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Back in May the fine folks at Harman Technologies, the parent company of Ilford Photo and Harman Photo announced their newest film stock, Kentmere 200. The Kentmere line of film is designed to be a more budget friendly film stock, lower silver content than the main line of film stocks. Now I did not like this film when I first ran them through reviews, I did like Kentmere 100 more than Kentmere 400. But now I like both, so I was notably excited when Kentmere 200 was released. This puts the Kentmere line in the same range of the other budget friendly films, Fomapan. NowRead More →

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I miss Efke films; these were a blast from the past, a film stock that survived sixty years through three manufacturers. While the production line shut down in 2012, I had several years of using these classic films under the Adox and Efke brands. And even after the discontinuation, I secured a brick of the film through eBay, which I enjoyed for another couple of years. Back in July, I got a single roll of film from James Lee after the CCR 10th Anniversary event. So I decided to save it for a special day, so I took it out on World Photography Day, 19Read More →

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In: 1812:Revisited
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The early parts of 1814 had proven to be a quiet point in the war. While there was some action, it was almost a pause in the war, and both sides regrouped from a fiery 1813. While the British took the time to regroup, lick their wounds and prepare for renewed conflict and the promised reinforcements from Europe, the Americans took a different approach. Secretary of War John Armstrong would mostly be free of some of the older Generals, those who had achieved their rank through appointment rather than merit. As those officers had failed on the front lines, Armstrong either reassigned them to lessRead More →

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In: Musings
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One of the most rewarding and frustrating parts of working with traditional film mediums is developing the film yourself. This often allows for faster turnaround and greater control. However, when things go sideways, you can only blame yourself. I started developing black & white film myself over ten years ago now for two reasons. First, I was inspired after attending my first Photostock event, where I saw all the fantastic work people were doing and had the opportunity to chat with my good friend Matt Marrash. Second, my local lab had reduced its processing to a single day of C-41. The owner (Joan) took meRead More →

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I went into the city with a grand plan; in fact, I had this entire post already written and was ready to commit. But then the day came when I was going to execute the plan, and everything didn’t seem right. By the time I got to the train station and stood in the mass of people all waiting for the next train, it all didn’t feel right. I knew what I wanted to do, but there was that looming threat of rain and even thunderstorms. I did not want to get caught in a sudden downpour and have no place to shelter. I alsoRead More →

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In: Developer Review Blogs
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If you have never heard of FX-37, don’t worry. I didn’t know about the developer either until I saw a post from Flic Film about it on their Instagram feed. It fits in with the plethora of other “FX” developers, some of which I have reviewed on the blog (FX-39 II and FX-2). FX-37 is the invention of noted British photographer Geoffrey Crawley to solve the problem of sharpness in T-Grained emulsions. As a developer, FX-37 is a non-solvent developer designed to maximise the sharpness of these modern emulsions but can also work with traditional cubic-grained films. Technical Details Manufacturer: Flic Film Name: Crawley’s FX-37Read More →

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One of my favourite events to attend in the GTHA is Hamilton’s Doors Open event. This was my first experience with architectural tours and has for many years been my birthday present to myself. My original plan for this year was to hit up locations in Ancaster and Dundas. I wanted to check out some of the historic churches in those communities, but what struck me as interesting is that not a single church was listed as being part of Doors Open Hamilton this year. So I went back with what I knew, downtown Hamilton and the industrial sector. I got in four locations thisRead More →

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In: Film Review Blogs
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I enjoy working with interesting and odd films, and while we’re blessed with a tonne of modern options that are sharp and fine-grained, that wasn’t always the case. You often traded sharpness for increased grain to allow for faster films. And there are still some older stocks that represent that trade-off. I hadn’t even heard of Kodak Recording Film 2475 until a follower on Instagram messaged me about the film stock, wondering if I had ever shot the stock. I had not, and they graciously offered to send me some rolls. I expected to receive some bulk-loaded film but received factory-loaded cassettes instead. After findingRead More →

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Last year, I participated in a ‘hidden project. Usually, when I do a photography project, I have regular blog posts and a Flickr album all related to it. But not this one; this was another group project called 12 Months On Film; it ran on Instagram and was moderated by the Film Shooters Collective. The purpose was to get cameras off shelves, film out of fridges and enjoy photography. The guidelines were simple, shoot a different camera each month, you could use different film stocks, developers or all the same, but the camera had to be different each month. A rather nice change from theRead More →

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In: Between Darkness & Light
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If you’ve been following my urban exploration adventures last year. In that case, you will know that in my adventures, I much prefer industrial abandonments, the big, empty, massive factories. At one point, North American Rayon was a sprawling industrial complex that dates back to the early 20th century. Today, only a single building is left, tucked away on the banks of the Watauga River. Thankfully, I checked out the original power station and the ruins of a surviving section before their demolition, the surviving building I checked out a couple of times. The part I never had the chance to check out was theRead More →