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I enjoy working with interesting and odd films, and while we’re blessed with a tonne of modern options that are sharp and fine-grained, that wasn’t always the case. You often traded sharpness for increased grain to allow for faster films. And there are still some older stocks that represent that trade-off. I hadn’t even heard of Kodak Recording Film 2475 until a follower on Instagram messaged me about the film stock, wondering if I had ever shot the stock. I had not, and they graciously offered to send me some rolls. I expected to receive some bulk-loaded film but received factory-loaded cassettes instead. After findingRead More →

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I haven’t had an F2 in my collection now for almost three years now, but when I was in Toronto in December and walking up to meet my friend Bill I got the idea that I would like to do a video review on the Nikon F2. It was the last professional mechanical camera released by Nikon and is a rock solid performer. And of course, Bill has a tonne of F2s in his toolkit so all I could do was ask and he loaned me out this lovely black Nikon F2 Phototomic (DP-1 finder). So I took it out at the start of FeburaryRead More →

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I’m coming back for more, especially after being pleased with the results I got from the Formulary version of Kodak D-19. Like Formulary, Flic Film’s MQ-19 is a perfect clone of the classic high-contrast, fast-acting developer D-19, and while I am limited by what film stocks can be developed I did manage to find a few more options to run through the developer this time around include a few classic films that I did not include in the first time around. Like any good review, having a second chance with a developer gives a better chance to explore other options and get a better pictureRead More →

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Like many film photographers we have a tendency to collect not only cameras, lenses, and accessories but also film. And recently I was looking at the massive collection of film sitting in my storage area and thinking that I should shoot this all now before it all gets so expired it is no longer useful to anyone. In this post I’ll be sharing my selection of black & white films that I had laying around in my collection although one C-41 roll did get included but because I decided to develop it in a traditional B&W developer it got stuck into this post. The firstRead More →

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Last year, when Foma announced the release of a new film, I’ll admit, I was immediately interested. What drew me into the film is that it was an orthochromatic film and not sensitive to the red end of the visual spectrum. I’ve worked with these films, notably Ilford Ortho+ and Rollei Ortho 25 plus. The trouble with these is that they are slower films, rated at ASA-80 (or ASA-40) and ASA-25, respectively. I’m not one to shy away from slower films, but it can get rather dull and grey here in Ontario during specific points in the year. So, having an Ortho option rated atRead More →

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Hot show based lightmeters are nothing new, one of the first accessories I got for my Barnack Leica was a Voitlander VCII and even before that Leitz released their own dedicated shoe mounted meter for the M-Series of rangefinders. But ever since the release of the Reveni Labs LM-1, there has been a massive upsurge of similar OLED based shoe meters. So when I was contacted by AstriHori if I wanted to review their newest shoe meter, the Lightmeter II or XH-2 I jumped at the chance. I had heard of AstriHori in passing mostly through ads on my social media feeds but also withRead More →

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Have you ever wanted to see outside of our visual spectrum? Well then maybe infrared photography is for you! While true Infrared films are long gone, these days we have a tonne of films that can, when properly filtered expose the infrared light. Among these films sits FPP Infrared B&W, the original film stock is unknown, but it does do exactly what it says on the tin, it is a film that can be shot both filtered and unfiltered and produces images that can only be described as magic! For this review, I went with a mixed approach to filtration, shooting the first roll withoutRead More →

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Like the legend of the phoenix, huh All ends with beginnings What keeps the planet spinning, ah The force from the beginning, hm, look Get Lucky – Daft Punk ft. Pharrell Williams, Nile Rodgers If there was one thing I did not have on my 2023 Bingo card was the release of a brand new colour film, at least not from Harman Photo. Harman Photo is under the same umbrella of Ilford Photo, but is colour film side of Harman Technologies. Now, you’re probably wondering why I waited until the spring of 2024 to review the film? The reason is simple, the first several monthsRead More →

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What was I thinking…. If there is one negative size format that I have been actively ignoring since I started to review cameras is half-frame. And there is a good reason for this, I struggle to finish off a roll of 36-exposures. And when it comes to half-frame in the realm of 35mm, 36 exposures turns into 72-exposures on a roll, even if I got a 24-exposure roll I’m still staring down the barrel of 48-frames. But it seems that half-frame has gotten a bit of a revival with more people wanting to increase the number of shots on a roll especially with the costRead More →

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Ha Ha, this is a pry from my dead hands camera…😀 There’s one fun part about being connected to so many amazing photographers and bloggers over the world because of the Internet. Often you come up with ideas like this, a whole series of posts on the same subject with a coordinated release. This idea comes from Jim Grey (Down the Road), from a conversation where Theo (PhotoThinking) was looking for links for his review of the Voigtlander Superb. Peggy (Camera Go Camera) suggested he give her the camera, and Theo replyed “this is a pry this from my dead hands camera.” Jim jumped onRead More →