I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

You may have a couple of questions when looking at this review. First, haven’t I already reviewed Kodak Tri-X? To answer that, yes, it was one of the earliest films I reviewed, but this isn’t 400TX. This is Tri-X Pan or 320TXP/TXP, a more classic version of the modern classic emulsion. The second is, how can it be a classic review if the emulsion is still being made? Again, the sheet format of 320TXP is still in production, but the roll film was discontinued in 2010. But I quickly learned that I shot this film a lot more in sheet format than roll film format,Read More →

The third in the Elan series of semi-professional cameras released by Canon and the direct successors to the original EOS 650, but why not call it the Elan III? Well, that’s because Canon makes weird choices with their camera names. In the case of the Elan 7, the number seven has nothing to do with the number of models but rather the seven focus points in the new AF module installed in the camera. Unlike my previous Elan camera, the IIe, the Elan 7 I’ll feature in the review is the model without eye control. But the difference between the IIe and the 7 isRead More →

Shooting X-ray films has been relatively niche in the still photography field, but it can often be a lower cost per shot when shooting sheet film. This isn’t the first time I’ve reviewed or used a former medical X-ray film stock; the first was Washi F, which produced some magical results. The second was a non-medical X-Ray film, Washi I. So when I was offered a chance to try out the FPP X-ray film in 35mm, I wasn’t about to say no. This is a reasonably fast film for what it is, rated at ASA-200 but can be shot up to ASA-400. It is uniqueRead More →

I first discovered a package of Kodak Microdol-X in the back of an old camera shop in Pittsburg, PA. Microdol-X was Kodak’s original fine-grain developer before being supplanted by Kodak Xtol. Although both But Microdol-X was much loved by those who used it and I’ll admit, it’s an excellent developer. Thankfully as a powder developer even those old pouches have a long shelf life, but the supply is limited. Thankfully the fine folks at LegacyPro have an answer, Mic-X, a complete clone of the original Microdol-X that uses all the original times and dilutions. Technical Details Manufacturer: LegacyPro Name: Mic-X Primary Developer: Metol Type: Reusable/One-ShotRead More →

Hot show based lightmeters are nothing new, one of the first accessories I got for my Barnack Leica was a Voitlander VCII and even before that Leitz released their own dedicated shoe mounted meter for the M-Series of rangefinders. But ever since the release of the Reveni Labs LM-1, there has been a massive upsurge of similar OLED based shoe meters. So when I was contacted by AstriHori if I wanted to review their newest shoe meter, the Lightmeter II or XH-2 I jumped at the chance. I had heard of AstriHori in passing mostly through ads on my social media feeds but also withRead More →

Have you ever wanted to see outside of our visual spectrum? Well then maybe infrared photography is for you! While true Infrared films are long gone, these days we have a tonne of films that can, when properly filtered expose the infrared light. Among these films sits FPP Infrared B&W, the original film stock is unknown, but it does do exactly what it says on the tin, it is a film that can be shot both filtered and unfiltered and produces images that can only be described as magic! For this review, I went with a mixed approach to filtration, shooting the first roll withoutRead More →

It should only be fair that my fiftieth lens review be of a 50mm lens, these are often the first lens that a budding photographer will pick up when getting into the wild world of film photography. And often it is the only lens that they continue to use long after. With my first two SLRs (SR-T 102 and X-7a) the 50mm lens was my go-to choice for most of the time shooting with them. I have since moved on and now am more likely to reach for a 35mm lens, the 50mms still hold a place for my work and I still grab oneRead More →

Like the legend of the phoenix, huh All ends with beginnings What keeps the planet spinning, ah The force from the beginning, hm, look Get Lucky – Daft Punk ft. Pharrell Williams, Nile Rodgers If there was one thing I did not have on my 2023 Bingo card was the release of a brand new colour film, at least not from Harman Photo. Harman Photo is under the same umbrella of Ilford Photo, but is colour film side of Harman Technologies. Now, you’re probably wondering why I waited until the spring of 2024 to review the film? The reason is simple, the first several monthsRead More →

What was I thinking…. If there is one negative size format that I have been actively ignoring since I started to review cameras is half-frame. And there is a good reason for this, I struggle to finish off a roll of 36-exposures. And when it comes to half-frame in the realm of 35mm, 36 exposures turns into 72-exposures on a roll, even if I got a 24-exposure roll I’m still staring down the barrel of 48-frames. But it seems that half-frame has gotten a bit of a revival with more people wanting to increase the number of shots on a roll especially with the costRead More →