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When it comes to 160-Speed film, to mee it seems like a bit of an odd duck, 100, 125, are pretty standard, but 160 I’ve only seen colour films rated that way. But enter Silberra Pan160, a touch faster than it’s 100-Speed Cousin, but not as fast as the 200-Speed. It must be a Russian thing moving from the GOST scale. Either way, I like Pan160, probably a little more than Pan100. It’s sharp, but grainy, fantastic contrast, and responds well to contrast filters, especially a pale yellow. And while there’s still plenty of supply issues to us here in North American, and the 120Read More →

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Ever since I started doing the scanning of my film my workflow has remained static, an Epson flatbed film scanner, the V500 first and the V700 currently. It worked, I got decent quality enough to get lab prints of my film scans up to 11×14 and be able to share around Flickr, 500px, Facebook, and Instagram. Now a dedicated film scanner is a different animal from a flatbed like the Epson. Names like Imacon, Plustek and Nikon I knew about, but they always were outside of my price tag. And as a photographer who shoots multiple formats and doesn’t have a lot of desk space,Read More →

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It’s taken me nearly three years, but I have now reviewed one hundred film cameras! Even though the review rules have slipped a couple times (namely review a sheet film camera and a pair of polaroids), so it’s only fair that I distil these one hundred cameras down into a few top five lists! Just note that there’s no particular order for these top five lists and certainly are my own personal opinions! Also of note, I’ve done my best to not double-dip, that means if a camera appears in one list, that means it won’t appear in any other list. Top Five 35mm SingleRead More →

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Back in the early days when I was just starting to explore the wonderful world of films outside of Fuji, Kodak, and Ilford I hopped on the Freestyle website and discovered two brands of film I had never heard of before and landed myself a variety of Efke and Adox films. Today I’m going with one of my favourite of these ‘classic’ emulsions, and that is Adox CHS 100. Like Efke, CHS films are silver rich, grainy and lands you a mid-century classic look. Sadly, the original CHS 100 ended when Fotoimipex closed down shop in 2012. Adox, however, bounced back and still produce onRead More →

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The film that really started it all, the TMax line from Kodak gave the world one of the first tastes in 1986 with a modern T-Grain film (Ilford Delta line use the same T-Grain model but were released in 1992). Now the TMax we have today is different from that original release, but it’s still a strong film stock, while not always my first choice (I’m more a fan of the traditionally grained film), I do use it because I love trying to emulate the classic look even out of a modern film. But for those who love the modern look that’s both sharp, fine-grained,Read More →

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While not many people would notice it, but when watching a film, and you come across this amazing sequence in black & white, the rich tones across the board, and just a classic cinematic look and wonder, how can I make my still images look that good! Well if you are watching a film shot on traditional film stock the answer is rather easy, Eastman Double-X 5222. Chances are you’ve seen a film shot on this stock, such as the opening sequence of Casino Royale or Shindler’s List. I first came across Double-X a few years back when I purchased some rolls through the FilmRead More →

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Through 2016 I did a 52-Roll project where I shot the Rollei RPX films for each week, out of the three flavours available my personal favourite remained RPX 25, a spiritual successor to the iconic Agfa APX 25. These days in film photography there aren’t many offerings below ASA-100, Pan F+ is a solid choice, but sometimes you want something sharp, fine-grained, and slow. And for that, you have Rollei RPX 25. While the thin polyester base might make it hard to handle in the bag and widely thin in sheet formats, the results are worth the trouble. Film Specs Type: Panchromatic B&W Film Base:Read More →

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The Fomapan series of films are ones that I only recently discovered in the past couple years. It actually was in 2015 when I visited Europe for the 200th Anniversary of Waterloo and popped into a camera shop in the old city of Amsterdam. And there was the whole range of Foma products from paper to film. Well, when I returned I made a point to start checking out this Foma product line. While Fomapan 100 wasn’t my first experience with the product line, it is my favourite of the three film stocks. Film Specs Type: Panchromatic B&W Film Base: Polyester Film Speed: ASA-100, Latitude:Read More →

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Kodak Tri-X, the mention of the film stock is usually met with awe or aversion. But for me, Tri-X is my film of choice no matter what situation I’m going into. I know that with the film I can get consistent results no matter what situation I throw myself into from abandoned buildings to a wedding, and will get amazing results no matter what chemical I toss the film into. With a classic look and feel, you can torture this film to your heart’s content and will always get the results you need. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-400, Latitude:Read More →

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As happy accidents go, when you’re trying to come up with a new slide film, and you reinvent a classic film from the past, there’s nothing wrong with that now is there? P30 is, at its heart a motion picture film and probably make a great reversal film. While I would have loved to try a roll through Dr.5, the expense of the process and a possibility of it not working makes it hard to decide to send it to them. P30 is Rollei Retro 80s on steroids with a touch of Eastman 5363 thrown in for good measure. The images have a deep chromeRead More →