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Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

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The third in the Elan series of semi-professional cameras released by Canon and the direct successors to the original EOS 650, but why not call it the Elan III? Well, that’s because Canon makes weird choices with their camera names. In the case of the Elan 7, the number seven has nothing to do with the number of models but rather the seven focus points in the new AF module installed in the camera. Unlike my previous Elan camera, the IIe, the Elan 7 I’ll feature in the review is the model without eye control. But the difference between the IIe and the 7 isRead More →

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Back in the Summer of 2013 when APUG was the place to get your online fix of the analogue photography community, I noticed a post in the Toronto local board that there weren’t enough meetups for the film photography community. Which was at the time partly true, sure there had been a couple of FPP/APUG meetups in the area in the past, I had even helped coordinate one in 2011. But there had not been anything since. So I took it upon myself to plan these events, at least four, in a year. The first one dropped in July 2013, had a decent turnout andRead More →

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When you think of all the developers out there, D-76, D-23, HC-110, DK-50, Rodinal, these are all designed specifically for developing standard black & white films, but there is another developer that often flew under the radar mainly because it proved so industry-specific that the home photography wouldn’t even think of using the developer in their own processing. That developer is D-96, originally created by Kodak for use to develop black & white motion picture film. But the average photographer cannot get small quantities of D-96 but that’s where Cinestill stepped in releasing their own version of D96 along with the Film Photography Project. IRead More →

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When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

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Having a photo walk in the winter is not always the best idea. But we live in Canada, and I love getting out in the snow and taking pictures. But here in Southern Ontario Winter can be a trying time, with bitter cold, slate-grey skies, and generally not exactly lovely to be outside. Sometimes you have to roll the dice and see what you get. Last year we got treated to a snowstorm which produced some excellent images. This year, due to a busy January, I pushed the event up to February. It was worth the wait for a few reasons. We were treated toRead More →

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In: Film Review Blogs
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Found in a dusty warehouse, based on where the film came from, Sweeden, Lomography promoted their Berlin 400 as an iconic cinematic film. 400-Speed, Black & White, and from East Germany. Well, that certainly narrowed it down to only one film, thankfully it is one that I did have planned to review at a later date, so why not discuss it under the Lomography Brand! The film, if you haven’t already guessed is ORWO N74, which made collecting developing formulas easy. Shooting cinematic film in still cameras is nothing new, at least for me, I still love shooting Double-X for urban work, so getting intoRead More →

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From a snowstorm to a downpour, it was just before 7:30 in the morning as I walked out the door to my car. The time change had not messed me up too much, and I knew the area where I was driving. However, the night before freezing rain had come through. But the temperature had gone a few degrees above the freezing mark, so I figured it was safe by this point. Everything I had with me was waterproof, I had fast film, nothing below ASA-200, and even though it was dark, I could see some light through the deep clouds on the horizon. ItRead More →

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There aren’t many cameras out there that I’ve picked up and loved right off the bat. I could probably count them all on just one hand. Oddly enough they’re all from the Nikon F series. The Nikon F2 came into my toolkit by chance and quickly earned a strong reputation for being a reliable camera in any weather and one that has been on the waiting list for a total CLA when I have the chance to send away. I can use all my manual focus lenses on it, and it doesn’t miss a beat. A constant companion on photo walks and trips, easy toRead More →