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When it comes to films that are not designed for normal pictorial use, I’m not one to shy away from them. That being especially after I went through three of the FilmWashi offerings, one of them being an Optical Audio Recording film. Even before I had loaded up Washi S into a camera, I had been approached by the Film Photography Project to beta test a new film they had acquired and were planned to release after collecting some developing times for the film. The name was FPP Super Sonic, and like Washi S, is an optical audio recording film. The idea of recording audioRead More →

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If there’s one thing that is a plus to having virtual meetups is that you can have them more often! After the success of last month’s meetup, we scheduled the next event last week Saturday. With restrictions lifting a bit in my area and having the need to visit Burlington Camera, I headed out early armed with a couple of cameras and film to take on downtown Burlington. My original plan had been to head out early, make it into the downtown for 8 am, which gave me a couple of hours to shoot and then head over to Burlington Camera for a resupply. Sadly,Read More →

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While these days the old standbys are still excellent choices to develop your film and offer up a great deal of variety there’s something to be said about having a universal one-size-fits-all developer. I first discovered this last year with Adox FX-39 II. But I quickly fell a rabbit hole of similar developers. And I’m not talking about Diafine, but rather Rollei Supergrain. Supergrain is an updated version of Amaloco AM 74. Supergrain offers up a series of dilutions and times that will develop most films at the same associated times. Perfect if you’re shooting a whole bunch of different films but have limited timeRead More →

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Over the previous year, I worked hard to expand my knowledge of black & white film developers and find myself down a deep rabbit hole. Some good, some meh. Some I didn’t care for or I found them to be too specialised for average use. And while I have several up for review later this year and you can check those out later, here are seven that have stood out in my head as worthy of using again and of getting you out of the rut of using the more vanilla developers like D-76/ID-11, HC-110/Ilfotec HC, and Rodinal. 1 – Adox FX-39 II Based onRead More →

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Consumer film, often film photographers of a certain type will turn their nose up at them, but as someone who started their film journey on consumer film processed in the local 1-hour lab, going back to review these films is a bit of a throwback. Like all modern consumer films from Kodak, Ultramax traces its heritage back to the original Kodacolor film. The original Kodacolor saw production from 1924 to 1963. In 1963, the updated Kodacolor-X increased the film speed from ASA-25 to ASA-64, both these early offerings using the C-22 process, Kodak discontinued Kodacolor-X in 1974. In 1972 Kodak released a new version, KodacolorRead More →

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Before you start rage commenting, hear me out. We’re still in the grips of a major health crisis that keeps everyone apart, especially if you don’t live in the same house. So any actual photo meetups were out of the question. It has been just under a year since the last official Toronto Film Shooters meetup. And then nothing, because well the time of plague arrived that next month. I got to thinking over the Christmas holidays how to run a photo meet up when we couldn’t use our regular model. The original plan had some serious logistical support. Of course, the stay at homeRead More →

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In: The Canal
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There is always a bittersweet feeling when you wrap up a project. You’re proud that you completed the project and hopefully worth the effort you took to complete it from beginning to end. But you’re also sad because you cannot keep working on the subject. While this one, compared to some of my two recently history projects, was far smaller. The Anglo-American War of 1812 and Canadian Confederation were exhaustive topics filled with all sorts of twists and turned. The Welland Canal is far more straight forward, which is why I could complete the project in such a short amount of time. I guess learningRead More →

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When it comes to all the posts I’ve written about the Welland Canals, this one is probably the most important. The reason is that if it hadn’t been for the efforts to save the historic Welland Canals, this whole project would not have been worth creating. The reason is that there would be nothing left of the first Canals at least in original forms. Sure there might have been plaques installed eventually, and some sections of the earlier Canals may have survived, but I don’t think in any meaningful sense. The preservation of the historical Welland Canals was the last thing on the minds ofRead More →

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I have this memory that recently floated up to the surface of a camping trip I took many years ago with my dad and brother. We were camping at Sherkston Shores a camping resort half-way between Fort Erie and Port Colborne. While I have excellent memories of swimming in the old quarry and the three waterslides, but less clear is a visit we made one trip to the Welland Canal. We’re all unclear as to what lock we visited. My brother remembers stores. And there was also the stranger who gave us chocolate bars (through our dad) on that same trip. I’m sure buried inRead More →

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Back in the Summer of 2013 when APUG was the place to get your online fix of the analogue photography community, I noticed a post in the Toronto local board that there weren’t enough meetups for the film photography community. Which was at the time partly true, sure there had been a couple of FPP/APUG meetups in the area in the past, I had even helped coordinate one in 2011. But there had not been anything since. So I took it upon myself to plan these events, at least four, in a year. The first one dropped in July 2013, had a decent turnout andRead More →