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When it comes to the Winter meetups, the weather is always a crapshoot. But unlike last year, we were blessed with beautiful blue skies, bright sun, and temperatures above zero. I think that helped bring out a dozen shooters to invade the historic downtown of Unionville, Ontario. I had first discovered Unionville thanks to one of my co-workers who mentioned that he and this girlfriend enjoyed the historic downtown. So last summer I hit it up on what turned into a hot summer’s day and I saw why. And the group that showed up completely agreed. The small size of the downtown, about a five-minuteRead More →

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When it comes to T-Grained (modern films like TMax and Delta) I can be fairly picky, the 100-speed ones I tend to like while the faster 400-speed ones I can be overly critical about. That being said I’ve found that recently I’ve been warming up to these faster emulsions the more I experiment with them. As with Delta 400, I’ve warmed up a little to TMax 400. Oddly, TMax 400 was the first roll of film I processed on my own under the watchful eye of Julie Douglas back in 2010. Film Specs Type: Panchromatic B&W, T-Grain Film Base: Acetate Film Speed: ASA-400, Latitude: 50-3200Read More →

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A modern re-imaging of an Agfa surveillance stock, StreetPan has been a favourite of mine for some time, and it is incredible in 35mm, but it sings in 120. Back when news of Streetpan first dropped, there were plenty of rumours floating around about the source of the film. Many naysayers said that the supply would be limited as it was just repackaged dead-stock. And while many still rail against the film, I for one enjoy shooting the film, and it’s great for street photography, architecture and landscape. Just don’t shoot it for long exposure, it loves the light and doesn’t handle long exposures. TheRead More →

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Well, looks who’s back! It’s the FP4Party! This time around I have no outstanding projects so unlike in the final FP4Party I can actually work hard on this one, unlike the last time I gave a rather lack-lustre performance. I sat down early and planned out my week, collecting five ideas of where to shoot and what I wanted to shoot with. The film, of course, a favourite of mine, Ilford FP4+. I came up with one roll of 35mm, three rolls of 120 and a box of 4×5. Now in the past, I’ve usually stuck to one day of shooting for these parties. ButRead More →

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A few weekends back I had a chance to visit the lovely village of Elora, Ontario with my beautiful wife who I am grateful loves such adventures on free weekends. The small village is located just northwest of Guelph and offers a little taste of Europe in Ontario. I’ve had the chance to visit Elora twice in the past, once for my 52-Roll project in 2013 and again to go camping with a group of friends in 2015. But I had always planned to go back yet it never seemed to fit into plans. While the Elora gorge is one of the towns biggest draw,Read More →

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Commodore Charles Moris, commander of the American forces during the British invasion of what is today Maine, a man who devoted his life to a single organization, the United States Navy. Born on 26 July 1784 in Woodstock, Maine, and at the age of 15 was commissioned with the rank of Midshipman in the fledgling US Navy. His early service took him to the Mediterranian during the two wars against the Barbary Pirates and then the Quasi-War with France. During this time he saw a promotion to Lieutenant. When he returned to the United States, he was promoted to Commander and assigned as the secondRead More →

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When it comes to photographing sites connected with the naval actions of the war, it can be complicated. Most of the actions take place out on open water, and many don’t have much to photograph especially in the way of ships as many are long gone. Only one ship from the era exists in its original form while another is a rebuild of the historic ship. But if you know where to look there is plenty of things to photograph when it comes to the capture of the Chesapeake. By the summer of 1813, the spirits of the Royal Navy on the North American stationRead More →

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One of the unsung heroes of the Anglo-American War of 1812, the burly red-haired Robert Dickson was born to a merchant father in Dumfries Scotland in 1765. After his father’s business had failed, Robert along with his two brothers travelled to Upper Canada to work for their uncle, Robert Hamilton. Hamilton was a wealthy gentleman in Upper Canada, and while the two brothers found success with Hamilton’s business the dull clerical work did not appeal to the adventurous Robert. Robert would find his element in the Northwest upon his posting to Mackinac Island. He expanded his trade network among the northern tribes in both UpperRead More →

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Robert McDouall was born to a merchant father in March of 1774 in the town of Stranraer, Scotland. Educated at the Felsted School both his father and uncle hoped he would follow in the family trade as a merchant, placing young Robert at a business in London. Robert, however, was drawn to the military life much to his father’s dismay and with his reluctant approval purchased a commission as an ensign in the 49th (Hertfordshire) Regiment of Foot only to three days later purchase a lieutenant commission in the 8th (King’s) Regiment of foot in 1797. He served during the 1801 Egyptian Campaign against theRead More →

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This past Tuesday, the Ides of March, is also Expired Film Day. So I figured I would do a post about shooting expired film along with tips/tricks that I’ve come across with shooting old/expired film stocks. While I do a majority of my shooting with fresh film stock there is a certain level of fun and intrigue when shooting with expired film stock. 1. You can Shoot Film that is no longer available fresh. There are plenty of film stocks out there that is new that you can often make behave like well loved film stock in the past but it just never will beRead More →