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Back to the boxes! There is something oddly satifying about shooting with box cameras. Take away all the fancy settings, lens choices, aperture, shutter speed and you’re left with, at least in Nikon’s words, Pure Photography. Point, Guess, Shoot, Enjoy. And that’s exactly what you get with the Agfa Box 50. One of many cameras in the “Box” line. This particular camera was one that belonged to my Opa Oosthoek, that is my mom’s father and has been passed down through my family. In fact we have several photos at home that were taken on this camera. Special thanks to my mom for loaning meRead More →

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It’s yet another winner from the wonderful folks at Olympus! This is probably my favourite modern point & shoot camera, no fuss, no muss. If I want to just go out and shoot and not have to worry about carrying bags of additional gear, or at a wedding when you don’t want to pull out the SLR and don’t want to fiddle with an XA. Small, compact, with amazing results. Disclaimer: This is an old review, and is scheduled for an update and may look funny during that update. However, due to a large number of reviews that require this update it may take someRead More →

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The Nikon F is the great-grandfather of all the professional level Nikon SLRs, yes even modern digital professional digital SLRs can trace their ancestry back to the Nikon F. The Nikon F introduced the idea of a system SLR where everything could be swapped out to make the camera fit the task you wanted it to do and your own personal style as a photographer and saw production for just under two decades before being replaced by the Nikon F2. For this review, I’ll be running with a Nikon F Photomic FTn however the meter is no longer working. The Dirt Make: Nikon Model: FRead More →

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When it comes to bare-bones Mechanical SLRs, the Zenit 122K is as bare-bones as they come. This mostly plastic camera comes from the rather odd times right near the end of the Cold War and Soviet rule in Russia. I mean it’s pretty basic even for someone who just wants to learn how to use an all manual camera. But oddly enough the camera still looks cool, in fact at forty yards you might think it a Contax RTS III or similar camera with a squat prism and all black with white lettering, but don’t be fooled this camera is no Contax…not by a longRead More →

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While many continued to use and love the all mechanical Nikon F2 the F3 was a departure of sorts for Nikon moving towards an electronic-based camera and a very stylish one at that. Designed by the noted industrial designer Giorgetto Giugiaro who introduced the red strip that still appears on Nikon SLRs today. This is the camera that got me back into semi-automatic manual focus photography after I received it as a gift from a photojournalist with a vast collection of lenses and the MD-4 motor drive. While heavily used, this camera has seen a lot of action in the past and continues to seeRead More →

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It’s called “The Brick” for good reason, and was for many years the every-man camera in the United States. Aimed at the middle-income market as a solid camera with good optics that could compete with some of the higher end cameras coming out from Kodak. Special Thanks to James McFarlane for this special guest camera! Disclaimer: This is an old review, and is scheduled for an update and may look funny during that update. However, due to a large number of reviews that require this update it may take some time. Please be patient during this process as the reviews may appear incomplete and inRead More →

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The Nikon F5, at first glance you might mistake it for a digital SLR. I certainly have been asked ‘what sensor is in that camera’ and depending on my mood and my general view of the person asking I might reply with something a little more sarcastic, other times a simple response is “oh a 36x24mm or full-frame as it’s called in digital photography.” The F5 was my second grail camera after switching over to a Nikon system from Minolta, in fact, I picked up the battery grip for the F80 to make it look like an F5 because at the time the F5 wasRead More →

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If there is a single camera out there that most people will associate with professional film photographers, it is the Hasselblad V-System. Designed and built in Sweeden, the Hasselblad is the luxury camera of the medium format market. While the 500c is the original model to use a leaf shutter, it is a good entry point into the Hasselblad system if you can find one at the right price. Thankfully I was able to find a complete setup (lens, finder, back) for a reasonable price, but soon found that there is a certain cost to owning a Hasselblad system. And the fact you can’t justRead More →

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When you first lay eyes on the Contax G series of cameras you’re going to wonder to yourself, what sort of camera are these? Are they rangefinders? Are they some kind of digital camera? A dressed-up point and shoot? Well the G Series is sort of both, well it certainly is not a digital camera. But it’s a rangefinder and a dressed-up point-and-shoot, in reality, it’s a camera that’s in a class all of its own, the Autofocus Rangefinder (AFRF). I don’t remember exactly what drew me to the G2 when I first got my hands on the camera back at the end of theRead More →

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When it comes to 35mm SLRs I’m solidly in the Nikon camp. Yet, Canon had something that could be considered an equal, if not a stronger camera for the 1970s than the Nikon offering of the time. That being the Canon F-1, Canon’s answer to the Nikon F2. Sadly the F-1 only lived a short time in my collection before going to a good friend who had a larger selection of Canon lenses. I know it went to a good home. But as a camera, the F-1 is an amazing performer and if I had more lenses it would have been a strong addition toRead More →