One of the best parts about working at a college is that we have a Christmas shutdown, which gives me some extra time off at the end of the year, which usually starts the day before Christmas Eve. But this year, with Christmas taking place in an awkward spot, the shutdown began on the 20th, which landed me an extra full day off on Monday. I decided to head into Toronto for photography, filming, and meet up with my good friend Bill! I also took the chance to film a POV-style On-the-Road video that will hit the YouTube channel in February. I wanted to keepRead More →

Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

I’m coming back for more, especially after being pleased with the results I got from the Formulary version of Kodak D-19. Like Formulary, Flic Film’s MQ-19 is a perfect clone of the classic high-contrast, fast-acting developer D-19, and while I am limited by what film stocks can be developed I did manage to find a few more options to run through the developer this time around include a few classic films that I did not include in the first time around. Like any good review, having a second chance with a developer gives a better chance to explore other options and get a better pictureRead More →

November 2024 marked a special birthday, that being Kodak Tri-X! Tri-X is one of those iconic films from Eastman-Kodak that has made a mark on both photography and photographers with a classic black & white look, contrast and versatility. Ever since I first shot Tri-X, I loved the results. While I don’t use it that often, primarily due to the cost of a roll of the film, I got a roll with my AM/FM membership re-subscription and decided to take it out to the historic town of Dundas, Ontario, with my Maxxum 9 and the 20mm f/2.8 lens I rated the film slightly over atRead More →

When it comes to iconic films, there is no black & white film to reach that level than Kodak Tri-X. First introduced in 1940 as a 200-speed sheet film, it hit the market as a roll film in 1954, replacing Kodak Super-XX as Kodak’s fast film offering. That means in 2024, it is celebrating its 70th anniversary! With that in mind, the CCR team sits down to discuss Tri-X. What they shoot with it, how they develop it, the frustrations with the film and even some alternatives to Tri-X when the iconic film stock is a little out of reach. Looking for a good spotRead More →

While writing camera reviews remain a favourite of mine, second favourite is developers. Despite the challenges, it does allow me a bit more latitude in choices of films and gear. And while there are only a limited number of developers out there and some that are highly specialised or have limited film stocks that are available. But despite the limited numbers, there are in many cases a tonne of clones out there that allow me to fully explore these developers. I’ll be walking through how I write and work through reviewing film developers as I write my review of Flic Film MQ-19. The main reasonRead More →

I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

I was more familiar with Robert Preston in his final role as Centauri in The Last Starfighter but my mom and my wife will always sing the line “Gary, Indiana” from the movie “The Music Man” and while it might have tripped along softly on the tongue this way. The city of Gary today is a far cry from what it once was in the early 20th Century. This boom steel town has seen its highs and is now in its lows. I would have loved to include every building I explored in Gary in my “Between Darkness & Light” Series, the simple fact isRead More →

A particular classification of camera always elicits a nod of understanding; these are cameras with a mark of quality and precision. Names like Rollei, Hasselblad, Zeiss, and of course, Leica. Although through my work on this review, I have often found that not all Leica’s are treated with the same equal respect, and among many of the more snobbish Leica collectors and users, the M4-2 and M4-P are the ones that are seen as the redhead cousins of the classic M-Series of rangefinders. These cameras indeed hold a much higher space in my mind because of their historical significance in Leica history and Canadian history,Read More →

I’ll admit, I love a good exotic film developer that can develop any film to their ideal conditions. But lets be honest here, some of these developers are expensive, hard to acquire and require rigorous attention to detail to make them work perfectly. And often are so fine tuned they will only work on a handful of film stocks that a also difficult to come by. Sometimes you want a developer that will do its job and nothing more than that. It doesn’t have to be fancy, compensate for over or under exposure. Produce ultra-fine grain, or enhance tonality and edge sharpness. Rather than presentRead More →