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While writing camera reviews remain a favourite of mine, second favourite is developers. Despite the challenges, it does allow me a bit more latitude in choices of films and gear. And while there are only a limited number of developers out there and some that are highly specialised or have limited film stocks that are available. But despite the limited numbers, there are in many cases a tonne of clones out there that allow me to fully explore these developers. I’ll be walking through how I write and work through reviewing film developers as I write my review of Flic Film MQ-19. The main reasonRead More →

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I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

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I was more familiar with Robert Preston in his final role as Centauri in The Last Starfighter but my mom and my wife will always sing the line “Gary, Indiana” from the movie “The Music Man” and while it might have tripped along softly on the tongue this way. The city of Gary today is a far cry from what it once was in the early 20th Century. This boom steel town has seen its highs and is now in its lows. I would have loved to include every building I explored in Gary in my “Between Darkness & Light” Series, the simple fact isRead More →

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A particular classification of camera always elicits a nod of understanding; these are cameras with a mark of quality and precision. Names like Rollei, Hasselblad, Zeiss, and of course, Leica. Although through my work on this review, I have often found that not all Leica’s are treated with the same equal respect, and among many of the more snobbish Leica collectors and users, the M4-2 and M4-P are the ones that are seen as the redhead cousins of the classic M-Series of rangefinders. These cameras indeed hold a much higher space in my mind because of their historical significance in Leica history and Canadian history,Read More →

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I’ll admit, I love a good exotic film developer that can develop any film to their ideal conditions. But lets be honest here, some of these developers are expensive, hard to acquire and require rigorous attention to detail to make them work perfectly. And often are so fine tuned they will only work on a handful of film stocks that a also difficult to come by. Sometimes you want a developer that will do its job and nothing more than that. It doesn’t have to be fancy, compensate for over or under exposure. Produce ultra-fine grain, or enhance tonality and edge sharpness. Rather than presentRead More →

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I’m not a rangefinder person, or shall I say I’m not a 35mm rangefinder person. But I will make an exception for a well-designed and made medium format kit. Meet the New Mamiya 6. While it was built during the age of premium medium format cameras and premium 35mm compacts, the New 6 is a camera that takes a lot from the historic camera that launched Mamiya as a company back in the 1940s. But takes things into the modern age with a light meter, electronics, interchangeable lenses and modern materials. This is a medium-format camera that I could see myself using if it didn’tRead More →

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When keeping things simple, look no further than a monobath. As the name implies, a monobath developer will do all the steps for you, from developing to fixing. All you’ll need to do afterwards is clear and wash the film. It can also act as an almost universal developer being able to develop multiple rolls of film for the same period. Perfect if you need to develop film in the field to avoid it getting cooked in an airport scanner or want to keep your life simple at home for development. Monobaths are nothing new, they’ve been around for a while, and I’ve worked withRead More →

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If you’ve followed my photography journey, one of the first developers that became a favourite is Kodak HC-110, which switched to Ilfotec HC last year when I finished off my final bottle of the OG HC-110. But sometimes, you have to send in the clones. I’ve been aware of LegacyPro, and other clones HC-110 developers for some time but have never thought to give them a try. But after learning that Ilfotec LC29 is a variant of Ilfotec HC, I made a point to try L110. L110 is HC-110 but in an easier to pour format. To make the point that it will perform exactlyRead More →

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You can never have too many D-76/ID-11 clones. And while there are tonnes already on the market, plus the capacity to mix one up yourself at home. I want to introduce the latest clone on the market, Flic Film Classic MQ. Flic Film is a new Canadian film lab based in Alberta, Canada. While they focus on re-rolling motion picture film stock, they have a healthy film chemistry group. In addition to their brilliant Black/White & Green, among their offerings is a D-76 clone, Classic MQ (Metol/Hydroquinone). But it is available in the smaller 1L volume rather than mixing up a whole gallon of stockRead More →

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It’s hard to believe it’s been five years today since I married my best friend. I don’t often put a lot of my personal life here on my blog, but today is a special day so it deserves something special. And since photography has always intertwined in my relationship with my wife it only makes sense to put it here on our fifth wedding anniversary. I guess it all started on a rainy day in Arras. So today I present a set of photos from the past five years of our marriage and the adventures we have had together! And while we haven’t been ableRead More →