Lieutenant-General George Prevost, Governor-General of British North America, was displeased with his subordinate, Major-General Sir Isaac Brock. General Brock had disobeyed his orders, and instead of sticking to defence, he had gone on an offence and captured both Mackinac Island and Detroit from the Americans. President James Madison was unhappy with the results of the first months of the war, especially the surrender with little to no fight by the defenders. But what got Prevost was that Brock had received high praise for his actions and a knighthood. And with news that the Orders-In-Council were being repealed and the main complaint and the source ofRead More →

I enjoy working with interesting and odd films, and while we’re blessed with a tonne of modern options that are sharp and fine-grained, that wasn’t always the case. You often traded sharpness for increased grain to allow for faster films. And there are still some older stocks that represent that trade-off. I hadn’t even heard of Kodak Recording Film 2475 until a follower on Instagram messaged me about the film stock, wondering if I had ever shot the stock. I had not, and they graciously offered to send me some rolls. I expected to receive some bulk-loaded film but received factory-loaded cassettes instead. After findingRead More →

The simple matter was that neither the Americans nor the British were ready for a renewed conflict in North America. The British were fully committed to the invasion of Europe in the Peninsular War, secured Portugal, and invaded French-occupied Spain when the war broke out in North America. While many in the United States wanted to teach the British a lesson, they were not in the best position to fight a war. Even as the declaration of war made its way through the US Congress, the plans and preparations for the war were being made. The American plan was a coordinated three-prong assault across theRead More →

Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

The first thing that struck me about the Harding-Jones Paper Mill was the age of the building. Most of the buildings I had explored up to that point were mainly from the 20th century; this was presented as one from the Civil War era. Of course, now know that this is not true; while the company was founded in 1865, the mill that stood was from 1871. But still, getting the chance to explore something from the mid-19th century was a real treat. Plus, it is one that is easy to explore and, despite structural concerns, an easy mark with a lot of history tiedRead More →

I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

You may have a couple of questions when looking at this review. First, haven’t I already reviewed Kodak Tri-X? To answer that, yes, it was one of the earliest films I reviewed, but this isn’t 400TX. This is Tri-X Pan or 320TXP/TXP, a more classic version of the modern classic emulsion. The second is, how can it be a classic review if the emulsion is still being made? Again, the sheet format of 320TXP is still in production, but the roll film was discontinued in 2010. But I quickly learned that I shot this film a lot more in sheet format than roll film format,Read More →

I was more familiar with Robert Preston in his final role as Centauri in The Last Starfighter but my mom and my wife will always sing the line “Gary, Indiana” from the movie “The Music Man” and while it might have tripped along softly on the tongue this way. The city of Gary today is a far cry from what it once was in the early 20th Century. This boom steel town has seen its highs and is now in its lows. I would have loved to include every building I explored in Gary in my “Between Darkness & Light” Series, the simple fact isRead More →

Ha Ha, this is a pry from my dead hands camera…😀 There’s one fun part about being connected to so many amazing photographers and bloggers over the world because of the Internet. Often you come up with ideas like this, a whole series of posts on the same subject with a coordinated release. This idea comes from Jim Grey (Down the Road), from a conversation where Theo (PhotoThinking) was looking for links for his review of the Voigtlander Superb. Peggy (Camera Go Camera) suggested he give her the camera, and Theo replyed “this is a pry this from my dead hands camera.” Jim jumped onRead More →

One of the more interesting parts of B&W film photography is the ablity to adjust how the film behaves. There are many different ways of adjusting how the film looks, you can over or under expose the film, or push/pull the film in development. You also have various different developers to adjust how the film looks and different dilutions. But there is also the ideas of adding coloured filters to your lens to change what light and how much light hits your film. Now it might seem weird to put coloured glass over black & white film, but it can adjust and change how differentRead More →