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Of all the Vision3 films, 250D is the one I have the most experience with, having shot a couple of rolls and processed them at home. The problem was that when I processed them before, I did them cross-processed in C-41 chemistry. And they looked a little on the green side, but they looked good. And then, when I returned to this film stock with proper ECN-2 (home) chemistry, I was blown away. Under dull conditions, a snowstorm and bright light 250D produced amazing clean images. And it certainly was a significant shift from what I got from last month’s review of Vision3 500T! FilmRead More →

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While developing a colour-negative film is not as exciting as slide film, it is still satisfying. And while some might be hesitant these days to risk processing colour film in a home environment due to the increasing price and lower availability of colour-negative stocks, it is a way to help reduce the cost. And if you are a bit wary of the process, don’t worry. I was also when I first started, and while I did mess up the first set of four sheets of Ektar (yes, 4×5 Ektar), I soon figured out where I made my mistakes. Colour Negative processing uses those processes ifRead More →

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I love trying out new film developers or new-to-me developers. So a while back I wrote an article on seven film developers that are worth trying. Since then, I’ve tried several more unique developers and have another five options to try something different in your home development experience. And this time, I’ve also included a colour developer. 1 – Kodak D-19 Originally designed for X-Ray Film, Technical Film, and IR Films, Kodak D-19 is a high-contrast developer. But that should not stop you from giving it a try. Because while it is a specialised developer, it works surprisingly well with regular panchromatic films. It alsoRead More →

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Respooling and shooting motion picture films have been around for several years now. The Vision3 line of the film presents a somewhat affordable way to shoot colour film since it is far more readily available than dedicated still photography film. But most people have been developing this film in C-41 chemistry. Now there’s nothing wrong with that, my first experiences with motion picture film developed in C-41 at home. And CineStill strips away the remjet layer specifically to allow motion picture film to be developed in C-41 lab machines. But technically, processing motion picture films, specifically Kodak Vision3 films, in C-41 chemistry is cross-processing. KodakRead More →

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In: Project:1867
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The history of Ireland is a long, complicated, and bloody one. And it is worthy of a project of its own, and I’m sure if I lived in Ireland, I would probably be already have completed such a project. But this is a Canadian History project, yet during the mid 19th Century in a strange twist the history of Irish independence intersected with that of pre-confederation Canada. Ireland had, since the Norman invasion of 1169 been a nation under occupation. And while the ancient history of Ireland stretches out before that date, it seems like the right point to start. Further degradation of the IrishRead More →