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The Anglo-American War of 1812 had decimated the defences of Upper Canada, by war’s end all the major fort’s constructed in the pre-war era had faced destruction throughout the war. Fort York and Fort George in York (Toronto) and Newark (Niagara-On-The-Lake) respectively had been destroyed in 1813, Fort Erie and Fort St. Joseph in 1814. The British knocked down Fort Amherstburg in their retreat in 1813. The only major fort to survive the war was Fort Henry in Kingston only because it defended the Royal Navy dockyard. And while the British had captured two major American forts during the war, Fort Niagara and Fort Mackinac.Read More →

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All stories have to start somewhere and to understand everything that happened after the Anglo-American War of 1812 one must learn about how the seeds of the struggles that are to come were first sewn. Pre-Confederation History is a bit of a mess, but there is a single touchstone date where everything stems from, and that is 1791. By 1791, the American Revolution was nearly a decade over, and many who still lived in the former colonies swore loyalty to the British Crown. Many did not wish to remain under a republic, and many Americans did not want these Tories in their country. And inRead More →

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When it comes to classic films, Kodak has plenty of options that you can still get. But one of my personal favourites is a genuinely classic film, and that is Efke 100. Any Efke. But of all the Efke flavours the one I’m most familiar with is Efke 100. The 100 flavour is a silver rich film, fantastic tones and gives you that mid-century look that you see in the snapshots of your parents in your grandparent’s albums. These days while no longer produced if you check on eBay and find the right seller you can get a great deal on some new-old-stock that theRead More →

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I remember the first time I encountered a box of Panatomic-X and seeing the film seep of ASA-32, my mind was blown. I had never seen a film slower than ASA-50 (Pan F+). And then I sent it off to the lab to develop it and was even more amazed at the results. Panatomic-X is a fine-grained general purpose film and it seems the slowest of the X-Series of films (Plus-X, Tri-X, Double-X). And what a film Panatomic-X is, while some are hung up on Plus-X, which is itself an amazing film, I’m more a slow film junkie and enjoy Panatomic-X far more than Plus-X.Read More →

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When it comes to Kodak films that have ended up in the great darkroom in the sky, there is none that is more missed than Kodak Plus-X. A general purpose mid-speed film designed to give sharp, fine-grained images a popular film among photojournalists, street photographers, and portrait photographers, or any photographer who has used it in the past. It also has touched my photographic journey on multiple points being the film I shot of the most of in my 2015 trip to Europe and the second Kodak film I’m always on the hunt for and am willing to spend a fair price on when IRead More →

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The idea of a monobath is not a new one. If you’ve followed my online work you’ll know I’ve made my own based on a formula first put forward by Donald Qualls back in 2004 based on the HC-110 developer (a favourite of mine). When Michael Raso (of the Film Photography Project) started talking about their own Monobath I didn’t give it a second look (to be honest). While I enjoyed the ease of a single step that will develop, stop, and fix a roll of film a welcome break from the amount of work that goes into developing a roll of film, it feltRead More →

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It’s always interesting to see what you can do with what Adox calls a ‘closed imaging system.’ CMS 20 II is a film that is specifically designed for one developer, and one developer only that is Adotech II. In fact, in their datasheet, they even discourage the use of traditional developers as they could yield poor and unpredictable results. But thanks to the power of the Internet and having a bit of an experimental side and writing these blogs for you, my dear readers let us continue and say you can use traditional developers with CMS 20, and the results are rather stunning. Film SpecsRead More →

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It feels wrong posting a review for Acros 100 in light of the recent news about the film’s demise at the hands of Fujifilm. But I would also feel this series of reviews incomplete without it included. One of my favourite black and white films from Fuji (which isn’t saying much there was only a handful). Bright, sharp, and with next to no reciprocity failure (you can expose the film up to 22 minutes before needing to adjust your exposure time to compensate). While I didn’t use the stock much, I did get to use it abandoned buildings where the long-exposure capacity can help outRead More →

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I’m sure sitting on my parent’s shelf is the book that inspired this title, The Church Mice Spread Their Wings, but in this case, I’m not talking about a book, but the Toronto Film Shooters Meetup. Usually, when these events are run they stick closely to the Greater Toronto Area. I made a choice, on the suggestion of James Lee to change up a couple things with the Summer 2018 meetup, and by a couple things, I mean all the things. Location, Time, even starting and ending points. I went full radical, must have been the influence of reading up on the Upper Canada Rebellion.Read More →

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If you want your images to have something that no other images have, then shoot Infrared film, it literally sees the world in a different light, infrared light to be exact. While these days there aren’t many options for black and white or even colour infrared films save for Rollei IR400 and the FPP Infrapan 200. There are however many in the near infrared range. I don’t often work with infrared film stocks as they need just the right set of circumstances to work well. Not to mention special filters, even cameras need to be done right as the film is highly sensitive. But whenRead More →