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No strangers on this bridge, Lomography Potsdam 100 is the second film released in their Kino series of films. Potsdam 100 is ORWO UN54 a film that I have shot a lot with for the past several years. Compared to N74, UN54 is super sharp, fine-grained and has a fantastic tonality and one I have only developed in a limited number of developers, so I’m looking forward to trying it out in different developers. Designed as Eastern Europe version of Kodak Plus-X and it certainly shows. What struck me is that the film is marked as Lomography Potsdam in the rebate area, which means thatRead More →

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Among those who have shot the Derev Pan line of films the favourite is Derev Pan 400, and I do agree with that. When I ran the beta tests for the film, it was Pan 400, that was my favourite. Being a 400-Speed film, I thought there would be more grain than I expected, images were super sharp, incredible tones and contrast. You can run this film through any situation and developer and get some incredible results! Film Specs Type: Panchromatic B&W Film Base: Polyester Film Speed: ASA-400, Latitude: Suspected +/- 2 Stops. Formats Avaliable: 135 (35mm) Roll 01 – Kodak D-76 I have toRead More →

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When I initially beta tested the Derev Pan films the one film that was missing from the test pack with the middle child, Derev Pan 200, so this is a brand new film for me. There aren’t many mid-range speed films on the market today, especially in black & white films. You have Rollei Superpan 200, Derev Pan 200, Svema Foto 200 plus Eastman Double-X. So I had no real understanding of what to expect. Grainery than most films in the Derev line, it presents a generally low to a mid-contrast classic look. The trade-off for the grain is that the film is sharp inRead More →

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Like Robert Baldwin, Louis Hypolite-La Fontaine is a figure in Canadian History that I have never learned about or even knew existed until I started researching this project. And even then, he nearly ended up playing a secondary role in my narrative. I quickly realised that if I had done that it would have done a great disservice to his role in Canadian History and his foundational efforts from the run-up to the Lower Canada Rebellions and into the establishment of Responsible Government and the unified reform movement in the Province of Canada. Born the 4th of October, 1807 the fourth son of a BouchervilleRead More →

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Originally designed for aerial surveillance in Eastern Europe, the Derev line of films is new to the North American market thanks to the Film Photography Project. I had the honour of beta testing the film for the FPP and found that Derev Pan 100 is an excellent film for outdoor shooting on bright sunny days. Sharp with a decent touch of grain and an amazing tonality you can clearly see why this film was selected for surveillance. And while on my initial test I only worked with HC-110, I looked forward to trying the film out in various developers! Film Specs Type: Panchromatic B&W FilmRead More →

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At the beginning of August, I had the chance to attend my first 1812 Grand Tactical, far from my first Grand Tactical having to attend a couple but for the Napoleonic Wars. But what made this one different is that I was back as a photographer which is how I first started in the hobby back in 2008. But now, ten years later, I had far more experience both as a photographer and as a reenactor. In honour of that, I’ll be presenting this post in a somewhat of a different way, as a newspaper report of a frictional engagement that was used as aRead More →

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Despite the setbacks of the rebellion, the reform movement was ready to move on. The radicals were out of reach, imprisoned, dead, or in exile (with the penalty of death if they should return), the moderates were now returning to the political arena many who had never run for public office before. And while Durham’s report had spoken favourable of Responsible Government and many reformers like Robert Baldwin, Louis La Fontaine, and Francis Hincks had spoken in detail to Durham. The trouble remained that even moderate reformers were still viewed through the lens of rebellion by the Colonial Office. And they aimed to use theRead More →

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It’s not every day that a new film jumps into the market without some pre-release hype, but leave it to CatLABS to slip under the radar with new film stock. In their description of the film, they state that it is in the spirit of Panatomic-X so who am I to skip over the film, I wanted to shoot it now! The film is rated at ASA-80 so a couple stops faster than the classic Kodak emulsion but something I could work with and even pull if needed. I think the film comes from the New55 Atomic-X which is also has a little bit ofRead More →

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As you well know, I’m a huge fan of Kodak Panatomic-X and by far it is the one film I would like to see come back in some modern form. And while I can give TMax 100 a similar look, what if I could find that look I’m fond of in a modern new film? Well, I feel I can find that in CatLABS X Film 80 and sure it’s not an ASA-32 film, but what if I pulled it? I mean I got stable images out of TMax 100 at nearly a two-stop full, in this case, it’s only about a stop and aRead More →

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According to the Kodak Datasheets on Eastman Fine Grain Duplicating Positive Film, which I will refer to from now on as Eastman 2366, is a low-speed duplicating film intended for making master positives from black-and-white camera negatives. Eastman 2366 is a blue-sensitive black-and-white film has very high resolution and provides very high acutance. In other words, this is not a film for regular photographic use. But what’s the fun in that? I first came across Eastman 2366 among other specialised Motion Picture Film from the Film Photography Project but to develop these as negatives using standard chemistry, while possible it’s hard to find times toRead More →