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Earlier this year I completed the second major historical photographic project on the Confederation of Canada and the events and places that lead up to the joining of four British Provinces in British North America into the Dominion of Canada in 1867. Over the course of that project, I came across many events and locations that inspired me to try and tell the deeper story. Of course, I couldn’t tell every story so instead, I selected two that I felt I couldn’t tell the whole story due to the timeline for the project ending in 1867. One of these is the railroad through Ontario theRead More →

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One thing that I enjoyed about the Sheet film version of this film (When it was called Ilford Ortho Copy Plus) is that some developer/time combinations had no film speed listed so in some cases I shot the stuff as low as ASA-6. So here I decided to test the roll film in the same way. And you know what? It worked! I selected five scenes and shot every scene three times, at ASA-25 (left), ASA-12 (middle), and ASA-6 (right) and processed them all D-76 (1+1). How did I go about making these frames? I used my Pentax Spotmeter V, in a couple of theRead More →

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When it comes to 200-Speed films, I don’t have the best view, and usually end up with decent results (Rollei Superpan 200), other times I dislike them entirely. When it comes to Ilford’s offering, SFX 200, it goes in a slightly different direction. See, I have shot SFX a lot more than I initially thought, but it never stuck too much into my film supply mostly because if I need to shoot a 200-Speed film, I’m more likely to pull a 400-Speed film (Tri-X or Fomapan 400) or push a 100-Speed film (TMax 100). See, SFX is fun in the sense that it has anRead More →

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It’s a rumble in the electric jungle! Last month I pitted Olympus and Nikon against each other with their small-format mechanical options, the Olympus OM-1n and the Nikon FM. This month I decided to test the automatic versions of these compact cameras, the Olympus OM-2n and Nikon FE. Like their mechanical cousins, both cameras were built during the rise in the use of electronics in cameras that came in the late 1970s. Now here we have a significant difference in metering as both use a different system, and in this case, both cameras have functioning meters. Again this isn’t to tell you which camera isRead More →

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While Ortho 80 Plus might appear to be a new film, it isn’t a new film. I’m surprised I missed reviewing the film earlier in this series. I skipped over a film I had shot in the past for a good two years. And thinking back that doesn’t surprise me; the film never made much of an impact. But also the film was, until recently, only available in 4×5. But I also only shot a single box of the stuff back in 2014. The results were excellent, and it was the first time shooting an ultra-low ISO film and one that had no set filmRead More →

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Last year I joined a group of talented film photographer to produce a group project ‘zine organised by my good friend and fellow film photographer Dan Novak. The goal of the project was to shoot using a lens rated at 135mm on a 35mm camera. I ended up working with my Nikkor 135/2.8 (the review of that lens comes out in a few weeks). And while 2020 has been a bit of a gong show, Dan decided to launch a follow-up project this time using Twin Lens Reflex cameras. After the success of the first project, a tonne of people jumped on board, myself included.Read More →

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It’s a rumble in the mechanical jungle! Last year I pitted my Nikon F5 against the Minolta Maxxum 9, and I had a lot of fun doing that review, not to prove which camera is better but to show the difference between the two top dog professional cameras. And I have been waiting for a chance to repeat the format for some other cameras. So why not take out two iconic small-format SLRs that came out in the 1970s, sadly I had very view from that era, at least until recently when I got a pair of them. Today we’re going to compare the OlympusRead More →

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When it comes to Olympus cameras, especially the OM-System, I sadly lack in my experience. Thankfully I’ve had the chance to run with both the original OM-1 and the advanced OM-4. Meaning there are only a couple of these amazing cameras that I have yet to have any experience with. In a reoccurrence of GAS, I happened upon a trade where I swapped a Pentax for a beautiful OM-2n. And after hearing all the good things about these cameras from two friends, Bill and Leslie, I knew I had a winning SLR. And while the OM-2n isn’t a primary camera in my daily use, IRead More →

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I honestly can’t remember when I got this sealed box of 4×5 film. I remember getting it from my good friend and partner in photographic crime Bill Smith. Now, this was all before the great interest in Ultra-Low films and it took a lot of digging to find out anything about the film. Then I realised I was looking for the wrong number. I should have been checking out Eastman 5302. After expanding my search I found some developing formula on Flickr and decided it would be finally time to get out and check this mystery box out. It took a while to figure outRead More →

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Can lightning strike twice? Fujifilm thinks it can! In 2018 Fuji ceased production of Fuji Acros 100, just before I released a review on the film that turned into a bit of a eulogy. But then in 2019 Fuji announced that they would reintroduce Acros as a new version, Neopan Acros 100 II. Of course, there were already plenty of conspiracies over the source of Acros 100 which translated over to Acros II, ranging from giant master rolls kept in some deep freezer hidden somewhere in the world. And when the first details on Acros II hit the Internet and a box reading “made inRead More →