When it comes to basic bare-bones developers, you don’t get any more simple than Kodak D-76. Kodak D-76 is the common factor between professional and student photographers and everyone in between. It’s a staple in most darkrooms, you can develop film and prints with it, and for me, it was the first developer I ever used for both film and prints. And for a while, I had stopped using Kodak D-76 in my processing, but after I started reviewing films, I got back into the stuff. The reason it gives what you expect, a baseline. It also is relatively inexpensive and economical for long termRead More →

If you’re thinking to yourself, haven’t you already reviewed the Canon F-1? Like back in the first year of writing camera reviews? The answer would be yes, I did review an original 1970 F-1. But when it comes to camera names, Canon wasn’t always that creative; this is the New F-1. Which if you dig deep into the camera’s functionality, is a whole other camera, thus needing a review of its own. The F-1N, like the F-1, is Canon’s answer to the rise in electronics in cameras that happened in the late 1970s and the introduction to the Nikon F3. And when it comes toRead More →

When it comes to the specialised films out there, I’ll admit my knowledge is pretty grey. But there is also a particular challenge to making such a film work in general use photography. And having worked with various Eastman films from 5363, 2366, and 2238 I felt confident that I could make this Fuji film stock work. So what exactly is Fuji Recording Film Eterna-RDS Type 4791? According to Fuji’s website, Eterna-RDS 4791 is a black and white film intended for making archival black and white separations from colour digital masters for a digital separation workflow using a film recorder. The film is Fuji’s versionRead More →

When it comes to game-changing cameras there is nothing more iconic than the Olympus OM-1, it ushered in the small format for the SLR world, and not to be outdone by Olympus, Pentax released their versions of the small SLR, the first two being the MX and the ME. But the ME had a lot of limitations including the lack of a manual mode, enter the ME Super. I’ve had both a ME and ME Super come through my collection in the past, one went to a friend (not sure if she still uses or even has it) and the ME Super met its endRead More →

When it comes to Kodak’s film catalogue, there are many films in it that we have never seen much of in North America. Among those, the one that confused me the most was ProImage 100. Despite the name, Kodak documents in no way claim that ProImage 100 is a professional film, but then again what makes a professional film? Maybe because it does not come in sheet film format, like Ektar and Portra? That said, I feel ProImage 100 is a great film to shoot in a professional setting, the soft contrast, excellent colour rendition, and slow speed make it a fantastic hybrid of PortraRead More →

If you think this Portra 800 is a new film, then you’d be wrong. There’s used to be a huge range of Portra films, but today there are only three films in the Portra range. Still, Portra 800 is overshadowed by Portra 160 and Portra 400. I mean, I had heard some talk about Portra 800, but always dismissed it as one of the older films and stuck with Portra 400 and pushing it to ASA-800 when I needed that extra boost. And I can honestly say I used to tell people to not bother with the film stock. But after shooting it, I’m gladRead More →

Before we get into all this, let me start by staying Ortho Plus is not a new film, it’s just now available in different formats. Originally I shot a box of the stuff in 4×5 when it was only available in sheet format, and it was the first film that I shot that had no real rating set. In fact, most entries for developing times on the massive dev chart simply had a question mark for the ISO rating. I found that this gave me a lot more latitude when working with the film. I could rate it higher or lower depending on the situationRead More →

There are small cameras, and then there are small cameras. And if you’re used to cameras like the Minolta TC-1 or Olympus XA series, the Rollei 35 T is not a tiny camera. About the size of a package of cigarettes, the Rollei 35 is a camera I once avoided for a couple of reasons. It’s small, and it’s a scale focus viewfinder camera. However, after seeing some fantastic results from my good friend Bill Smith who recently got a Rollei 35 S, I decided to bite the bullet. And I have to say I’m not disappointed, even though the camera is a Singapore madeRead More →

Back in 2005, I was an avid attendee of the Presbyterian Young People’s Society (PYPS). Through the inspiration of fellow photographer and brother-in-Christ Rob Ellis, I started taking a camera to these events. It was through PYPS that I began to this wild journey as a photographer. But back in 2005, digital proved out of my price range, so I rocked the film. And on a whim, I picked up a roll of Ilford XP2 Super from my local Foto Source Store. I was super excited to have gotten a roll of black & white film. My parents were less so, wondering where I couldRead More →

When it comes to Canon cameras, you can count the number of times they’ve been featured on the one hand. I’ll admit that I am a Nikon guy, but I couldn’t say no when this beauty was offered up. The Canon EOS 650, while a fairly plain and no-nonsense camera, is a significant part of the history of photography. The EOS 650 is the first autofocus offering from Canon, and the lens mount it introduced changed the company’s direction. And while I was a little wary of the camera, it performed beautifully. It did take a bit of time to figure out some of theRead More →