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Before we begin, even still today I am primarily a Nikon shooter. Sure I have had a couple of Canon cameras come through my collection throughout the years, in fact this is my second AE-1 Program to come and go. The first camera went on to help out my friend Nick in Ohio with a photography course he took in University and the second, this camera, went to my friend Laura from the 49th after her T50 kicked the bucket. But when it comes to Canon cameras and if you are a friend and fan of the Film Photography Podcast, the Canon AE-1 Program isRead More →

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When I call the Rolleiflex 2.8F the oldest camera in my toolkit, that doesn’t mean it is oldest by age, rather oldest having been in my toolkit the longest of any other cameras. I got the camera in 2010 after buying it from the original owner. The original owner having purchased it in Germany in 1969 along with most major accessories, and since then it became a near-constant companion. And the camera saw a lot of action from trips to abandoned buildings, nature to weddings and other portrait sessions. The Rolleiflex 2.8F is my third and honestly final TLR in my kit having solidified myRead More →

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Accept no copy, the one the only, the iconic camera that started out life as the bargain model that featured the new K-Mount (Introduced in 1975), but has since gained greater popularity, and the camera you most likely used in your High School Photography Course, is the Pentax K1000. This all mechanical marvel is the essential student camera and general beater that can be used pretty much anywhere in the world today! The wide range of top quality lenses and ease of use saw it named the Film Photography Project’s Camera of the Year for 2014 and after having several passes in and out ofRead More →

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When my Nikon F80 started to flake out, I needed a replacement, but in those days the Nikon F5 (my grail camera) remained financially out of reach, so I went with the one step down from the F5, the F4. The camera quickly gained my trust as the go-to 35mm camera when I headed out into the field and lasted in my collection for several years before I switched to the Nikon F5 and even then there was overlap. Despite the flaws of the early autofocus, the LCD bleed, and limitations with manual focus and AF-G lenses, the F4 became a constant companion. I knewRead More →

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Last year I got notified that Lomography was starting to develop a new instant camera based around the Fuji Instax mini format, now I’m an owner of the Fuji Instax Mini 7s, and while it’s a nice camera I find it lacking in certain areas of control, Aperture, and Flash for the most part. I then got a note about what this new camera, branded the Lomo’Instant was going to be about and I was intrigued. And then a personal request for support by Lomography. Well I wasn’t going to say no, if the Lomo’Instant would solve the issues I had with the 7s, IRead More →

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You’re probably thinking, what do I mean by Visual Whiplash? It was mentioned in a comment left on one of my recent photos posted to my photostream, where right next to each other is a 4×5 image that’s sharp, crisp, and clear…and then a pinhole photo that’s rather soft. Visual Whiplash. I was at first a bit disappointed at these, I mean they’re not what I’m used to getting out of my trusty Pentax 645, they look like something a bit out of a toy camera. But oddly enough they’ve started to grow on me. So what got me into Pinhole photography after avoiding itRead More →

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How does one review a film they have only used once? Easy, when the film is something special. Eastman SO-331 High Contrast Intermediate Panchromatic Film is one of those rare cult films that have been floating around for a while. The SO in the name indicates that it is a special order emulsion. And it has developed a rather unique following among the film photography community. Back in October when I was in New York City for the PhotoPlus Expo I was handed a roll of the film by Michael Raso of the Film Photography Podcast (who got a large amount of the stock fromRead More →

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Now, fellow Canadians, British, and general folks, please don’t harp on me for mis-spelling ‘colour’ in the title because it’s the proper brand name for the latest batch of film out of the fantastic folks at the Impossible Project. ColorProtection is the latest emulsion in their quest to reinvent instant integral film. Well, I’m going to say they have reinvented it; now it’s a matter of improving what they have. But what they have right now is pretty damned good. So what makes this film the best yet out of the factory? Easy, anyone who has used this film from the beginning can attest thatRead More →