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If there is one film stock that defines my earliest experiments in photography, it is Fujifilm Superia 400. However, I shot it as a rebranded film from President’s Choice because it was cheap as chips and often came with film processing at the PhotoLab in the Loblaw’s store (Real Canadian Superstore), where I bought it from. The film ran through all my earliest cameras, including the Hi-Matic and SR-T and captured many of those early PYPS weekends where I cut my teeth on photography. Today I shoot little in the way of Colour Negative film. Still, if there’s one thing that is starting many otherRead More →

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This won’t be the first time that I have a Nikon camera that is Nikon in name only. Remember the Nikkorex? While not the same idea, while the Nikkorex line was contracted out to another manufacturer, the Nikon FM10 is a straight-up rebrand (with some modifications) of an existing camera. The Nikon FM10 is one of many cameras built on the Cosina CT-1 Super/CT-1G chassis and dressed up to look like a Nikon. And I’ll give Nikon and Cosina one thing, the FM10 seems a lot like a Nikon right down to the red stripe. Camera Specifications Make: Cosina Model: Nikon FM10 Type: Single LensRead More →

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It’s been a while since I got to do a film of the month challenge put on by the team at the Embrace the Grain Podcast, mainly because some of the more recent ones have focused on colour films. And I’m not often one to jump on colour films. For a couple of reasons, first being I don’t like scanning colour film, and second, it’s difficult to get processed on time as I don’t keep colour chemicals at home. So when January’s film was announced as being Japan Camera Hunter Streetpan 400, I jumped, and I had a roll stashed away. I took the filmRead More →

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The year was 2013, a new voice had recently joined the Film Photography Podcast, one Mat Marrash. Mat had dived headfirst into the world of film photography and had not looked back and begun speaking about a type of developer I had never heard of before, Pyro developers. Well, I was instantly interested, having myself dived headfirst into the wonderful world of home B&W development. I was also looking for something outside the normal D-76, HC-110, and Rodinal developers. Well, this Pyrocat-HD stuff seemed interesting, but getting it shipped to Canada proved difficult at the time, so with a trip to New York City inRead More →

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When I was starting to shoot film seriously, I stuck mainly to negative colour stock but started experimenting with black & white, but slide film was something that I avoided. Slide film was for professional photographers or travel photographers who wanted to share their trips on a slide projector. My first experience with slide film was Fuji Sensia and I was hooked. So I decided to jump right into the iconic Fuji slide film, Velvia. The original Kodachrome killer, and yet I only started shooting the stock after it got discontinued, the first roll running through my camera in 2009. Film Specs Type: Colour ReversalRead More →

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When it comes to a 50mm lens, they are often overshadowed by faster fifties, the f/1.4 and f/1.2 and even crazier f/0.95. But sometimes, all you need is something at f/1.8, and the Olympus F.Zuiko, 50mm f/1.8, is a spectacular choice for your OM-System. While the lens has gone through several changes since its inception, this chrome nose version fits in nicely next to my 50mm f/1.4 chrome nose and is a tack sharp option for the more budget-minded Olympus user. Lens Specifications Make: Olympus Model: OM-System Auto-S F.Zuiko 1:1,8 f=50mm Focal Length: 50mm Focal Range: ∞ – 0.45m Aperture: f/1.8 – f/16, 6 BladesRead More →

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When it comes to colour negative films, there are a few fast options out there, and one of the most iconic of these is Fuji Superia Xtra 800. Fuji also released a professional version, Venus and an even faster ASA-1600. Now I’ve never been one to shoot fast films. Usually, I go as high as ASA-800. Even with my Delta and TMax, I’ll rate them lower than box speed. I have shot this film in the past but only ended up with a handful of good shots. Although, like most Fuji colour negative films and any colour negative film through 2021, it became difficult toRead More →

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I admit that I haven’t used many of them for Canon cameras because I’m primarily a Nikon shooter. But there’s something special about a unique camera within the overall history of a camera manufacturer, and when it comes to Canon, that camera is the EF. Not to be confused because these days, when you match Canon and EF, you’re talking about their line of Autofocus lenses for the EOS system in the EF-Mount. But before the name was applied to lenses, it was a model of Canon cameras. Often passed over in general history, the EF is unique for two reasons: it was the firstRead More →

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There’s something special about arriving before the crowds do. When it comes to Toronto Distillery District Christmas Market, that is key to capturing both the space and the decorations. So for the final week, I ducked into Toronto in the early morning and wandered around the area before heading home and to the family times of the Christmas Season, and it seemed to be the appropriate way to end the project. If you’ve spent any time in Toronto or are in some way involved with the arts scene, there is a good chance the Distillery District is a familiar sight. In 1831, James Wort, aRead More →

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While I did it, I managed to include almost all the parks in my region and operated by Conservation Halton. At least the parks are more aimed towards hiking, and today we’re at what is considered the most beautiful of all the parks. Rattlesnake Point may not have any incredible history connected to the property it does have some of the oldest surviving trees in the region. The park is an untouched space that if you’re there on a quiet day, you can get a real sense of place and how things used to be long before we arrived. Unlike many other parks in theRead More →