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Last year was a big year for more premium modern 35mm cameras; you have the Pentax 17, the Lomography MC-A, and this one. The RETO Kodak Snapic A1 marked a major shift for RETO in their camera lineup. I’ve reviewed two of their previous offerings (Ultra-Wide & Slim and Kodak Ektar H35N), which are basic and cheap feeling; the Snapic A1 is a lightyear leap forward. The A1 offers a few things previous cameras did not: first, automatic film advance and rewind, second, two focus points for the three-element glass lens, and third, a proper OLED screen for information. And while it is advanced inRead More →

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I was starting to worry that I wouldn’t be able to complete this trinity of the original Efke films. Still, a fellow film photographer came through and sent me not one, not four, but a brick of ten rolls of Efke 25, and not just in 35mm, but in 120, that’s right, we’re doing the final review in the Efke trilogy with Efke R25. Efke 25 is the slowest and hardest to handle of all the Efke films, rated nominally at ASA-25. It is based on the original line of films first released by Adox in the 1950s. This is a single-pass emulsion with highRead More →

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When I started working on this series, I knew I needed to include a TLR on the list. But the biggest question is which TLR to include, as I’ve had three in my toolkit, all of which have had some impact on my photography. But after some thought, I settled on the Rolleiflex. The reason is that it’s been the longest-serving medium-format camera in my toolkit, and one I’ve been using before it was cool in this film photography resurgence. Does that make me a hipster? Yes, it probably does. At least I don’t wear a beanie. The Rolleiflex is not my first TLR; itRead More →

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I love winter. Well, a specific type of winter, the winter we had this past winter. And while we’re all here now, looking forward to spring, I wanted to look back at the winter that was, because I had a lot of fun this year. So what made this winter better than, say, the past two that we had? Well, first off, we got snow early, back in November 2025, which was awesome. And sure, we did lose all of it over the rest of the month and into December. But we did get some back in December, only to lose it again. But weRead More →

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Last year, for an episode of the Classic Camera Revival, I interviewed Pedro, the owner of Máquinas de Outros Tempos, or Machines from Another Time, a dedicated film lab and camera shop in Porto, Portugal. One of the other projects that the company runs is Cinemot, a supplier of film, both respooled and directly contracted for production. After listening to Pedro’s passion for film photography, I decided to order some of the film stocks offered by the company the black-and-white offerings. More importantly, I ordered these directly from Cinemot, and the time it took to get from Portugal to Canada was rather quick. Those beingRead More →

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I have a troubled history with 200-speed films. They’ve always given me more trouble and often try too hard, which can be detrimental. I struggled to find a way through Fomapan 200 and Rollei Superpan 200. Both Svema and Derev Pan 200-speed offerings were far more trouble than they’re worth. And then last year, along came Kentmere 200, a middle child for the Kentmere budget offerings. In all these colour film releases, Kentmere 200 took a backseat. But I latched onto Kentmere 200 almost right away. I already enjoyed Kentmere 100 and Kentmere 400, and the first flush of Kentmere 200 proved a solid performer.Read More →

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Like last year, I had a few extra days free to myself at the end of the year. So I rounded up the CCR team and headed into the city. The goal was to shoot some film and record an episode of the Classic Camera Revival for the start of our new season. I grabbed a train out from Oakville and into Union Station to meet up with the gang. I packed my Minolta Maxxum 7 and the 20mm lens, along with a roll of Kodak Tri-X 400 (rated at ASA-320 and developed in 510-Pyro). Since we were also doing the Mystery Camera Challenge, IRead More →

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I had a lot of fun last year working through some of my cameras and picking a different camera and film each month and shooting them for the enjoyment of photography. Often I would tie the roll to a YouTube video, specific blog post, developer review, or a podcast episode, but sometimes it would be for the fun of photography. These were always posted to Instagram and I worked again in collaboration with the community of folks through the 12monthsonfilm account. For 2025 I’ll admit there were repeat cameras from last year, but I did make a point to include some new arrivals and thoseRead More →

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Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →

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It was during the pre-production process for my video about Efke 100 that I finally decided to review Efke 50. I was looking back at my past photos, not only the ones I shot on Efke 100, but also 50 and 25. And I quickly found that by numbers alone, 50 and 100 were my favourite two flavours, with a lot of my favourite shots being taken on Ekfe 50. Until working on this review, the last roll I had shot was almost ten years ago (2016 at the Virginia Intermont College during the MAMU VIII event on my second day). I ended up developingRead More →