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Every story needs a beginning, and Oakville’s story starts here, with a creek. Without the creek, there would have been no Oakville. Survival of life depends on water; without it, nothing could live. And water provided not only for the natural world but also humanity. To drink, wash, and travel through the dense backwater than was Ontario. And it also provided the earliest power of the early industries. Formed during the last great ice age and the retreat of the same glacier that began the great lakes and the Niagara Escarpment, the nameless creek meandered from the escarpment into one of the many lakes formed.Read More →

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I first visited the community of Oakville as part of a tour of Sheridan College. Sheridan was among the colleges I had applied to in my final year in High School. I only chose two colleges, Mohawk and Sheridan, but chose programs at both Davis Campus in Brampton and the Trafalgar Campus in Oakville. Ultimately, I attended the Trafalgar Road Campus and started there in 2002. That same year I attended a PYPS (Presbyterian Young People’s Society) event at Knox Presbyterian Church in downtown Oakville, getting my first taste of the town’s historic core. But it wasn’t until I started working full-time at Sheridan afterRead More →

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I’ll admit, I love a good exotic film developer that can develop any film to their ideal conditions. But lets be honest here, some of these developers are expensive, hard to acquire and require rigorous attention to detail to make them work perfectly. And often are so fine tuned they will only work on a handful of film stocks that a also difficult to come by. Sometimes you want a developer that will do its job and nothing more than that. It doesn’t have to be fancy, compensate for over or under exposure. Produce ultra-fine grain, or enhance tonality and edge sharpness. Rather than presentRead More →

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Last year when I reviewed Fortepan 200, I indicated that I would love to review the 400 and 100 flavours of the Fortepan line. And the film photography community being fantastic, responded. On the post to a Facebook group, a reader indicated they had a large stash of Fortepan 100 and asked if I wanted some. Well, he came through, so thank you to Wendell Anderson for sending over the rolls for this review. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-100, Latitude: 50-400 Formats Available: 135, 120, Sheets Discontinued: 2007 Roll 01 – Kodak D-76 I decided to shoot the firstRead More →

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CatLABS is an interesting company, their X Film lineup hit the markets several years back, and I reviewed X Film 80 and loved the stock. But they also included an X Film 320 in their initial lineup. I didn’t review that one because it was only available in 35mm and turned out to be Eastman Double-X 5222, with tweaked developing times. But last year, they announced new versions of both X Film 80 and X Film 320. I will be reviewing X Film 80 later this year, but in the colder, darker months, X Film 320 Pro is the film that will suit the dullerRead More →

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This past year has been a lot of fun looking at different cameras. While some of these cameras I will have already released a review, others will be coming out next year. But that’s the thing about writing these reviews is that I’m often working 2-3 months ahead of the actual release. I put a lot of work into these reviews, between looking up specs, shooting multiple rolls of film through the cameras and trying to get the best results so I can give a fair and balanced review. But a group in the film photography blogging community decided to put out a series ofRead More →

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It was raining in the city by the lake, a hard rain. A hard rain would wash the silver halides off any type of film. I was looking for something or someone for that matter. Someone contacted me about something new hitting the streets. A film stock would deliver the look of those old detective movies from the mid-century. I spent hours in the old one-screen cinema watching these films when I was a kid, growing up on the wrong side of the tracks. He called himself Shadow, Agent Shadow, although, given his love of cloak and dagger, I think the “agent” part was made-up,Read More →

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When people hear the name ORWO, they mostly think of their brilliant motion picture films, UN54 and N74. Their newer offerings include the recently announced but yet-to-arrive NP100 and NP400 plus NC500. But that is only a small cross-section of their original offerings. ORWO, or rather ORiginal WOlfen is built in Wolfen, Germany, the original Agfa plant that ended up on the eastern side of the iron curtain and continued to produce films and developers after World War Two through the Cold War. Their films became popular among photographers in East German and the Soviet Bloc. My first experience with ORWO films is one ofRead More →

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This isn’t my first experience with Tasma film, I have shot NK-II in the past and their Type 25L. As a company, Tasma or Тасма has been producing photographic products since 1933. The name is a shortened version of Татарские светочувствительные материалы or Tatar Sensitized Materials, and they have carried that name since 1974. Originally operating under the name Film Factory No. 8, the Kazan-based factory continued operations through the entirety of the Soviet involvement in World War II and earned the Order of the Red Banner of Labor in 1944. Following the collapse of the USSR, the company reorganised as a private firm inRead More →

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If you’ve been in film photography for a while, you’ve seen big companies come and go. And a pile of companies were rarely seen here in North America. The iron curtain, for many years, divided the world in two, between the west and the east following the Second World War. The Cold War kept western films out of the east and eastern films out of the west. One such brand is Forte. I’ve only seen one roll of Fortepan before; I remember using it, but it’s not on my film log, so maybe I ended up giving it away. Kodak opened a photochemical plant inRead More →