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Heading into the big city is a rarity these days between no major events running yet and mainly shooting for review purposes and parenthood. My travel circle is limited these days, not that I’m complaining. But having a random mid-week trip into Toronto with a bit of free time allows me to get out, stretch my legs and camera gear and head out for some enjoyment of the craft. It also helped that I was again shooting for the Embrace the Grain film of the month challenge, which for March was Kentmere 100. So I packed two rolls of film, two cameras, and two lenses.Read More →

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It’s not often that something new hits the market, especially something that comes out of Canada. If you haven’t heard of Flic Film, that’s okay; I only recently discovered this Canadian film lab out of Alberta in 2021. They mainly focus on selling rebranded motion picture films, the Eastman Vision3 series and Eastman Double-X; they have a chemistry production side. But their chemistry has a twist; they’re working on making it more environmentally safe. And that should come as no surprise given they are based out of Alberta with many rural properties and reliance on septic systems. And that is where Black/White & Green (B/WRead More →

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While I’m not always a fan of third-party lenses, every so often, one comes along that impresses me as an alternative to an OEM lens. And the Osawa is one of those lenses that I probably would have used more if I had known what a sleeper I was sitting on. Unlike Vivitar, Osawa is a lens manufacturer in their own right and produced lenses starting in the 1970s when many SLRs were beginning to gain popularity in the consumer market, and many were clamouring for inexpensive alternatives. While working with this lens in an OM-Mount, they also produced for other major camera makers likeRead More →

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There’s something fun about getting back to the roots of your photography and combining it with the monthly challenge from my friends over at Embrace the Grain Podcast. The film of the month for February was Lomography Metropolis. Their third and, in my opinion, the most accessible in their false-colour film offerings. Despite my February being thrown for a loop, I managed to get out on one on the last days of the month to get the roll shot. It was also a complete surprise to have one roll sitting in storage that I recently received in a film subscription box. But what roots amRead More →

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Some films carry with them a particular cult following. While I’m not one to follow these cult followings when I’ve never shot the film stock before and usually don’t play into these followings. At least until I see a trusted and respected photographer rave about the film stock. And Fujicolor C200 is that film stock, and I can see why people love working with the stock. C200 is a film that fills a gap that provides a rich, almost perfect colour reproduction and blends well with the current digital age and is one of the most straightforward colour films to scan and run through post-processing.Read More →

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The KMZ ЗЕНИТ 3m (Zenit 3m) is a camera that is often bought for only a couple of reasons. The first is the desirable Helios 44 lens; the second is a collector’s item. In the overall history of Soviet cameras, the Zenit 3m marked the first popular SLR to come out of the Красногорский механический завод or Krasnogorskiy Mechanicheskiy Zavod (KMZ). Sadly, like many older Soviet cameras, they aren’t known for their longevity and often suffer shutter failure. But my good friend John Meadows uncovered his Zenit 3m, and it still works, so he loaded it out to me along with his Helios lens withRead More →

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Canada’s history with the treatment of mental health is long and sorted. And while we’ve made great leaps forward, often, many of the historical institutions have gotten lost and replaced along the way. Not that those who were patients in such facilities in the past would want a reminder standing out to them every day. While the Queen Street Asylum is long gone, replaced by the far more modern CAMH facilities, the asylum at Amherstburg has reverted to the historical configuration as a War-Era fort; even Mimicoe is now being used as a college campus. When I was deep into Urban Exploration, exploring mental asylumsRead More →

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When it comes to basic bare-bones developers, you can’t get any simpler these days than Metol and Hydroquinone. And there are a lot of these developers out there, my first developer review, Kodak D-76, is one such developer, and there are numerous clones of the developer. Each has its little takes on this foundational developer. So it only makes sense that I review several different options, so today, I will be talking about Ilford ID-11. Often called the British D-76, ID-11, while at its core is the same as D-76, it does have a few things that set it apart from the colonists over inRead More →

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Throughout these reviews, I have shied away from third-party lens makers. But I have a long history with third-party lenses and often with good results. My favourite lenses are from my first SLR system, the Minolta SR-T 102, a Kiron 70-150mm f/4 lens and a Vivitar 75-210mm f/3.5. Although that Vivitar is different from today, the Series 1 70-210mm f/3.5 in many ways. The biggest is the size and function; the Series 1 is a beast and a lens that surprised me that they even released the lens in an OM-Mount. Lens Specifications Make: Kiron Model: Vivitar Series 1 70-210mm 1:3.5 Macro Focusing Auto ZoomRead More →

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The whole world seems to exist these days in a liminal space. Liminal space is a time between what was and what’s next. Moments of transition, waiting but not knowing the future. All transformations take place within liminal space, but we don’t know what’s next, what the future holds for us who are there. We must be patient, allowing ourselves to be transformed in this time. Allow things to move forward, let go of what was; the past is history lost forever. And while what’s next may look like the old world, it cannot and should not be what was; transformation cannot allow that. ThisRead More →