer review that I wrote was on D-76 and I have since done Ilford’s version, ID-11, and Flic Film’s Classic MQ. It’s no secret that D-76 is one of the team’s favourites at the Film Photograph Project. The idea that you can get results from almost any film stock by using D-76 Stock for six minutes has been promoted byRead More →