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I remember not being overly excited about Rollei Paul & Reinhold when it was first announced in September of 2020. I mean, yes, it is great to see a special edition film released to celebrate the 100th Anniversary of a premier and historic camera maker (Franke & Heidecke later Rollei). There was little data on the film at the time, and there are still many gaps. Given that the actual film stock is unknown, it’s either a limited edition run (made in Italy, not Belgium) or a found stock that has been rebranded. Either way, Rollei has been tight-lipped about the film’s source. Given thatRead More →

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I never considered the village of Waterdown a good spot for photography, sure I knew about the trail and the waterfall at Grindstone Creek, better known as Smokey Hollow. But a chance morning to get out and do some photography landed me in this historic village, and I immediately knew that I had to include it for this project as more than the waterfall makes for good photographs. The area where Waterdown eventually grew has been occupied by humans as far back as 7,500 BCE. Still, the first known peoples were the Chonnonton Nation, one of the many civilizations known collectively as the Neutral Nations.Read More →

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It’s funny how some developers just drop right into your lap. One of my readers, Jon Porter, wanted to know my thoughts on FX-39. And at the time I had never even heard of Adox FX-39, so I hopped onto my source for the rarer chemicals, Argentix.ca, and found that yes they did carry Adox FX-39 II. Is this new version any different from OG FX-39, not on the surface, it just has been adjusted to last longer. But that wouldn’t be a problem. I went through my first 500mL bottle quickly and in a couple of months. FX-39 is based on Neofin Red (createdRead More →

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So after Friday’s winter storm, Saturday dawned bright and clear, so I loaded up three cameras and went to Hamilton. I slowed down my shooting for these shots, one, maybe two, each place I stopped with the Rolleiflex. I carefully looked at each area and pre-visualized what I’d want the final print to look like. Using a Pentax Spotmeter V, I metered for shadows I wanted the most details in, then underexposed by a stop (Putting the shadows in Zone IV), focused, and shot. Then make notes on the exposure. It was like shooting large format (I saw a guy with a 4×5 out andRead More →