The local explorer scene called it George’s Funhouse; I’m not sure why or who George is or was, but one thing is for sure, the American Enka company in Lowland, TN, was a lot of fun. While INAAP was a much larger space to explore, it had nothing on the Lowland plant in terms of the amount left and the variety of items left. Lowland offered up everything in a smaller but much more densely packed location, as someone who loved the ample empty space, along with some exciting things to see and read. The American Enka Company traces itself back to the Netherlands andRead More →

Last year, when Foma announced the release of a new film, I’ll admit, I was immediately interested. What drew me into the film is that it was an orthochromatic film and not sensitive to the red end of the visual spectrum. I’ve worked with these films, notably Ilford Ortho+ and Rollei Ortho 25 plus. The trouble with these is that they are slower films, rated at ASA-80 (or ASA-40) and ASA-25, respectively. I’m not one to shy away from slower films, but it can get rather dull and grey here in Ontario during specific points in the year. So, having an Ortho option rated atRead More →

In all fairness, McMaster University is an excellent institution but the title came to me as a bit of joke and play on the phrase, Jack of All Trades, Master of None. I honestly had other plans for August’s roll in the Frugal Film Project but due to various scheduling difficulties I found myself in the middle of the month without having shot the roll. Now I usually get the roll done as early as I can so that I have time to develop, scan and write. But life happens, plans change, and I ended up needing to get the roll done. So rather thanRead More →

This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →

It’s been a hot minute since I had a chance to hang out with following historical reenactors in any major way. But this week, it’s a little different from my usual War of 1812/Napoleonic event. We’ve skipped ahead one hundred years and into the Great War. I had a chance to head out to The Hex, a small farm in rural Milton, for an event with a World War 1 unit representing a Swiss Regiment that defended the country’s border and helped maintain their neutrality during the conflict. During my time at school, World War One fell into my Grade 10 history class in aRead More →

Lindsay, the last bastion of civilization before the wild north of cottage country. If you could call Lindsay a “Bastion of Civilization.” I wrote that quote many many years ago now in a short story about a rather frightful drive up to a cottage. Honestly looking back, the story is terrible. But the quote, the quote has lived on and seemed to have gotten around a bit especially among friends from PYPS who are from and some still live in Lindsay, Ontario. Having spent the morning in Coboconk (which as an aside also features in that story) doing my first photo shoot in a longRead More →

Back in the Summer of 2013 when APUG was the place to get your online fix of the analogue photography community, I noticed a post in the Toronto local board that there weren’t enough meetups for the film photography community. Which was at the time partly true, sure there had been a couple of FPP/APUG meetups in the area in the past, I had even helped coordinate one in 2011. But there had not been anything since. So I took it upon myself to plan these events, at least four, in a year. The first one dropped in July 2013, had a decent turnout andRead More →

When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

When I started building my Minolta A-Mount kit, the Maxxum 100/2.8 Macro was not the first choice for a short telephoto lens. Instead, I was more drawn to the 135mm f/2.8 lens, only because Minolta did not have a 105, which has always been my preferred short telephoto prime lens. It wouldn’t be until a Toronto Film Shooters event last year hosted by Burlington Camera that I had the chance to try out the 100mm macro for the first time care of my good friend James McFarlane. While I wasn’t completely sold at that point, I wasn’t completely turned off the lens either. That lovelyRead More →