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Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →

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Fujifilm Neopan Acros 100 II, a reborn version of the classic Fujifilm Acros 100. A film with a near cult-like following and one that is known best for having a low reciprocity failure. But when it comes to latitude, it is often seen as narrow. Even when pushed in processing, it can often result in dark, under-exposed, and under-developed images. So, it makes for the perfect film to kick off a new series of reviews to see how Diafine handles this legendary film. Film Specs Manufacturer: Fujifilm Name: Neopan Acros 100 II Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-100 Formats Available: 135 (35mm),Read More →

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In: 1812:Revisited
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The war had ground to an unceremonious stalemate; it had not gone to plan for both the British and Americans. The Americans continued believing that the Canadians would welcome them as liberators rather than invaders and join them in an easy campaign to free them all from the shackles of the Crown and a distant parliament. The British believed that once Napoleon was safely taken care of, a series of campaigns on the eastern seaboard would help the Americans sue for peace on British terms. None of that happened. Instead, the Americans were left to command a small sliver along the Detroit River of UpperRead More →

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Nikon is known for many things; among them is its insane level of detail regarding its macro lenses, or micro lenses in Nikon parlance. For those who aren’t in the know, macro photography is photographing small objects and reproducing them at life-size. Nikon produced its first macro lens in 1956 for the rangefinder or S-Series of cameras, a 55mm f/3.5; this got carried into the F-Mount in 1961, the Micro-Nikkor 1:3.5 f=5.5cm. This lens was improved through its lifetime, eventually becoming the legendary AI-S Micro-Nikkor 55mm 1:2.8, then got an AF make-over and eventually was superseded by this lens, the Micro-Nikkor 60mm 1:2.8. First introducedRead More →

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It was during the pre-production process for my video about Efke 100 that I finally decided to review Efke 50. I was looking back at my past photos, not only the ones I shot on Efke 100, but also 50 and 25. And I quickly found that by numbers alone, 50 and 100 were my favourite two flavours, with a lot of my favourite shots being taken on Ekfe 50. Until working on this review, the last roll I had shot was almost ten years ago (2016 at the Virginia Intermont College during the MAMU VIII event on my second day). I ended up developingRead More →

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The war had become a stalemate, and peace negotiations reached an impasse. Drummond’s siege remained in place but had been reduced to ineffective artillery fire, and most of his troops were reduced by illness due to the ongoing rain and poor conditions in the camp. Drummond’s requests for additional troops had been granted, and elements of the 4th and 82nd Regiments marched with heavy siege artillery to Niagara. On 4 September, the American defenders of Fort Erie did attempt to dislodge the British attackers. The short skirmish resulted in several deaths, including the traitor Joseph Willcocks and many of his Canadian Volunteers in the shortRead More →

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I guess you could say that this post comes out from a short I released on YouTube last month about why photo walks are important and that you should go on photo walks. When the average person hears the term ‘photo walk’ they tend to think of a group usually medium or large. And I’ll admit, large groups of strangers can be a bit iffy. But a photo walk doesn’t have to be in a group, you don’t even have to have another person with you. My good friend and fellow photographer, Michael Hurley, goes on solo photo walks all the time. In fact, he’sRead More →

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There’s no denying it; this lens is a monster. I have some big and heavy lenses in my tool kit, and while this one is undoubtedly smaller than my 70-200/2.8G, it is the largest and heaviest of my manual focus kit. It is also often overlooked compared to later versions of the lens, which means that it’s an excellent, affordable lens, no matter what other people say about the number of aperture blades. The lens itself comes from a long lineage, released in 1977. Designed initially by Saburo Murakami and released in 1964, the Auto Nikkor-P 300mm 1:4.5 used a five-element design but struggled withRead More →

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In: Developer Review Blogs
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While I’ve always known that Fujifilm produces chemistry for film development, I had always assumed it was primarily aimed at colour processing. Since they still manufacture (possibly) mini-lab processing systems for labs to develop C-41. But black & white chemistry? Then I received an email. A reader graciously offered to mail me some developers that were difficult to obtain in North America. I initially thought of Europe, but then a lovely package arrived from Japan and inside were two pouches of Fujifilm Microfine and two pouches of Fujifilm SPD. Well, I was touched, but Microfine was a name I had seen before on the massiveRead More →

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Back in May the fine folks at Harman Technologies, the parent company of Ilford Photo and Harman Photo announced their newest film stock, Kentmere 200. The Kentmere line of film is designed to be a more budget friendly film stock, lower silver content than the main line of film stocks. Now I did not like this film when I first ran them through reviews, I did like Kentmere 100 more than Kentmere 400. But now I like both, so I was notably excited when Kentmere 200 was released. This puts the Kentmere line in the same range of the other budget friendly films, Fomapan. NowRead More →