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Pyro developers hold a special place in my development tool kit. Despite being one of the oldest developers, being viewed as highly-specialised and highly toxic. I’ve found them to be one of the best developers I’ve used. My journey into Pyro started with PMK Pyro, followed up by Pyrocat-HD. But starting last year, I heard about a new Pyro developer, 510-Pyro. For being an old developer, Pyro developers continued to see advancement and innovation, with Sandy King bringing in Pyrocat-HD in 1999, but 510 is far newer. First released in 2006 and formulated by Jay DeFehr, 510-Pyro took a different approach to Pyro with onlyRead More →

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Here I go again, sticking my nose into a speciality film. Copex Rapid, as the name on the tin says, is a high-contrast copy film that requires a special developer. Copex Rapid is a faster version of the original Copex. So a stop faster can be helpful in the right conditions. The trouble is that the special developer is not readily available in North America and is even harder to get in Europe. But that hasn’t stopped me before, so I took a chance. You’ll notice that I decided to drop one of my usual developers, Ilfotec HC, as it stated it was high-contrast, andRead More →

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The first thing you’re going to think when you take a look at a C220f is that this is going to be a heavy camera, and then you’re going to pick it up and notice that it is relatively light for its size and form factor. I love a good system camera, but outside of the SLR world, there isn’t much in the way of system cameras in the medium format realm. At least until you look up Mamiya’s rather interesting C-Series of TLRs, they are proper TLRs in every way, but it’s also a complete system camera with interchangeable lenses, grips, and finders; theRead More →

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One of the more exciting aspects of home development is the ability to produce black & white slides. While these days this is more of a novelty, it is something that adds a punch to your black & white negative films. But it’s something that isn’t well known. Sure we had Dr.5 until recently, Foma has a reversal kit (which I hope to find and review), and even Kodak produced a TMax reversal kit. But Kodak no longer makes it there, and Dr.5 is shutting down due to increased costs, but not before letting the world know about their process. And it’s right in Adox’sRead More →

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When I first was introduced to the Rollei RPX line of films, I referred to them as the spiritual successors of the iconic APX line of films from Agfa. I still stand by the statement but also know that the RPX line of the film is not related directly to the APX line of films. Besides holding the same three speeds and having “PX” in the name, these are two different films. But in the sense of fun and showing off the differences, I’ve decided to pit the two ASA-25 films against each other in a fun little head-to-head to show where they are similarRead More →

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I always enjoy working with a film that isn’t used in everyday photography. And one type of film that I have only limited experience with is surveillance film. Sure I’ve shot with Derev Pan and Streetcandy. But never a Kodak surveillance film. Kodak Plus-X Aerecon II, despite having the name Plus-X, is not related to the normal Plus-X; the data sheet describes the film as a panchromatic, black-and-white negative aerial film having extended red sensitivity and medium speed. This film has a fine grain and relatively high contrast and is intended for medium- to high-altitude reconnaissance. Its ESTAR Thin Base provides flexibility, moisture resistance, highRead More →

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In full disclosure, I have technically already reviewed Adox Scala 50, but in its HR-50 branding. But as I’m developing the film in a completely different way, I figured it would be worth reviewing in its Scala livery and developing HR-50 as a Black & White slide film. These days a dedicated b&w slide film is a rare stock; there’s only one out there, Fomapan 100R, but in the past, one of the most iconic was Agfa Scala 200X. But I was using negative films as the positive stock was common, with Kodak also producing their reversal kit for TMax film. Adox also released theirRead More →

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I’ll be the first to admit that pinhole photography and I have not gotten along well in the past. It’s a bit hit or miss with me, and I don’t always associate photographic success with the gear I use. Sometimes having the right equipment will make you enjoy the format. Pinhole is one such format. My first attempts were bit misses, using a pinhole body cap adapter on my Pentax 645, and then again on various Nikon cameras. It wouldn’t be until I got my hands on a dedicated pinhole camera that I started to see results that I actually liked. So when I startedRead More →

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When keeping things simple, look no further than a monobath. As the name implies, a monobath developer will do all the steps for you, from developing to fixing. All you’ll need to do afterwards is clear and wash the film. It can also act as an almost universal developer being able to develop multiple rolls of film for the same period. Perfect if you need to develop film in the field to avoid it getting cooked in an airport scanner or want to keep your life simple at home for development. Monobaths are nothing new, they’ve been around for a while, and I’ve worked withRead More →

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When it comes to instant film, there isn’t much that draws me to the medium. Other than the fact that it’s an instant film, it’s amazing that after Polaroid pulled the plug, someone was able to backwards engineer and recreate it. And I’ve been with them since the beginning from those early steps and some pretty terrible prototypes. And while Impossible Project turned to Polaroid Originals to reclaim the Polaroid name, the spirit of this has remained and started to produce normal repeatable products. Sure they may have lost their spirit of adventure, having a colour instant integral film in the 21st Century is somethingRead More →