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According to the Kodak Datasheets on Eastman Fine Grain Duplicating Positive Film, which I will refer to from now on as Eastman 2366, is a low-speed duplicating film intended for making master positives from black-and-white camera negatives. Eastman 2366 is a blue-sensitive black-and-white film has very high resolution and provides very high acutance. In other words, this is not a film for regular photographic use. But what’s the fun in that? I first came across Eastman 2366 among other specialised Motion Picture Film from the Film Photography Project but to develop these as negatives using standard chemistry, while possible it’s hard to find times toRead More →

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Me debunk an American myth? And take my life in my hands? Where the great plains begin At the hundredth meridian At the hundredth meridian Where the great plains begin As a Canadian, I’m ashamed to say the furthest west I’ve ever travelled in our remarkable country is Sault Ste. Marie, Ontario. But after getting married two years ago, I gained a whole new branch of the family and my wife, and I decided that it was high time I met them. And earlier in the month, Heather and I went out beyond the hundredth meridian and dived deep into the great plains. While notRead More →

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When it comes to a winning colour film for the modern film age, look no further than Kodak Portra 400. The stock, a combination of the best of the older VC and NC stocks, the film burst onto the scene as part of the early film resurgence from Kodak. When it comes to fast colour films and money is no object then you want to shoot Portra 400, it’s like the Tri-X of the colour film world, you can push and pull the film all you want, even on the same roll! Which makes it in my mind the perfect film for digital shooters toRead More →

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Often overlooked by many photographers in favour of Portra 400, Portra 160 is a different film altogether and one that is not a particular favourite of mine. Part of the early resurgence of film from Kodak that brought us Ektar 100 and Portra 400. Portra 160 is the combination of the two early films Portra 160NC and 160VC. As the name suggests, the film is designed primarily for Portraits and presents a low contrast almost pastel look a clear departure from the vibrant colours you get from Ektar 100. Film Specs Type: Colour Negative, C-41 Process Film Base: Acetate Film Speed: ASA-160, Latitude +/- 2-StopsRead More →

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I honestly don’t mind leaving at 6:30 in the morning, I had a two-hour drive in front of me and these days, especially on the weekend traffic, is an unknown variable. But I was Peterborough bound, having grabbed a coffee at the local Starbucks before getting on the highway. But this wasn’t going to be the average Toronto Film Shooters Meetup, we had guests this time around. I’ve been in talks with our cousin group in Kingston for a joint meetup. It would then just be a matter of finding an interesting spot in the middle of our two cities. Eventually, I settled on PeterboroughRead More →

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It’s the rumble in the professional jungle! Yes, I’m pitting the two mid-1990s pro bodies I have in my toolbox against each other in a friendly competition! This contest isn’t to see which is better than the other, I use and work with both cameras often side-by-side. And honestly I consider them both equally amazing cameras in my mind, I mean look at the glowing reviews I’ve given both cameras. For this little contest, I’ve set a few rules. First, this contest saw completion on the same day, shot-for-shot. Also, I set both to matrix/average metering and full Auto Exposure. In both cases, I mountedRead More →

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I have to say, Kodak took the photography world by storm when they announced the return of Ektachrome. Kodak got out of the colour reversal game in 2013, after over 70 years of production dating back in 1940. But in 2018 they announced the return of Ektachrome in a new formulation called E100. It again took some time, with a re-release of TMax P3200 keeping us teased, but it finally hit the market with an initial release which was snapped up, but now the supply is flowing! I never shot a lot of slide film and stuck mostly with Fuji products. But when I shotRead More →

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From the grand bridges spanning the St. Lawerence River, east along QC-175, the homes become older, these give away to even older structures, towered armouries, and then the grand Parliament Building of the National Assembly and in front of you stands the old walled city. The Old City of Quebec is only one of two cities in North America that retains their fortifications. Heather and I decided to make a super-long weekend for ourselves last month and head to one of the oldest cities in Canada, Quebec. Now, this was not the first time I had visited the city, but the last time I spentRead More →

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I’ll be the first to admit, I’m a sucker for professional 35mm cameras, and there are two that I’ve always wanted, the Nikon F5 and the Minolta Maxxum 9. While I loved working with the Maxxum 7, the 9 still drew me in just that little bit more. And while the 7 and 9 share many similar features and design cues, the Maxxum 7 to the Maxxum 9 is what the Nikon F100 is to the Nikon F5. All solid cameras, just the 9 and F5, are aimed more at the professional than the advanced amateur. I was sold on the 9 as soon asRead More →

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One of the biggest things in film photography these days is taking old ‘dead stock’ and respooling it for regular photographic use, and the most recent addition to these boutique films is Street Candy ATM 400. As the name suggests, the film is aimed at street photographers (or those who identify as street photographers), and ATM means this is a former film used in surveillance cameras on Automated Teller Machines. And since most modern ATMs use digital technology to fill the need for security surveillance. While originally available only in Europe it’s been recently brought into North America through the Film Photography Project. It certainlyRead More →