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I’ll be the first to admit, the relationship between me and Soviet-built cameras has been a rocky one. My first experience with Soviet cameras was with the Zenit B (this camera’s meterless cousin), it’s lack of automation was my downfall. Next a Zorki 4 with a pinholed shutter curtain, the Keiv 88 wasn’t too bad. I had excellent shots with a Fed-2, and a tonne of problems with a Smena 8m and I don’t even want to speak on the Zenit 122K. But after hearing James Lee (who loaned out this camera originally for review, I have since purchased my own) talk about how greatRead More →

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The fine folks behind the film photography promotion website Emulsive have done it again! In the footsteps of last year’s FP4Party, they have started to run a couple of different monthly participation events for film photographers around the globe through the use of Twitter. Sadly I didn’t participate much in the FP4Party mostly because of time conflicts; I decided to make a point to join in on this year’s film parties. Being free of most projects it freed my hand to keep up this time around. This year’s first party is a celebration of Kodak TMax. Tmax a modern film emulsion that was released inRead More →

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One more shot, one more shot! While today such a call is commonplace in the day where the number of images you can get is dependent on how fast your camera’s shutter works and how large and fast the memory card that you have in your camera is, but back in the early 20th Century, asking for one more shot could mean sacrificing one in the future. But many iconic images and photographers worked with large format cameras and the idea of a Press Camera pre-dates the camera I’m reviewing today by nearly three decades. While the Crown Graphic is not as well known asRead More →

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Most of my experiences with communist built cameras have been gear from the failed Soviet Bloc, which is all well and good, but those cameras were not exactly known for their quality control, offset by the ease of repair by the layperson. However, there is still another communist state still producing cameras even today, and that’s China. The Shanghai Camera Factory started production of their Seagull 4A line in 1968, and by the 1970s the Seagull 4A-103 came into being. At first glance, you’d probably think that the camera in question is a German Rolleicord and you would be partially right. The 4A-103 is aRead More →

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Sometimes a camera sings, sometimes a camera just sucks, and then there’s the Maxxum 5000. It’s a meh camera, K-Car of cameras, the Maxxum 5000 isn’t the bell of the ball, and it is a little meh on the handling, but for basic, no-nonsense SLR photography, the 5000 is a cheap option with an A-Mount. Let me explain a little bit more. Some cameras are amazing that they grab your attention as soon as you pick it up, for me that would be the Nikon F2, F3, and F5. Also the Rolleiflex 2.8F and several other cameras. Others are so downright terrible that you wantRead More →

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I’m a sucker for mechanical match needle SLRs. They’re simple, elegant and great to learn on and even now still a joy to shoot. The FT3 is just that, an easy to use, fun camera that can if needed double as a self-defence weapon. The sad part is that the FT3 only was made for a few months before being superseded by the Nikon FM. A unique creature among the more-consumer-oriented Nikkormat lines the FT3 can use AI and AI-S lenses even if they don’t have the coupling claw. Sadly you won’t be able to use the Non-AI glass that many Nikkormat shooters love. CameraRead More →

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There is a certain class to folders; they have a sleek look that harkens back to the early days of photography. These cameras offer a slim, compact option to bring medium format when space is at a premium. I would have loved to have brought a folder to Europe in 2015 to have a medium format option. Especially in places like the Waterloo battlefield, Amsterdam, Antwerp, and Bruges, but I could not find the right one. The full name of this camera, the Zeiss Ikon Super-Ikonta C 531/2, would have been the perfect camera with a big 6×9 negative, rangefinder focus, and slim size. ForRead More →

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These days the two big camera names that see fanboys (and girls) in both camps is Cannon vs. Nikon. But that wasn’t always the case. In the 1950s Nikon and Canon were still fairly unknown in the pro-market, both were producing rangefinder cameras stamped with “Made in occupied Japan” the real competitors of the 1950s was Contax and Leica. Since I have both a Leica IIIc and a Contax IIIa I figured I should do a side by side comparison and have these two heavy-weights of the mid-century fight it out. Before you continue, I suggest reading by reviews of each camera, first the ContaxRead More →

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This year it was a real shame that Polaroid Week just snuck up on me. It serves me right for not watching social media a little more closely. But I still managed to get out on the last day to get some Instant film shooting in. This year I was sort of limited. My wonderful Automatic Land Camera Model 250 has a dead battery and I didn’t have time to fix it up with the AAA battery fix. Also I didn’t get in any order from Impossible to run my Spectra (the only Integral Polaroid I have working), and didn’t get a couple packs ofRead More →

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Even though it looks like the iconic Kodak Brownie, we’re going to clear the record; this camera is not a Brownie. And although this model came after the Brownie, it is a camera that has its origins before the Brownie and flexible films. The Hawk-Eye is a camera that I don’t take out that often the reason being that it stands at over 100 years old. I did get it before it joined the century club and at that point, I still thought it was part of the Brownie family. I took it out for review shortly after its 100th birthday. A basic, no-nonsense cheap,Read More →