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Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

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I had to go back into my archives to see if I ever posted anything directly related to my 2015 trip to Europe. And yes, the images did appear in several review posts, but I never made a great post about the trip. I don’t understand why! But it probably got caught up in my poorly managed posting schedule, which I only in the past couple of years got onto the right track and had some semblance of order. But either way, I think for this Friday, I get things in order and revisit a special trip of mine with some insights into that tripRead More →

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The original slow film offering from Lomography and one with a great name, Fantome! I had initially thought that I wouldn’t jump on these right off the bat. However, after seeing some early results, I decided to give this slow offering a try. And don’t let the slow speed concern you; you can quickly shoot this film handheld on bright sunny days, although unlike last months film, I did shoot a roll on a tripod to see how well it handled long exposure. Fantome 8, like Babylon 13, is a repurposed ORWO film. ORWO DP31 is a positive archival duplication film designed to produce duplicatesRead More →

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One of the film community’s biggest photography trends is the use of speciality motion picture films for regular photographic applications. You saw the rise in popularity in films such as Eastman 2238 and Fuji 4791. Well, Lomography jumped onto the bandwagon with a pair of releases last year. Both were rerolled films from Filmotec/ORWO. The second release of these films came in Babylon 13, with Lomography publishing times for shooting at ASA-12. Having ordered the traditional five-pack, I found that the film, in reality, if ORWO DN21. As the name suggests, DN21 is a duplicating film, acting as an inter-negative between a master positive andRead More →

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Thinking back to what could have been, I remember when I first got into film photography, photography in general and happened across Minolta. The SR-T 102, Hi-Matic 7s, even the X-7a, but I wanted to make the jump to autofocus. I was in a local bargain shop and happened across an open box, the Maxxum 7. It didn’t come with a lens and was well outside my price range. And now that I know more about that shop, it was probably hot also. I ended up switching to Nikon. But here it is now, the Minolta Maxxum 7, what many online sites describe as theRead More →

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Earlier this year Ilford teased us with a simple way to get into home black & white developing. Now as a long-time home developer I knew right off the mark that the pack is not aimed at photographers like me. I had no intention of trying it out because of that fact, but when I saw that my local dealer, I mean camera store, Burlington Camera & Digital had them for sale, I knew I had to give it a go. Even if it was just for writing about it here and discussing it on a future Classic Camera Revival episode. The box is attractiveRead More →

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The Signet 35 was the top dog in the Kodak 35mm line following WW2, this beautiful all metal rangefinder had it’s top lens, the Ektar mounted on the front, a shutter that could go up to 1/300″ and an accessory shoe. This was the snapshot camera for the wealthy and the elite, and today it works as great as it looks. The Signet 35 like many other Kodak cameras of the day was designed by their top designer, Arthur H Crapsey. I was loaned this camera again by Mike Bitaxi to review and I was actually really happy with the results I got out ofRead More →

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When it comes to SLRs, I spent a lot of time looking for inexpensive cameras in systems that I had never touched before. I had a vague idea of Konica cameras and their SLRs. On a trip to Burlington Camera, I happened across the Autoreflex T4, and Joan told me how these were underrated but that the optics were where the camera shone. Other than that, the camera isn’t much of anything. Basic, simple, and took amazingly sharp images. Camera Specifications Make: Konica Model: Autoreflex T4 Type: Single Lens Reflex Format: 135 (35mm), 36x24mm Lens: Interchangeable, Konica Bayonet Mount II (AR Mount) Shutter: Copal SquareRead More →

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When it comes to Nikon, you know most of the cameras in their catalogue, especially their professional offerings. But there are plenty of hidden gems in their camera line as well. Some even have a cult following, I’m thinking of course of their Nikkormat cameras. But what about the Nikon FG? Like many Nikon cameras of the 1980s, it’s often overlooked in favour of the semi-pro FE2/FM2(n) and for a good reason. The FE/FM series attracts a massive following because it followed the original Nikon design ethos of uncompromised industrial design and quality. But the late 1970s and into the 1980s brought a lot ofRead More →

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When you first lay eyes on the Contax G series of cameras you’re going to wonder to yourself, what sort of camera are these? Are they rangefinders? Are they some kind of digital camera? A dressed-up point and shoot? Well the G Series is sort of both, well it certainly is not a digital camera. But it’s a rangefinder and a dressed-up point-and-shoot, in reality, it’s a camera that’s in a class all of its own, the Autofocus Rangefinder (AFRF). I don’t remember exactly what drew me to the G2 when I first got my hands on the camera back at the end of theRead More →