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Don’t let the title confuse you, Streetsville is far from being a ghost town, unlike Balaclava that came up in the last 52-Roll project I ran. Rather the Ghosts title goes more with the featured image below and the former Barber House and the ghost stories that go along with the original house and its property. I had never considered Streetsville as a place to go specifically for photography. Sure, I had been through Streetsville before for a War of 1812 reenactment during the bicentennial and when capturing a 4×5 image of the Barber house for the Acts of Confederation project. But recently over theRead More →

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Way make in the early days of my film photography journey and having a lot of influence from the Film Photography Podcast I dove deep into the wonderful world of Polaroid photography. Now it wasn’t that I didn’t know about Polaroid, I had shot the format before but only the Type-600 integral stock. But through the FPP I learned about pack film, which if you know the song is where the phrase ‘shake it like a polaroid picture’ has its origins. After making a donation to the FPP I ended up receiving a Polaroid ColorPack II camera right from Michael Raso’s personal collection. The ColorPackRead More →

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If you’re confused at the title, don’t worry, there never was the Republic of Canada, well not in any formally recognised manner. I happened across this strange pseudo-nation while doing the initial planning stages of this project. The grand republic is the brainchild of William Lyon MacKenzie and Charles Duncombe; they desired to reshape both Upper and Lower Canada into a single country with a Constitution and Government structure similar to that in the United States of America. And while he aimed to establish his new republic through force of arms, his failure at Toronto and Duncombe’s failure in the west did little to dampenRead More →

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William Lyon MacKenzie, not to be confused with William Lyon MacKenzie King (remember that for later), is more myth and legend that man. Cloaked in a persona often of his own making, MacKenzie was at the heart of the Upper Canada Rebellion, his push towards radical reform and public speaking skills caused many to flock to his cause. His use of twisting the facts, overblowing situations and the ability to turn men against each other and himself forced the issue in 1837. But much of what we know of MacKenzie is often more myth than fact, which has like much of Canadian history of theRead More →

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If there is a single figure in the lead up to the Upper Canada Rebellion, the opposite of William Lyon MacKenzie, a Tory among Tories, that figure is Sir John Beverly Robinson. There is no better example of a loyalist and the perfect man to head up the Family Compact and pull the strings of the Provincial Government for many years. While having no love of power, he was a man of strict ideals, and for that, he took the role seriously and refused to allow anyone to deviate from his moral compass. John’s family’s legacy traced back to the Robinsons who were among theRead More →

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Certainly an odd-ball in the 600-Series line up from Polaroid. The Impulse is actually my favourite format for the 600-Series cameras from Polaroid, with the grey plastic and rubberized grips. It’s almost as if Polaroid wanted to try out the style that would eventually go into the Polaroid Spectra line of cameras before actually building it. Gone is the typical clam-shell design that is iconic of the 600-Series cameras. The Impulse is a fixed focus, point-and-shoot with a pop-up flash. They also released two sub-variants of the Impulse, the Portrait (which has a selectable focus via an auxiliary lens) and the AF which features Polaroid’sRead More →

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If there is a singular group that I had a clue about going deep into this project, that group would be the Family Compact. And how you view them relies on your view of Canadian History. To some they are the antagonist of this particular branch of Canadian history, to others, they represent Canadian loyalty to the British Crown in the rebellions. But for me, they now stand as the opposite side of the same coin during the Upper Canada Rebellion. The Compact represented the colonial elite, the new ruling class. They controlled every aspect, every part of the government, the law, and the church.Read More →

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As much as I would love to get my hands on enough APX 25 to run a classic film review of that legendary stock, sadly they are few and far between, and when they are sold, often it’s at a premium. In the meantime, how about its faster cousin, APX 100. But the two films are wildly different, APX 100 is a silver rich film that produces amazing sharpness, detail, and contrast. For this review, I got lucky and found 50-sheets of APX 100 in 4×5 which made shooting the film all the more enjoyable. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed:Read More →

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The North American film photography community can probably thank Mike Bitaxi for the introduction of Polypan F. And to make things more interesting, the film is not intended for pictorial work. Instead, Polypan F is a motion picture copy film. As such the film is a blue-sensitive orthochromatic film, but looking at it, you can hardly tell. But if there is one thing the film is known for it’s the GLOW, thanks to the lack of an anti-halation layer on the film. Sadly the film was discontinued, but there’s still plenty of bulk rolls floating around. Undoubtedly worthwhile trying if you come across it. IRead More →

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When it comes to iconic cameras, Nikon does not have a shortage in their catalogue. From the highly valued rangefinders to the game-changing Nikon F. Plus all the professional camera bodies that followed in the footsteps of the original system camera. But among the cameras that are highly sought after by many photographers still, today are the compact SLRs of the 1970s and 1980s. Among those is the Nikon FM and the electronic cousin, the Nikon FE. For me, the FE fits into that little niche between my all-mechanical Nikon F2 Photomic and the fair more automatic Nikon FA. The FE fills the gap whenRead More →