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There are many iconic cameras out there, the Nikon F, the F2, the Leica Rangefinders, Rolleiflex, Stylus Epic, Crown Graphic, and many more. And while many films have achieved popular success, there is only a single one that has captured the imagination of thousands if not more through its life, and that film is Kodak Kodachrome — introduced in 1935 as one of the first commercially successful colour slide film. Launched initially as a colour movie film, it soon flooded into the still photography market. The Kodachrome I shot was introduced in 1974, although the first ASA-64 Kodachrome was released as Kodachrome-X in 1962, however,Read More →

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One of the biggest things in film photography these days is taking old ‘dead stock’ and respooling it for regular photographic use, and the most recent addition to these boutique films is Street Candy ATM 400. As the name suggests, the film is aimed at street photographers (or those who identify as street photographers), and ATM means this is a former film used in surveillance cameras on Automated Teller Machines. And since most modern ATMs use digital technology to fill the need for security surveillance. While originally available only in Europe it’s been recently brought into North America through the Film Photography Project. It certainlyRead More →

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When it comes to 160-Speed film, to mee it seems like a bit of an odd duck, 100, 125, are pretty standard, but 160 I’ve only seen colour films rated that way. But enter Silberra Pan160, a touch faster than it’s 100-Speed Cousin, but not as fast as the 200-Speed. It must be a Russian thing moving from the GOST scale. Either way, I like Pan160, probably a little more than Pan100. It’s sharp, but grainy, fantastic contrast, and responds well to contrast filters, especially a pale yellow. And while there’s still plenty of supply issues to us here in North American, and the 120Read More →

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Certainly an odd-ball in the 600-Series line up from Polaroid. The Impulse is actually my favourite format for the 600-Series cameras from Polaroid, with the grey plastic and rubberized grips. It’s almost as if Polaroid wanted to try out the style that would eventually go into the Polaroid Spectra line of cameras before actually building it. Gone is the typical clam-shell design that is iconic of the 600-Series cameras. The Impulse is a fixed focus, point-and-shoot with a pop-up flash. They also released two sub-variants of the Impulse, the Portrait (which has a selectable focus via an auxiliary lens) and the AF which features Polaroid’sRead More →

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Back at the end of 2017, the film photography groups across Social Media began to talk about a photographic media producer in St. Petersburg in Russia called Silberra. While Silberra is not a new company they launched their Crowd Funding Campaign to expand their film manufacturing, introduce new film stocks, and expand their markets outside Russia and Eastern Europe. And while they encountered a pile of setbacks, but after waiting for nearly a year, we finally started to see some of the film starting to hit the market. Silberra Pan100 is the one film that I liked right off the mark, having done a first-lookRead More →

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There’s always a certain amount of excitement when a new film hits the market, and I couldn’t hold it in and wait to discuss CatLABS X Film 80 in its full review. So having not picked up a camera the whole Easter Weekend, I was, that Monday getting the shakes and needed my chemical fix. Having obtained the brick of film the week before and having ten rolls available to me, I figured why not check out a single roll. So I loaded it up into my trusty Rolleiflex 2.8F with a Green-1 filter just for kicks. As soon as the film came out ofRead More →

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Taking a look at one of the most sought after films from Lomography, their Purple line of Colour film brings back a similar look to the colour infrared films like Kodak Areochrome. But despite the Chrome in the Name, Lomochrome Purple XR is a colour negative film. Well, enter Purple XR, which can be shot at three different speeds to produce different results. Sadly I only had one roll thanks to the Emulsive Secret Santa, so why not shoot 12 frames for each speed have the roll processed as usual and see what happens! If you also note, I’ve had to come up with differentRead More →

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Ever since I started doing the scanning of my film my workflow has remained static, an Epson flatbed film scanner, the V500 first and the V700 currently. It worked, I got decent quality enough to get lab prints of my film scans up to 11×14 and be able to share around Flickr, 500px, Facebook, and Instagram. Now a dedicated film scanner is a different animal from a flatbed like the Epson. Names like Imacon, Plustek and Nikon I knew about, but they always were outside of my price tag. And as a photographer who shoots multiple formats and doesn’t have a lot of desk space,Read More →

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Like the speed test, I ran on TMax P3200 I decided it was only fair to give Delta 3200 a fair shake as well, but to make things more interesting, I decided to run it through in Medium Format instead of 35mm. After my review last year of Delta 3200, I decided that the film responded best in Ilford Microphen. Microphen has become one of my favourite developers to push or pull processing fast films. Like the TMax speed test, I’ll shoot the film at 1600, 3200, and 6400 and develop each in Ilford Microphen. Note that while I firmly believe that Delta 3200 isRead More →

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Found in a dusty warehouse, based on where the film came from, Sweeden, Lomography promoted their Berlin 400 as an iconic cinematic film. 400-Speed, Black & White, and from East Germany. Well, that certainly narrowed it down to only one film, thankfully it is one that I did have planned to review at a later date, so why not discuss it under the Lomography Brand! The film, if you haven’t already guessed is ORWO N74, which made collecting developing formulas easy. Shooting cinematic film in still cameras is nothing new, at least for me, I still love shooting Double-X for urban work, so getting intoRead More →