By:
On:
In: Reviews
With: 9 Comments

I’ll admit, I love a good exotic film developer that can develop any film to their ideal conditions. But lets be honest here, some of these developers are expensive, hard to acquire and require rigorous attention to detail to make them work perfectly. And often are so fine tuned they will only work on a handful of film stocks that a also difficult to come by. Sometimes you want a developer that will do its job and nothing more than that. It doesn’t have to be fancy, compensate for over or under exposure. Produce ultra-fine grain, or enhance tonality and edge sharpness. Rather than presentRead More →

By:
On:
In: Optical Review Blogs
With: 1 Comment

When it comes to lenses, I enjoy working with wide-angle offerings, and they can genuinely tell you how dedicated a company is to manufacturing and designing quality optics. And even with my limited experience with Canon EOS lenses, the 28mm f/2.8 surprised me. It’s a tremendous carry-around lens that, despite being a first-generation model, still stands up today as delivering quality results in an affordable lens. And this was the second EOS lens I picked up, as I knew I wanted something fast and wide that wasn’t a zoom lens. Lens Specifications Make: Canon Model: EF 28mm 1:2.8 Focal Length: 28mm Focal Range: ∞ –Read More →

By:
On:
In: Developer Review Blogs
With: 1 Comment

When it comes to Kodak’s back catalogue of developers, it is extensive. Today it is small compared to the past, with most people going with D-76, HC-110 and XTol. But Kodak once produced a wide range of developers for almost every application. And there is one that provides fast, high-contrast, and low-fog negatives, and that is Kodak D-19. While the original creation and cancellation of D-19 are lost in history, today, you can mix it up yourself or purchase a premixed kit from Photographer’s Formulary. Of all the developers I’ve used and reviewed to date, D-19 is undoubtedly among the most exciting and unique, notRead More →

By:
On:
In: Reviews
With: 2 Comments

I love trying out new film developers or new-to-me developers. So a while back I wrote an article on seven film developers that are worth trying. Since then, I’ve tried several more unique developers and have another five options to try something different in your home development experience. And this time, I’ve also included a colour developer. 1 – Kodak D-19 Originally designed for X-Ray Film, Technical Film, and IR Films, Kodak D-19 is a high-contrast developer. But that should not stop you from giving it a try. Because while it is a specialised developer, it works surprisingly well with regular panchromatic films. It alsoRead More →

By:
On:
In: Optical Review Blogs
With: 0 Comments

I’ve always been a prime lens user, but my re-entry into Minolta (especially autofocus) and purchasing the D750 have made me appreciate a good zoom lens. I can’t recall where I got the idea to pick this particular lens up, but I’m going to assume that it was back during the infamous CCR episode “Zooming Right Along.” where James Lee spoke about the Nikkor 28-80mm kit lens, so I went onto B&H and looked for that lens. Not finding it, I found something that was a bit longer, a one-and-done lens, the 28-105mm f/3.5-4.5D. And this lens has been a helpful tool to carry aroundRead More →

By:
On:
In: Camera Review Blogs
With: 1 Comment

Of late, I’ve had a soft spot for consumer-level SLRs. These are excellent options as knock-about cameras that often have the same internals as their professional cousins but in a smaller form factor and can be had for a low cost. The F65 is one of Nikon’s final entry-level SLRs and one of the best options for the era, as it combines form and functions and offers the greatest compatibility. While the F65 only saw production for a short period, its replacements split things into two sub-varients, a lower-spec F55 and a high-spec F75, the features on both are found in the F65. If you’reRead More →

By:
On:
In: Camera Review Blogs
With: 1 Comment

The return of the 1990s classic trashcam that, despite being what it was, the Vivitar Ultra Wide & Slim became a cult classic in the rise of the toy camera movement. And while the original Vivitar run ended, and the Sproketheadz version had some serious troubles, in 2022, a new version came to the market. Produced by Hong Kong firm RETO, the RETO Ultra Wide & Slim rebirthed the classic and is probably one of the closest versions of the original. It’s all plastic, light, and has a particular flare for the strange. But if you missed the boat on the original, this camera mightRead More →

By:
On:
In: Reviews
With: 0 Comments

This past year has been a lot of fun looking at different cameras. While some of these cameras I will have already released a review, others will be coming out next year. But that’s the thing about writing these reviews is that I’m often working 2-3 months ahead of the actual release. I put a lot of work into these reviews, between looking up specs, shooting multiple rolls of film through the cameras and trying to get the best results so I can give a fair and balanced review. But a group in the film photography blogging community decided to put out a series ofRead More →

By:
On:
In: Camera Review Blogs
With: 0 Comments

If you want a simple answer to the question, why the heck am I reviewing a camera that isn’t precisely designed for use above the water, that answer is, I’m crazy. And by crazy, I mean some lenses work both underwater and on dry land with the Nikonos III, and the lens that only lens I have available isn’t designed for dry land. But the Nikonos line holds a unique spot in photography’s history, specifically Nikon. There are two reasons for this. First, the Nikonos line was the camera that made underwater photography accessible, and two, it was the last camera to have a foundationRead More →

By:
On:
In: Optical Review Blogs
With: 0 Comments

We’re used to modern multi-element, multi-group lenses regarding optics. But it hasn’t always been that way; some of the earliest cameras used only a single element. But this often caused quality issues, so adding a second element limited the effects of chromatic and spherical aberration. The earliest applications of these Achromat lenses were in telescopes that trace back to the 18th Century. But Charles Chevalier’s (a noted name in early photographic optics) creation of his Daguerrotype Achromat lens changed the face of photography in those pioneering days. While Chevalier’s lenses are still sought by modern wet and dry plate photographers for us who shoot film,Read More →