About|The Photographer

Art and creativity has always run strong in my family. My mother writes, my father creates stained glass, and my brother creates music. All through school I took the usual art classes, learning drawing, painting, and sculpture, all through elementary school and into high school. Sure I was okay at them, but there never was any passion, and drawing anything beyond spaceships, I was fairly hopeless. But it did give me a base to express my creativity in a physical sense, beyond my Lego creations. But my artistic expression lay outside of the traditional forms of art. I was introduced to photography, beyond the snapshot, in an English class. A roll of black and white film, and a Pentax K1000 from the school's photography lab was all it took. I was hooked, this was exactly what I had been looking for, so at a garage sale I found an old Minolta rangefinder and started shooting, playing with aperture, shutter speed, and of course teaching myself how everything worked. Film was my medium of choice, digital wasn't yet an option, as most consumer grade digital cameras were still just entering the market and the costs were still high, especially for a high school student going into college and working at McDonalds. I scored a good deal on a digital camera, and soon found my film work falling by the wayside, drawn into the ease of use and near instant options that it brings. But what I didn't expect was that it would be a detriment to my photography, losing my artistic flare, I became obsessed with the technical aspects of photography, noise, sharpness, and perfect exposure. It wasn't really a bad thing, in fact I feel it was again a good foundation building for my work, because when I returned to film I was a much stronger photography, and the film simply brought me back to the creative aspect of the medium. I was able to create stronger images knowing the technical details and the rules, and being able to bend and break them to get my image how I imaged it, the first time. And of course remembering to slow down, take my time, and most importantly, have fun.



The simple answer to why I shoot film is because its fun, but you're probably not here looking for a simple answer. Have you ever seen an 8x10 image made on slide film? I have never seen such depth, colour reproduction, or sharpness on any digital images, and it was something that I could hold in my hands. Now don't get me wrong, I'm not knocking digital in anyways, it still holds a place within the photographic community and space, but for me, digital never really cut it. There was no tangible connection to my photos. It was an image on a screen. I feel I can create stronger images with film than I ever could with digital. It just makes me slow down, make sure everything is right, the first time, and to actually enjoy shooting and creating. It also has to do with a level of control over your images, from choosing the film, camera, lens, based on what I have already pictured in my mind first, and then choosing the things needed to create that. It becomes more than just applying filters and sliders in a computer program, but being able to do it physically, choosing the right film, then matching it with the right chemistry to process it in. It's the perfect blend of science and art. There's just something special about loading this thin piece of plastic into a tank, pouring in chemicals, in sequence, sloshing them around and pulling it out, and having images appear, or watching an image show up on a piece of paper that you just exposed to light behind one of those negatives. It is something that I created, starting first with my heart and mind, and then setting about creating it. That's why I shoot film.

Frequently Asked|Questions

I'm from a magazine, newspaper, online blog ect, and would love to use your images, can I?
I'd be honoured, but please don't steal. I have many images that are under a creative commons license which you're welcome to make use of (just credit it to Alex Luyckx - www.alexluyckx.com). I will also allow for use of copyrighted works, please send me an email, with your name, your magazine, the idea for the article, how the image will be used. Non-Profit organizations will not have a usage fee applied.

Can I order one of your photos as a print?
Yes! If you visit the prints page, I have a monthly rotating selection of fine art prints, each made using traditional darkroom methods and are avalible in 5x7 and 8x10 sizes currently. They are matted and ready for framing. I also will take custom orders, just shoot me an email (address is linked on the top bar)

If you're looking for colour images, please contact me at the above email address to discuss price and use, I will work with my printers in either Canada or the US to ensure you get the best possible quality image.

What are you favourite film stocks?
Pretty much anything Kodak. Tri-X, Ektar, Portra, I'll always keep a good stockpile of the film on hand.

Can I shadow you on one of your jobs?
If you ask nicely, I may be willing to let you follow me around, but I will put you to work as an assistant. But I only let people whom I know and know their work that I'll let me a second for me.

I'm having trouble finding a place to process my film, where do you take yours?
While these days I pretty much process both black & white film along with colour film myself, there are still plenty of great film labs out there who are willing to take on all your film processing needs both here in Canada and the United States. Some of the good ones out there are: Burlington Camera, Downtown Camera, Toronto Image Works, Old School Photolab, Film Rescue International (Rare and Old film processing formats), Dwayne's Photo, Borialis, and The Darkroom!


  • August 2007 - Abandoned Hamilton - A collection of photo from the abandoned spaces of Hamilton, Ontario
  • September 2007 - Article and Photography for the Presbyterian Record
  • September 2008 - Triumvirate - A collection of photos from the three big abandoned spaces of Toronto, Ontario. The Richard L. Hearn Generating Station, Canada Malting Co. Plant, and the Don Valley Brickworks.
  • September 2008 - Testiment - A book created to celebrate the 75th Annual Presbyterian Young People's Fall Convension.
  • December 2008 - GalleryDK - PhotoLab Show
  • May 2009 - Second Place Winner - Don Jail Photo Contest - "Another Block"
  • September 2009 - Article and Photography for the Presbyterian Record
  • September 2009 - Photography for Glad Tidings
  • March 2010 - Northern Lights - A travel log book of various northern Ontario towns and abandoned spaces.
  • December 2010 - Windows Of Knox, a fundraising project for Knox Presbyterian Church in Milton, ON.
  • July 2011 - Voices In The Dark - Telling the last tales of the abandoned buildings I have explored.
  • December 2016 - Fire & Blood: A Pictorial History of the Anglo-American War of 1812 - My five year project exploring the history of the destructive war that pitted the British Empire against the young United States of America. A historical narative follows the causes of the war to the ultimate concultion and the effects that are still felt today.
  • March 2017 - 52: A Year on Film - A collection of images of my successfully completed 52-Roll project, while I've done many of these, this was by far, my favourite.