One of the first things that struck me as odd when I was building my A-Mount lens collection was the 50mm, after getting the two zoom lenses (35-70 and 70-210) I went for a fast prime and what lens collection wouldn’t be complete with the fast fifty while companies like Nikon, Olympus, and Canon produced their 50mm at f/1.8. Minolta, well they’re different they went with the f/1.7. But let’s not quibble over that, I just happened always to like the fact Minolta was different. And back when I was first shooting SLRs with an SR-T 102 I had the 50mm lens; in fact, IRead More →

It seems these days the hottest craze among the hipsters and celebrities is using the premium compact 35mm cameras of the 1980s through early 2000s. And while some cameras carry a steep price-tag, others just don’t have the same street cred. What I mean by that is that you don’t see those cameras your childhood (if you’re of a particular vintage) being hoisted on the Instagram feeds of celebrities during their seemingly perfect lives. I’m not one to drop 500$ on a point-and-shoot, so when I was offered up a Pentax Espio 115M I figured what the heck! After speaking about these cheap and cheerfulRead More →

If there is a single figure in the lead up to the Upper Canada Rebellion, the opposite of William Lyon MacKenzie, a Tory among Tories, that figure is Sir John Beverly Robinson. There is no better example of a loyalist and the perfect man to head up the Family Compact and pull the strings of the Provincial Government for many years. While having no love of power, he was a man of strict ideals, and for that, he took the role seriously and refused to allow anyone to deviate from his moral compass. John’s family’s legacy traced back to the Robinsons who were among theRead More →

If anyone has read any of my classic film reviews, you’ll know I have a taste for out-of-production films, especially Kodak Plus-X and Panatomic-X. For several years I’ve participated in an event called Expired Film Day. This is an online celebration of shooting film past its due date and it usually is a single day, the 15th of March, but this year the mind behind it decided to give three days to get out and shoot. In the past, I’ve only gotten out and shot a single roll of film on that day, but now that I had three days to play I could getRead More →

The first time I picked up the Minolta XG-M, it felt as if I were coming home. If you’ve been following along with these reviews for some time, you’ll know that my first real camera system came from Minolta, first with the SR-T 102 and then the X-7a. When I had the chance to get back into the Minolta cameras, I had no qualms about getting an XG series as they have plenty of good options, but out of all the XG line from Minolta, the XG-M is the one that suited me the best. A real camera of the 1980s yet carries on theRead More →

When it comes to exciting cameras, there are plenty out there that I have never heard of before starting to review them. And I’ve come across some that are awesome and others that it came as no surprise why I had never come across them before. The Wirgin name is one that isn’t well known in North America; yet have produced a wide range of cameras that sold in the German Market. I first heard the name on an episode of the Film Photography Project where Leslie reviewed the older Edinex. So when I had a chance to try out the Edixa II, I figuredRead More →

When it comes to T-Grained (modern films like TMax and Delta) I can be fairly picky, the 100-speed ones I tend to like while the faster 400-speed ones I can be overly critical about. That being said I’ve found that recently I’ve been warming up to these faster emulsions the more I experiment with them. As with Delta 400, I’ve warmed up a little to TMax 400. Oddly, TMax 400 was the first roll of film I processed on my own under the watchful eye of Julie Douglas back in 2010. Film Specs Type: Panchromatic B&W, T-Grain Film Base: Acetate Film Speed: ASA-400, Latitude: 50-3200Read More →

When I’ve shot 6×7 cameras in the past, I’ve found them clunky and unwieldy. Think back to the Mamiya Universal and RB67. Even the Bronica GS-1 which is better than most. None of these cameras had the style and handling of the Pentax 67II. Now the 67II fixes what I would see as problems with the 6×7 and 67. This camera is a traditional 35mm SLR on steroids and is worthy of the description. There are some cameras that I enjoy instantly, and this camera certainly ranks among those. Thanks to James Lee for loaning out this beauty. Camera Specifications Make: Pentax Model: 67II Type:Read More →

The April TMax party happened to fall right into the perfect schedule with the Spring 2017 Toronto Film Shooters Meetup falling right into the shoot week! After careful consideration and having moved many of my cameras over the condo where I’ll be living before the month is up (actually next week once Heather and I get back from the honeymoon). I settled on my trusty Hasselblad 500c; it has been seeing a little less use this year after getting a lot of love with the 52:500c project. Downtown Camera where the meet started and the best spot in downtown Toronto to pickup anything film releated!Read More →

There’s something to be said about a solid camera in your hands. It gives you a sense of being in the zone, a healthy weight, the feel of the mirror slamming up to expose the frame. Meet the Spotmatic, and this is one beast of an SLR. It’s clunky; it’s heavy, and yet feels so right to shoot. The Pentax Spotmatic was one of the first SLRs on the market to feature full open aperture TTL metering. And then there are the lenses, which focus smoothly and are super sharp. Disclaimer: This is an old review, and is scheduled for an update and may lookRead More →